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Cultural history of selected segments of Everyday Life. Cult of Absinth: Absinth in culture
Frič, Jan ; Půtová, Barbora (advisor) ; Soukup, Václav (referee)
In the introduction the reader is introduced to the brief facts related to the history of absinthe, to what absinthe really is and what it means for many people today. The author mentions several myths with which he argues and notes that it is very likely they have contributed to current popularity of the absinthe. In the History section the readers are given the opportunity to find out where absinthe comes from and how the geographical distribution of this beverage proceeded, as well as its subsequent fall, which ended with a Europe-wide ban. At the end of this passage the latest development regarding the absinthe is mentioned. The description of its redistribution due to termination of the ban in almost all countries it was first established in can be found here as well. Next section is dedicated to the actual form of absinthe. The author states which essentials should be present in production of the absinthe and how new absinthes are born today from vintage bottles that remember the pre-ban era. The consumer has the opportunity to taste the exact replicas of the drinks produced in the 19th century. The following passage is about the real and perceived effects of absinthe, as well as familiarization with the most discussed substance contained in absinthe, thujone. Absinthe ritual is described in...
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Perception of art in czech culture at the turn of the 19. and 20. century
Pogranová, Anna ; Půtová, Barbora (advisor) ; Hoftichová, Petra (referee)
This thesis deals with visual art and its reflection in Czech culture at the turn of the 19th and 20th century. It describes the emergence of modern art and how it responded to the public and critics. The situation in the Czech countries is compared with the perception of art in France, in the U. S. and in Japan. Biographies of Czech artists who lived at the time - Max Švabinský and Alphonse Mucha, were used as the case studies. Finally, the work concerns with the perception of art from perspective of theory. The work aims to contribute to the phenomenon of perception of art in Czech culture and society in a particular socio-cultural context.
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Public space, its social parametres and not only visual dimensions
Krobová, Karolína ; Šmíd, Jan (advisor) ; Sedlák, Michal (referee)
KROBOVÁ, K. (2012). Public space, its social parameters and not only pictorial dimensions. Praha: Charles University, Faculty of Education, Art department, 122 pages. (Attachment: set of photography and object-totem) This thesis is corcerned with public space in its dimensions of visual, architectonic, pictorial, social and psychological. How does the space impact us and how do we influence it. This kinds of view are hold out with people in age of adolescent. I follow up with my bachelor work which was concerned with this age group in course of study in subculture graffiti and street art which I use now for examples and possible influnces on graphic design and illustration. I continue with refilling questionnaire and didactics project, partly practically maked in practice, after theory. This work is topped up with documentary of pictures in public space, object of my own and ritual in space like this. Key words: PUBLIC SPACE, COMUNICATION, CREATOR, SUBCULTURES, VIZUALITY, CONTEXT, ADVERTISMENT, GRAFFITI, STREET ART, ART, CULTURE, ART EDUCATION
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Sacred space - In the era of gothic thinking, art and architecture
Sobek, Jiří ; Veverková, Kamila (advisor) ; Royt, Jan (referee)
The thesis entitled Sacred space in the era of Gothic thinking, art and architecture deals with a certain specification of the sacred space, the function and meaning of the medieval church, events leading to the beginnings of Gothic art which left its imprint on the general medieval art and whose influence radiates from the 12th century and ends in the 15th century An essential part of the text is dedicated to using the given rules in the sacred space of the castle Karlstein.
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Painted curtains of Czech provenance in the last quarter of the 19th century
Rozinek, Josef ; Prahl, Roman (advisor) ; Leubnerová, Šárka (referee)
Main task of this work is to present painted curtains of the Czech provenance and situated on the Czech territory during last quarter of th 19th century. At the beginning I will present the development of theater curtains in general. There will be also described Czech painted curtains from the end of 18th and 1st half of the 19th century and the foreign examples. Subsequently will be analyzed the curtains of the national Czech and German theaters ant there will be made comparison between these two types. At the end will be described the specific element of painted curtains. Powered by TCPDF (www.tcpdf.org)
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The culture and art in the Pavlovian period
Pánová, Lucie ; Půtová, Barbora (advisor) ; Soukup, Václav (referee)
1 Abstract: This bachelor's thesis proposes a holistic description of the culture and art in the Pavlovian period. The first part focuses on the first men and cultures in Europe while taking into account the natural conditions these people had to face and the advanced technologies they used. The second part deals with different types of settlements, their structure and the history of research on the subject. As for the third and the last part, it engages in a reconstruction of possible symbolic manifestations of the then culture and describes the Pavlovian art with the help of particular art artefacts. The thesis is supplemented with annexed pictures.
