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Two concepts of poetism. Karel Teige and E. F. Burian
Rozbořilová, Adéla ; Heczková, Libuše (advisor) ; Vojvodík, Josef (referee)
This thesis characterises E. F. Burian's early conception of Poetism in contrast to Teige's "mainstream" avantgarde conception, focusing on the period of Burian's stay in Prague between 1924 and 1930. The crucial aspect of the problem is Burian's emphasis on acoustics and tonality in poetry, opposed to Teige's optical poems based on visuality. First, the main ideas of Teige's program are set up. The thesis then follows Burian's artistic progression, analysing all Burian's fundamental writings (Polydynamika, Idioteon etc.) and explains his idea of polydynamics. The aim is to explicate Burian's vision of poetism and its application in contemporary cultural environment, based on what Burian reflects in his writings. Keywords: Emil František Burian, Karel Teige, Poetism, tonality, visuality, optical poetry, voiceband, polydynamics
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Separeted librarries - Library of Karel Teige
Kulová, Sára ; Petruželková, Alena (advisor) ; Vorlíčková, Blanka (referee)
The main goal of this thesis titled Separated libraries - Library of Karel Teige is based on Teige's important life events to pursue his creative activity and to connect it with his personal library. This topic will form the first part of the thesis - split into period of Devetsil and Surrealist group. In the second part, I deal with the issue of Teige's separated library and its further destiny after 1951. I focus primarily on Teige's estate in the Museum of Czech Literature and on its composition. An important item of this second part are letters between the Ministry of National Security - Headquarters of State Security and the National Security Secretary, which describe an event between the intervention of the State Security into the apartment of Karel Teige and depositing Teige's estate to the National Museum Library. This thesis should help to clarify how Teige's library was separated and where it was deposited.
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Karel Teige, Jan Mukařovský and Bohuslav Brouk as Theorists of Surrealism
Kuchařová, Markéta ; Heczková, Libuše (advisor) ; Vojvodík, Josef (referee)
The content of the thesis is the surrealistic object and its reflection among the czech theorists. The first part of the thesis describes the problematic of surrealistic object and subject-objective relations in surrealism. Breton's philosophical approach is introduced, as well as his concept of object's crisis. The first part also outlines the meaning of found object, concept of convulsive beauty and Dali's paranoic-critical method as a source of surrealistic imagery. The second part of the thesis is focused on the reflection of surrealistic object presentation and on relations between arts and reality according to the concepts of Jan Mukařovský. The third part of the thesis is dedicated to conceptualization of aesthetics of Bohuslav Brouk in the light of surrealism. In this part the scope of Brouk's understanding of subject-objective relations is briefly described, as well his interpretation of surrealistic object.The last part of the thesis outlines the Teige's conception of surrealistic work in the terms of the sources of surrealistic imagination.
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Library of Karel Teige - the source for studying literary history
Fialová, Jana ; Petruželková, Alena (advisor) ; Vorlíčková, Blanka (referee)
(in English) The paper analyzes the personal library of Karel Teige, the leading theorist of the Czech avant-garde, with respect to its cultural and political context. It presents the available information on its history and its role for studying literary history, surrealism in particular. The literary estate of Karel Teige is currently located in the National Museum Library (3828 items), Museum of Czech Literature (PNP; approx. 290 items), and partly in private ownership. Its composition reflects Teige's lifelong active participation in Czech surrealism and incorporates valuable samizdat books from the wartime period, when surrealist activities were illegal.
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Visions and Beliefs of Three Generations of the Czech Avant-garde (1919-1989)
Bulíček, Jan ; Pullmann, Michal (advisor) ; Machovec, Martin (referee)
Aim of this work is to make a comparison of three generations (1918 - 1989) of discourse art theorists and to point to their similarity. Specifically, the main personalities and spokespersons of Czech avant-garde art and underground, who are Karel Teige, Vladimír Boudník, Egon Bondy, Milan Knížák and Ivan Martin Jirous. This work analyses the content the interpretive models which are contained in the manifestos and manifestations text (Chapter 2) and reconstruction experience and feeling of historical avant-gards based on work with ego-documents (Chapter 3). The result of this analysis is a description of the differences (and dynamics) of development of avant-garde, but especially characteristic of avant-garde and underground mental world. The analysis shows that the artistic avant-garde (Teige) and underground (Jirous, Knížák), as well as the second generation standing on the edge of the avant-garde and underground (Boudník, Bondy) show great similarity with many common features. Individual features common to the avant-garde and underground are summarized in the conclusion. Key words avant-garde, underground, czech art, manifest, feeling, Karel Teige, Vladimír Boudník, Egon Bondy, Milan Knížák, Ivan Martin Jirous
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The Motifs in Selected Poetistic Works by Karel Schulz, Vladislav Vančura and Karel Konrád
Jílková, Babeta ; Wiendl, Jan (advisor) ; Heczková, Libuše (referee)
The aim of this thesis is to compare motifs in three Poetistic works. The selected works were Dáma u vodotrysku by Karel Schulz, Rinaldino by Karel Konrád, and Dlouhý, Široký, Bystrozraký by Vladislav Vančura. Besides comparation of selected works, the thesis also describes typical characteristics of each work, and the personal style and attitude of each author in relation to programme concepts of the Poetistic art written by Karel Teige and other members of U. S. Devětsil. The work concludes to typical characteristics of Poetistics art and explains why we can classify selected works as Poetistic although there are many differences between them.
