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Water Politics
Dvořáková, Dana ; Vojtěchovský, Miloš (referee) ; Sterec, Pavel (advisor)
The work is aimed at familiarizing the audience with the problems of water in the Czech Republic and its distribution within the landscape. However, its character, which approaches to documentary work, doesn´t explicitly describe the problem, but rather attempts to visualize it and give the viewer space for his own imagination. The work draws in contrast the examples of fine functional interventions in the landscape with examples of monstrous concrete structures - dams. It points to problematic places and tries to convey to the viewer the current issue not only in the chosen location. The main thing is the lyrical performance, which evokes not only a video but also the sound part and the narrative that explains the whole problem. The video is not purely informative, its specificity is also focused on the enjoyment of the viewer. He plays with documentary techniques but does not use them as a priority. The shots are deliberately chosen so that the concrete buildings look monumental and have their seriousness. The background of the shots also shows the time of their creation. This element is supposed to be critical and is supposed to be opposed to studies that use old plans to build new water reservoirs that do not give space for a more efficient solution. The work also touches on the overproduction and issues of today's modern agriculture.
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Hyperspeed Reach - Audiovisual Performance
Kočišová, Lenka ; Vojtěchovský, Miloš (referee) ; Skočovský, Luděk (referee) ; Palla, Marian (referee) ; Ruller, Tomáš (advisor)
This dissertation thesis describes the phenomenon of audiovisual performance in different connotations. A substantial part is devoted to psychological survey into my own subconscious and subsequently to metaphorical processing of this introspection. An important part of the work is a resume of the general knowledge of the physical properties and its metaphorical application on mental and creative processes. This analysis and explanation of internal cognitive models are implemented in terms of the study of relationships, interactions based on cooperation or confrontation, but also the inability to grasp the objective reality from the subjective position due to the merged distinctions of real and fictional. The importance of audiovisual performance is also studied in linear perspective of history, in order to point out the general principle of repetition patterns, which reveals that audiovisual performances is an activity which is a necessary expression of life itself and not just the concept in the field of arts.
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Planetary Thermodynamics : Energy Justice
Mitro, Michal ; Vojtěchovský, Miloš (referee) ; Sterec, Pavel (advisor)
Touto prácou chcem uvažovať a vytvoriť svet, kde Energia - základná a univerzálna sila - determinuje celkovú infraštruktúru globálnych aktivít a vzťahov. Dielo predkladá dokufiktívny príbeh budúcnosti postavenej na premise, že planetárny ekosystém tvorí jednu energetickú entitu, ktorá podlieha termodynamickým zákonom, nezničiteľnosti energie a jej transformácie z mechanickej na tepelnú. Taktiež ustanovuje, že všetci aktéri, ľudskí i neľudskí, majú na tento systém energetický dopad. V spoločenskom kontexte je každému garantovaný základný energetický príjem - 10000kJ na deň - a všetky ich aktivity sú cenené na základe ich energetického prínosu a nie ich monetárnej prestíže. Vizuálny jazyk diela je postavený na juxtapozícií obrazu spoločnosti Energetickej Spravodlivosti a špekulatívneho archeologického výskum prevedeného na území súčasnej komunálnej záhrady z pohľadu utopického status quo budúcnosti. Práve toto napätie medzi realitov a fikciou vyjednáva a navrhuje možnosti nastolenia takejto budúcnosti. Mojím zámerom je predostrieť sugestívny obraz globálneho poriadku, ktorý nie je len utopický ale i inšpiratívny a v zásade dosiahnuteľný a úsiliahodný.
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Inside the Surroundings
Ryneš, Zdeněk ; Vojtěchovský, Miloš (referee) ; Klímová, Barbora (advisor)
The topic of this diploma thesis is a form of own personal space which is confronted with scene visuality used in film industry. It is about linking an existing and fictive (illusionary) environment. I can see the cinematographic space as an image of its physical equivalent. I do search for scenes in existing movies, which are charting the interiors of environments, where the movie is being set. I do use the camera moves and the ways of seeing the immediate surroundings as they are used in those scenes and I repeat them in my own private apartment. Screenplay structure comes from my apartment dispositions. The final dual channel video leads the spectactor through two levels of space in the same time.
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Planetary Thermodynamics : Energy Justice
Mitro, Michal ; Vojtěchovský, Miloš (referee) ; Sterec, Pavel (advisor)
Touto prácou chcem uvažovať a vytvoriť svet, kde Energia - základná a univerzálna sila - determinuje celkovú infraštruktúru globálnych aktivít a vzťahov. Dielo predkladá dokufiktívny príbeh budúcnosti postavenej na premise, že planetárny ekosystém tvorí jednu energetickú entitu, ktorá podlieha termodynamickým zákonom, nezničiteľnosti energie a jej transformácie z mechanickej na tepelnú. Taktiež ustanovuje, že všetci aktéri, ľudskí i neľudskí, majú na tento systém energetický dopad. V spoločenskom kontexte je každému garantovaný základný energetický príjem - 10000kJ na deň - a všetky ich aktivity sú cenené na základe ich energetického prínosu a nie ich monetárnej prestíže. Vizuálny jazyk diela je postavený na juxtapozícií obrazu spoločnosti Energetickej Spravodlivosti a špekulatívneho archeologického výskum prevedeného na území súčasnej komunálnej záhrady z pohľadu utopického status quo budúcnosti. Práve toto napätie medzi realitov a fikciou vyjednáva a navrhuje možnosti nastolenia takejto budúcnosti. Mojím zámerom je predostrieť sugestívny obraz globálneho poriadku, ktorý nie je len utopický ale i inšpiratívny a v zásade dosiahnuteľný a úsiliahodný.
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Water Politics
Dvořáková, Dana ; Vojtěchovský, Miloš (referee) ; Sterec, Pavel (advisor)
The work is aimed at familiarizing the audience with the problems of water in the Czech Republic and its distribution within the landscape. However, its character, which approaches to documentary work, doesn´t explicitly describe the problem, but rather attempts to visualize it and give the viewer space for his own imagination. The work draws in contrast the examples of fine functional interventions in the landscape with examples of monstrous concrete structures - dams. It points to problematic places and tries to convey to the viewer the current issue not only in the chosen location. The main thing is the lyrical performance, which evokes not only a video but also the sound part and the narrative that explains the whole problem. The video is not purely informative, its specificity is also focused on the enjoyment of the viewer. He plays with documentary techniques but does not use them as a priority. The shots are deliberately chosen so that the concrete buildings look monumental and have their seriousness. The background of the shots also shows the time of their creation. This element is supposed to be critical and is supposed to be opposed to studies that use old plans to build new water reservoirs that do not give space for a more efficient solution. The work also touches on the overproduction and issues of today's modern agriculture.
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[dac~] [part_render] [bang]
Kudlová, Adéla ; VOJTĚCHOVSKÝ, Miloš (advisor) ; CÁB, Michal (referee)
The thesis deals with the status of open source software in the cultural and artistic context. It maps the history of its origins and links it to the integral predecessors in the physical and digital world. The thesis describes the open source movement in the social context and tries to present the philosophical, artistic and political dimensions that the open source movement carries with it.
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