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Robotic arm
Kacetl, Jan ; Křenek, Ladislav (referee) ; Rajlich, Jan (advisor)
The aim of my bachelor's work is to project a design of computer controlled robotic arm pursuant art-design goals. This concept should highlight technical issue and introduce it to human through art style. Best art style to meet this requirements is Kinetic Art.
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Sound installation
Vacek, Lukáš ; Frank, Jakub (referee) ; Ambrůz, Jan (advisor)
In my bachelor thesis, I tried to evaluate my experience with working with sound, vibrations and the way they spread through different types of material. Examine the characteristics of the material and its properties through a minimalist form and through a targeted reduction of the vibrations themselves, while observing how they affect human perception. The fundamental concept of the installation is derived from this relationship. I am fascinated by how vibration and sound in space can create a situation that engulfs the viewer. The significance and the symbolism of this correlation, i.e. the ability of sound to create, distort and transform space and the way humans perceive this action is the main concept of my bachelor thesis. The vibrations represent the constant movement, change and uncertainty that are key aspects of this installation, but also of human existence and its perception. The scenographic nature of the artwork illustrates and alters the space around it with its audiovisual features, giving the impression of its own imaginary architecture. This creates a dynamic dialogue between the objects, which mutually vibrate and resonate through connections between the space and the audience.
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Sound installation
Vacek, Lukáš ; Frank, Jakub (referee) ; Ambrůz, Jan (advisor)
In my bachelor thesis, I tried to evaluate my experience with working with sound, vibrations and the way they spread through different types of material. Examine the characteristics of the material and its properties through a minimalist form and through a targeted reduction of the vibrations themselves, while observing how they affect human perception. The fundamental concept of the installation is derived from this relationship. I am fascinated by how vibration and sound in space can create a situation that engulfs the viewer. The significance and the symbolism of this correlation, i.e. the ability of sound to create, distort and transform space and the way humans perceive this action is the main concept of my bachelor thesis. The vibrations represent the constant movement, change and uncertainty that are key aspects of this installation, but also of human existence and its perception. The scenographic nature of the artwork illustrates and alters the space around it with its audiovisual features, giving the impression of its own imaginary architecture. This creates a dynamic dialogue between the objects, which mutually vibrate and resonate through connections between the space and the audience.
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"In motion". Series of Creative Lessons for Art Education at Primary School.
ŠINDELÁŘOVÁ, Eva
Both theoretical project-based thesis focuses on the topic of motion in art and education. To be able to cover this very complex subject, the thesis consists firstly of thematic search, which is dedicated to the phenomenon of capturing motion in the field of arts. It aims to examine motion and dynamics from a thematic perspective as well as constituted separately as an independent element by introducing the basic kinetic principles used in contemporary modern art. The introductory theoretical part of the thesis is secondly followed by a didactic analysis of the issue, mapping a few selected principles and describing how they are handled in primary school teaching. Subsequent part of the thesis is project-based, and it develops the topic further in a practical dimension. It presents eight interrelated, creative lectures including a written preparation and its application in a primary school classroom. It targets different dimensions of motion in art, various ways of expressing and capturing it through experimental methods involving traditional and modern art techniques, medias and practices.
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Zdeněk Pešánek and his participation on the International exhibition in Paris in 1937
Linhová, Lucie ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
This Thesis explores two artworks by czech sculptor Zdenek Pesanek - a cycle of light-kinetic sculptures The One hundred years of electricity and a light foutain The Fountain of spa which were made in 1930s. Both artworks are analyzed in the context of contemporary art in Czechoslovakia, with regard to kinetic tendencies abroad and in connection with the autor's previous work. These artworks are among works of kinetic art, which is directly dependent on electricity and its aim is to shape an urban interior. In view of this fact the Thesis outlined the impact of the development of electricity to production of a light urban space and the autor's relationship to czech contemporary avant - garde association Devetsil. The cycle of the light-kinetic sculptures The One hundred years of electricity is analysed from an assignment, through a preparation models to an implementation and a presentation of sculptures in Museum of Decorative Arts in Prague in 1936. The cycle and the next work The Fountain of spa were exhibited at the International Exhibition in Paris in 1937 in the Czechoslovak's pavilion. There represented Pesanek's works Electric Companies in Prague and contemporary phenomena related to the theme of the exhibition - Art and technology in modern life. In the Thesis are described circumstances...
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The Italian movement Arte Povera, Czechoslovak Nová citlivost and Czech-Italian relationships around Jindřich Chalupecký and Jiří Padrta
Horvatovičová, Zuzana ; Klimešová, Marie (advisor) ; Pomajzlová, Alena (referee) ; Lux, Simonetta (referee)
Mgr. Zuzana Horvatovičová The Italian movement Arte Povera, Czechoslovak Nová citlivost and Czech - Italian relationships around Jindřich Chalupecký and Jiří Padrta ABSTRACT The main theme of this thesis was to compare two artistic phenomena of the sixties of the 20th century: the Italian movement Arte Povera (Poor Art, 1967) and the Czechoslovak avant-garde concentrated around the group exhibition New Sensitivity (Nová citlivost, 1968). It also focused on the network of contacts and principal organizers of Italian exhibitions especially in Prague and Czechoslovak exhibitions in Italy. Long research in archives and collecting of documentary material, catalogues and reviews led to very interesting results. Arguments of the thesis are based on the comparison of the constructivist work of the New Sensitivity artists with the group of Arte Povera and with the kinetic work of Arte Programmata. Much more shared elements were found to exist between the Czechoslovak circle of the New Sensitivity and the Italian artistic tendency Arte Programmata than between the artists and art works of exhibition New Sensitivity and the group Arte Povera. Italy and Czechoslovakia maintained a different art and "parallel" culture, although they came to a rather close contact in the "revolutionary" sixties.
