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Křivoklát Altarpiece
Čepeláková, Hana ; Ottová, Michaela (advisor) ; Royt, Jan (referee)
The Diploma thesis "Křivoklát Altarpiece" tries to process the monographical issues of a late gothic altarpiece retable. The altar has survived as a part of stylistically uniform area of Křivoklát's chapel. Author primarily studies this work of an outstanding quality in the context of the second half of the 15th century of the Central European artistic product. The work is compared with the artistic works of the same type. In addition to that the author tries to clarify iconographic issues of the altarpiece which are often mentioned in specialized literature. The Diploma thesis mainly focuses on the altar's sculpture decoration with the goal to clarify its stylistic origins and the time of its creation. Křivoklát Altarpiece represents one of the most important works coming out of Prague's Jagellonian court.
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Rakovnik altar
Lokšová, Pavlína ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
Bachelor thesis entitled Rakovnik's altar deals with four both sides painted panels, which formed wings of the late gothic altar in the church of St. Bartholomew in Rakovnik. It aims to create a monograph as a basis of further research. The thesis generally describes the historical context, the city Rakovnik and the church of St. Bartholomew. It subsequently describes the panels, gives characteristics of the authors of the altar and the basis of their art. All this is set into the contemporary context of panel painting. The work captured the movement of panels and their restoration. The important parts of the thesis are original graphic material, basis iconography and trace analogies.
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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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Medieval Panel Painting as an Object
Dvořáková, Valerie ; Hlaváčková, Jana Hana (advisor) ; Royt, Jan (referee)
The Bachelor Thesis focuses on panel painting, not from a display point of view, but its physical evidence as an object; the links between the space in which the object exists and the image space. It also covers the specific features, such as; the back of the panel paintings, the original medieval decorated frames or the possible relation to different types of relics. It deals with quite a wide range of subjects relating to similar issues, concerning specific examples of panel paintings.
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The master of the Budnany altarpiece and context of workshop praxis at the end of the 15th century in Bohemia
Šindlář, Ondřej ; Ottová, Michaela (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The Master of the Budnany Altarpiece (in other circumstances also called Master of the Vejprnice Altarpiece) appears to be a painting workshop operating in the 1590s, probably in Prague or hypothetically in Cheb (Eger). It is a construct created by art historians on the basis of a group of surviving works that show significant stylistic similarities. It includes three torsionally preserved painted altarpieces. These are the Budňany altarpiece, the Pruhonice altarpiece and the altarpiece of the Knights of the Cross monastery. Mostly these are works of lower quality, which, according to current interpretation, illustrate the average production of Prague workshops at the end of the 15th century. Stylistically, they are strongly derived from the production of the Nuremberg Painting Centre, but also, allegedly, from the problematically defined contemporary "court" painting in Prague. The so-called "Vejprnice panel", originally the main part of another painted altarpiece, was also included in the group for a time because of its stylistic affinity, which transformed the naming of the anonymous workshop master. The author of this conception was Jaroslav Pešina, who was by far the most active on the subject, most recently in 1978, and this thesis thus partly polemics with his conclusions. The content of this thesis...
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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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Late Gothic Panel Painting in Prague
Dolejšová, Dominika ; Royt, Jan (advisor) ; Jarošová, Markéta (referee)
Univerzita Karlova v Praze Katolická teologická fakulta Ústav dějin křesťanského umění Dějiny evropské kultury Téma: Pozdně gotická desková malba v Praze Autor: Dominika Dolejšová Vedoucí práce: Prof. PhDr. Ing. Jan Royt, Ph.D. Abstract The aim of my bachelor work was to summarize literature to late gothic panel painting in Prague and create catalog of panel paintings. Introduction of my essay I donate characteristic panel painting at all. I concentrate to late gothic panel painting in Prague. In the main part of my essay I describe all of artworks and their parts. I introduce dates, places of origins and today'slocations. Another part of my essay are restore reports. My bachelor containes catalog with all late gothic panel paintings from Prague. Keywords gothic, panel painting, 15th century, Prague
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The Master of the Slavětín Altarpiece
Csémyová, Eva ; Royt, Jan (advisor) ; Ottová, Michaela (referee)
This thesis focuses on the appreciation of works attributed to an anonymous painter known as Master of the Slavětín altarpiece, which was active in the first half of the 16th century in north-western Bohemia. The development of the ideas of the individual researchers in his work is being described on the base of the research of the literature; the author also tries to find other available information on these works. The output of this work is the artist's monograph, where these findings are assessed. In the second part the author considers the possibility of the existence of painting -carving workshops producing the altarpieces on the order, in which the painter Master of the Slavětín altarpiece and carver Master of Doksany altarpiece cooperated.
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Medieval Panel Painting as an Object
Dvořáková, Valerie ; Hlaváčková, Jana Hana (advisor) ; Royt, Jan (referee)
The Bachelor Thesis focuses on panel painting, not from a display point of view, but its physical evidence as an object; the links between the space in which the object exists and the image space. It also covers the specific features, such as; the back of the panel paintings, the original medieval decorated frames or the possible relation to different types of relics. It deals with quite a wide range of subjects relating to similar issues, concerning specific examples of panel paintings.
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