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Selected motives of Greek thinking in Nietzsche's philosophy
Fodorová, Aneta ; Rybák, David (advisor) ; Hogenová, Anna (referee)
This thesis observes chosen Greek motives through the eyes of a very special German philosopher of the nineteenth century Friedrich Nietzsche. The main aim, more specifically speaking, is to introduce Nietzsche's understanding of the Greek culture and thinking and to follow Nietzsche in his inpiration and intergration of Greek ideas into his own philosophy. There is an emphasis put on the revelation of Nietzsche's problematic understanding and grabbing of Greek thoughts, which happen to be very frequent. What is crucial for this paper is a thorough interpretation of individual motives and their position in Nietszche's philosophy. The focal thoughts are the following: apollinian and dionysian art, relationship between Socrates and Plato as well as of Nietzsche and Herakleitos, and the concept of overman. The impact of Nietzsche's understanding the Greeks in today's society is also taken into consideration. Key words Art, Apollon, Dionysos, Socrates, life, Zarathustra, the eternal recurrance of the same, game, fire, child, overman, agon
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The Problem of Freedom and Creativity in Nietzsche
Kobylka, Vít ; Novák, Aleš (advisor) ; Marek, Jakub (referee)
The Thesis aims to explore the problem of Freedom and Creativity in Nietzsche. It attempts to do so in respect to the two main concepts of his high and late writings. Concept of Superman and concept of the Eternal recurrence of the same. In this respect our text follows especially interpretations of Martin Heidegger. We begin our treatise with situating Nietzsche's concept of freedom among more traditional thought and we put emphasis on comparison of it to the philosophy of Baruch Spinoza. In the next phase we reject (with Martin Heidegger and Ivan Dubský) simplifying understanding of the Eternal reccurence which understands it as dull determinism. We also analyse the topic of Creativity in Nietzsche and introduce it as fundamental anthropological theme. In the following chapters we identify certain moods that allow us to experience perspective of the Eternal reccurence and the one of Superman, which gives us chance to understand both concepts in their connection. But this connection remains enigmatic and in the last chapter we try, with help of Kierkegaard's concept of the moment, to understand both thoughts in their complementarity not only united in the concept of creativity, but also through Nietzsche's concept of the moment, understood as the original understanding of one of the aspects of...
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Nietzsche and Dostojevsky. Idea of superman
Hrybkova, Katsiaryna ; Novák, Aleš (advisor) ; Marek, Jakub (referee)
Present thesis aims at revealing both touching points and different points of departure in Nietzsche's and Dostoevsky's concept of superman by using so called philosophical- anthropological approach to the questions matter. It takes into account not only complete context of oeuvre of both authors but also wider cultural and historical context of their time. Basic point of departure of this thesis is expectation of crucial position of man in the oeuvre of Nietzsche and Dostoevsky as well, both understanding man as essentially defined as free to choice. Analysis of characteristics defining essence of man leads after to elaboration of idea of superman - conclusion of final judgement of human beings' essential characteristics and visions of future principle of man. Having closely analysed particular landmarks on the way from man to superman in the form of particular types of relations to each person's being and freedom - last man, upper man and superman (or common and exceptional man) - we are arriving to systematic comparison of motif of superman in the thinking of both authors, to associated concepts (negative and positive freedom, suppression of nihilism and so on) and finally to its general meaning. KEY WORDS F. Nietzsche, F. M. Dostoevsky, superman, freedom, nihilism, upper man, last man, will to...
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Philosophy of extreme voluntarism (Schopenhauer) and its influence on later authors (Friedrich Nietzche and Ladislav Klima)
LASTOMIRSKÁ, Jana
The work deals with the extreme voluntarism and his influence on later authors. First, is the work of Schopenhauer explained the concept of the metaphysical will. Here is insights will primarily as a form of objectification and the closest is served objectification of the body, understood as object.In next section, this will monitored in philosophy of Ladislav Klíma and his idea of egodeism. For Klíma however, metaphysical will lose its transcendent ability and insight from a purely subjective point of view. The last part is mentioned Friedrich Nietzsche, whose theory of the will to power and the death of God, could be an inspiration for the Klíma's idea of egodeism.
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