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Dvizhenie (1962 - 1976): Experimental art of the group and its presentation outside the USSR
Slavíková, Kateřina ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee)
Dvizhenie (1962-1976) Experimental formation of the group and its presentation outside the USSR Abstract The bachelor's thesis focuses on the Moscow art group Dvizhenie, which was formed mainly thanks to the founding member, Lev Nusberg, at the beginning of the 1960s. The group was active until 1976 and during that time the group became one of the most comprehensive and distinguished formations in Soviet art at the time, mainly due to its experimental work. The first part of the thesis is dedicated to the artistic development of the group. At the beginning, Dvizhenie drew from the Russian avant-garde of the 1920s, which shaped the first wave of kinetic art in Europe. The group's geometric works on paper gradually transfer into space. Eventually, Dvizhenie evolved in its work towards a kinetic sculpture which was experiencing a renaissance throughout and beyond Europe in the 1950s. Movement as an artistic expression led the group to experiment with cybernetics - its members combined this new technology with modern psychology focused on the perception of artworks and scenography. The group's peak was cyber theatre, which primarily wanted to engage all the audience's senses. The second part of the thesis focuses on the relationship of Dvizhenie with the totalitarian policy of the USSR. Surprisingly, the...
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Kinetic object
KŘEPELKOVÁ, Lenka
In this bachelor thesis the kinetic art is introduced. It is split into two parts one is theoretical and the other one is practical. There is an analysis of the kinetic art in the theoretical part where the origins of this art are described and are followed by its development through ages. After that the European point of view and a list of the most significant artists who influenced this movement the most is given. This thesis focuses on Vratislav Karel Novák, a famous czech artist, who contributed to the development of kinetic sculptures in the Czech Republic. In the practical part a 3D object built from exchangeable parts is presented as well as sketches of those parts.
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The Italian movement Arte Povera, Czechoslovak Nová citlivost and Czech-Italian relationships around Jindřich Chalupecký and Jiří Padrta
Horvatovičová, Zuzana ; Klimešová, Marie (advisor) ; Pomajzlová, Alena (referee) ; Lux, Simonetta (referee)
Mgr. Zuzana Horvatovičová The Italian movement Arte Povera, Czechoslovak Nová citlivost and Czech - Italian relationships around Jindřich Chalupecký and Jiří Padrta ABSTRACT The main theme of this thesis was to compare two artistic phenomena of the sixties of the 20th century: the Italian movement Arte Povera (Poor Art, 1967) and the Czechoslovak avant-garde concentrated around the group exhibition New Sensitivity (Nová citlivost, 1968). It also focused on the network of contacts and principal organizers of Italian exhibitions especially in Prague and Czechoslovak exhibitions in Italy. Long research in archives and collecting of documentary material, catalogues and reviews led to very interesting results. Arguments of the thesis are based on the comparison of the constructivist work of the New Sensitivity artists with the group of Arte Povera and with the kinetic work of Arte Programmata. Much more shared elements were found to exist between the Czechoslovak circle of the New Sensitivity and the Italian artistic tendency Arte Programmata than between the artists and art works of exhibition New Sensitivity and the group Arte Povera. Italy and Czechoslovakia maintained a different art and "parallel" culture, although they came to a rather close contact in the "revolutionary" sixties.
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Zdeněk Pešánek and his participation on the International exhibition in Paris in 1937
Linhová, Lucie ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
This Thesis explores two artworks by czech sculptor Zdenek Pesanek - a cycle of light-kinetic sculptures The One hundred years of electricity and a light foutain The Fountain of spa which were made in 1930s. Both artworks are analyzed in the context of contemporary art in Czechoslovakia, with regard to kinetic tendencies abroad and in connection with the autor's previous work. These artworks are among works of kinetic art, which is directly dependent on electricity and its aim is to shape an urban interior. In view of this fact the Thesis outlined the impact of the development of electricity to production of a light urban space and the autor's relationship to czech contemporary avant - garde association Devetsil. The cycle of the light-kinetic sculptures The One hundred years of electricity is analysed from an assignment, through a preparation models to an implementation and a presentation of sculptures in Museum of Decorative Arts in Prague in 1936. The cycle and the next work The Fountain of spa were exhibited at the International Exhibition in Paris in 1937 in the Czechoslovak's pavilion. There represented Pesanek's works Electric Companies in Prague and contemporary phenomena related to the theme of the exhibition - Art and technology in modern life. In the Thesis are described circumstances...
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