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National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
"Amorous Calf-Love of the Virgin Queen". Fateful Men of Elizabeth I Tudor (1558-1603) in the Context of Her Domestic and Foreign Policy
 Menhard, Jan ; Kovář, Martin (advisor) ; Royt, Jan (referee)
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Shakespearean Minorities: Myth, Prejudice and Transformation
 Bielková, Andrea ; Procházka, Martin (advisor) ; Nováková, Soňa (referee)
The thesis is concerned with the portrayal of the minorities in William Shakespeare's The Merchant of Venice and Othello, the Moor of Venice. By means of close reading and the compare-and-contrast approach, the two main minority representatives - Shylock in The Merchant of Venice and Othello in Othello - are analysed from various perspectives. A special attention is paid to the comparison of the way they are presented to the audiences and the way they present themselves; how do they operate in the majority society and how their identities transform throughout the plays. The introductory chapter defines the key terms relevant for the thesis, the structure of the thesis and its main goals. Chapter 1 provides an insight into the perception of Jews and Moors in the European context from the Middle Ages up to the Early Modern period. Special attention is paid to the variety of popular stereotypes, prejudices and myths circulating in England and how are these reflected in the portrayal of the two minorities in the literature of the period. The main focus in Chapter 2 is on the analysis of the mutual relationship between the majority and the Other in the two plays, on the respects in which the Other is differentiated from and distanced by the majority and how these two groups coexist in the given context....
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Perception of Moors in Elizabethan England
 Bielková, Andrea ; Klusáková, Luďa (advisor) ; Křížová, Markéta (referee)
The thesis focuses on the perception of African population in Elizabethan England. It attempts to clarify the social context and environment in which the image of an African - a dark-skinned individual - emerged and developed. The main questions the thesis aspires to answer are as follows: what social phenomena had crucial impact on the formation and transformation of the image of the Other, and what form did the image resulting from these took upon; if and how were these factors reflected in the popular culture. The main sources for the analysis are primarily travel literature and theatre production of the Elizabethan period. Key words: Elizabeth I; Moors; Negroes; travel literature; George Best; Richard Hakluyt; Elizabethan drama; Othello; The Merchant of Venice; Battle of Alcazar; Lust's Dominion; Titus Andronicus; Morocco; Berbery
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