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Relationship of art and design in Czechoslovakia between the two world wars
Christianová, Dana ; Lahoda, Vojtěch (advisor) ; Knobloch, Iva (referee)
Ústav pro dějiny umění Diplomová práce Dana Christianová Relations of Fine Art and Design in interwar Czechoslovakia Abstract (in English) The work deals with relations of Fine Arts and Design in the context of the First Republic, when marked a fundamental transformation not only in art in general, but just in handicraft and design. This work demonstrates changes that have occurred in the perception, classification and finally democratization of design, by the example of textile art and personality of Marie Teinitzerová, who was at the interface of fine art, handicraft and design and significantly contributed to the promotion of new aesthetic values in all of these areas.
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The Saint and Blessed Polish Martyrs In the course of centuries
Fričová, Michaela ; Royt, Jan (advisor) ; Pučalík, Marek (referee)
The Saint and Hallow Polish Martyrs In The Course of Centuries The objective of thesis "The Saint and Hallow Polish Martyrs In The Course of Centuries" is the introduction of selected Polish martyrs from the middle ages until the end of the 20th century. The thesis follow their cult development from its origin until present, including related demonstration of art, in particular the development of iconography. They also follow the influence of life example and the subsequent cult of the martyrs on the society at that time, as well as the spiritual and national awareness of the following generations. In this connection, they also give attention to particularities of the Polish national history, the constitutional arrangement, the artistic and culture relationships and environment and the history of the Catholic Church in Poland. Each chapter, which is introducing a Saint or a group of martyrs, is divided into three parts - the epoch, the life, the cult and iconography. The objective of this division is the schema of historical conditions in which the personality of the Saint was formed. These historical conditions were also determine for the martyrdom. The next parts of the chapters deal with a brief biography of the Saint and the summary of significant moments in the development of the Saint's cult...
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Machine without a cause
Pánková, Soňa ; Bláha, Jaroslav (advisor) ; Sedlák, Michal (referee)
The work focuses on the machines in the art of receiving an entirely new dimension. The work deals with machines in the socio-cultural, technological and artistic context in particular. The theoretical part is focused on Dadaism, his heirs and other international and Czech artists who devote a similar theme. She concentrates on paintings, sculptures and objects in which the machine or the machine elements depicted often absurd or other totally unique way and diverge primary importance machine. The work deals with artists such as Francis Picabia and Jean Tinguely and their work in detail the work emphasis on the confrontation of works of art and their development path. Didactic part deals with an identical theme. It focuses on the application possibilities of the topic and its use in the concept art education. It provides a total of four art series designed primarily for lower secondary schools (ISCED 2), the themes of the machine without cause. The artwork contains a set of photographs "Traces machines" that affect their own contributions on the basis of real inspiration, which is the subject of the work.
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Graffiti conformital non/conformity - possition of graffiti in art education teaching
Hübner, Petr ; Šmíd, Jan (advisor) ; Raudenský, Martin (referee)
Hübner, P.: Graffiti - Nonkonformní konformita aneb Role graffiti ve výuce výtvarné výchovy, [Diplomová práce] Praha 2013 - Univerzita Karlova, Pedagogická fakulta, Katedra výtvarné výchovy, 94 s. Abstract The diploma thesis independently follows on the author's bachelor thesis. It briefly describes the substance and the history of the graffiti phenomenon with the focus on current situation and local scene. Then, it points out less frequent questions and problems that are based on the substance of graffiti itself. The text tries to give important information and impulses to the teachers of art lessons, who often have misinterpreted and partly idealized idea of graffiti. The thesis also focuses on the state of current Prague street art that is on the decline at the moment. The text combines particular examples with consideration passages that deal with general topics like non/conformity, freedom, safety, creativity, ilussions, relationship to surroundings or private property. The research that was done among the teachers at lower and higher secondary schools is compared with the author's opinions, even by means of two dialogues with graffiti artists themselves. In the didactic part, the author summarizes possible conceptions of art lessons in connection with the graffiti topic that are supplemented with the...
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