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Situation of the Surrealist Subject
Svěrák, Šimon ; Zuska, Vlastimil (advisor) ; Dadejík, Ondřej (referee)
Univerzita Karlova v Praze Filosofická fakulta katedra estetiky Diploma thesis Šimon Svěrák Situation of the Surrealist Subject (abstract) 2012 thesis supervisor: prof. PhDr. Vlastimil Zuska, CSc. Abstract This thesis focuses on the situation of a substantial subject in the historical development of the surrealist experience and confronts it with our original postmodern interpretation of thoughts of early Marx. The surrealist consciousness is based on a dialectical opposition between rational and irrational elements of cognitive processes. André Breton apprehends this dialectics under the perspective of love life and relates it to values of love, freedom and poetry. Nevertheless, this conception changes in the immanent development of the surrealist consciousness from Breton over the work and thoughts Salvador Dalí and Mikuláš Medek to Vratislav Effenberger. Effenberger removes positive values from surrealism and puts emphasis on the critical functions of the irrational. On the psychological field, all these ideas are based on the conception of the unconscious which means there is the substantial approach in them. Our critical interpretation of Marx shows, that the surrealist concept of subject is in the contradiction with its substantial determination. The subject has to be perceived as the essential...
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The end of The Carnival - Poetism on the verge of the 1930s
Bílková, Petra ; Wiendl, Jan (advisor) ; Vojvodík, Josef (referee)
Univerzita Karlova v Praze Filozofická fakulta Ústav české literatury a literární vědy Diplomová práce Petra Bílková KONEC KARNEVALU poetismus na přelomu 20. a 30. let THE END OF THE CARNIVAL Poetism on the verge of the 1930s Praha 2012 Vedoucí práce: doc. PhDr. Jan Wiendl, Ph.D. Abstract In the first half of the 1920's, in the Czech avant-garde, a new art began to form - Poetism. On the basis of individual manifests and programmatic articles it was defined as modus vivendi. In the 1920's many principles and ideas were shaping the future, not only for the society, but also for the artistic movements. Poetism featured mainly an original concept of art and life; the authors of theoretical articles were mainly Karel Teige and Vítězslav Nezval. Within a few years the concept of life as a careless game and a source of joy faded and bitter- sweet topics began to penetrate Poetism. At this time, the poetics of Poetism changed from the original cheerfulness and everyday beauty to serious existential topics - the evidence is provided by many works of art. This transformation affected poetry the most. In poems made by authors, who came out of Poetism, inspiration thereby gathered is still evident; however, more serious issues are coming to the fore. Each of those poems expresses a distinct reconciliation with the...
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Housing in released buildings of former Brno´s textile factories
Sedláková, Anežka ; Kyselka, Mojmír (referee) ; Zemánková, Helena (advisor)
The doctoral thesis is concentrated on housing as selected manner to convert the released textile factories. In the first part was attention given to history which confirmed the high recovery factor of Brno´s industrial past to reuse. Next part was focused on analysis of the XXth century forms of collective housing, especially the loft housing, to characterize the perspective habitation in selected factories. Finally was the contemporary housing observed through three specific aspects to aim the conversion of Brno´s textile factories.
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Modern Architecture and The Concept of Space
MIKOLÁŠKOVÁ, Jana
In this work student will deal with the concept of space in terms of philosophy, psychology and partly in the literature and especially in modern architecture, which became a living style of 20th century. Furthermore, student will deal with psycho-social terms of space and will point out why was the idea of functionalism, in its purely technical form, unsustainable.
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