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Benzene in petroleum-derived products and health protection
Bílková, Karolina ; Kořínek, Pavel (referee) ; Stránský,, Vladimír (advisor)
Benzene is very toxic compound, which has carcinogenic and mutagenic effects. Result of these effects is significant reduction of its use and also low hygienic limits in occupational environment and environment. The aim of this diploma thesis was to map out possible exposure to benzene and checking of clasification correctness of motor gasoline and benzine (cleaners, thinners etc.). Determination of benzene was carried out by gas chromatography with flame ionisation detector (GC/FID) and high performance liquid chromatography with diod array detector (HPLC/DAD). Marginally, the diploma thesis was focused on determination of toluene (in june 2007 became effective ordinance no.284/2006 Sb., which forbid to sell products that contain more than 0,1 % of toluene to small consumers). Toluene was determined by same methods as benzene.
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Issues of perfluorinated compounds in the environmental compartments
Kalášek, Stanislav ; Kořínek, Pavel (referee) ; Vávrová, Milada (advisor)
Perfluoroalkylated substencies are priority organics polutants. They are evolved to the environment from many sources. We classify them as new xenobiotics which are present in the environment. There will be described their chemical, physical and environmental properties in theoretical part and there will be described the analytical chemistry of these substancies in varios types of environmental samples. There will be developed metod for their identification and quantification. For this assignment will be use especially chromathografic methods. There will be developed standard operation procedure. The procedure will be verify on real environmental samples.
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Comics studies. Potentials and perspectives
Kořínek, Pavel ; Jareš, Michal ; Foret, M. ; Prokúpek, T.
options and prospects presents texts based on working versions that were read out at the colloquium of the same name in 2011 in Olomouc. Thus a broad range of various subjects with different research approaches is represented, from historicizing excursions and individual schools, traditions and phenomena to interpretational insights into the possibilities of analysing comics material and its features, or theorizing contributions on problems of definition and methodology, to texts on individual “applied” views of work with comics in various fields. Hence to summarize, the publication presents selected perspectives from comics studies (mediological, semiotic, literary studies, narratological, historical, sociological, anthropological, translatological and pedagogical) and thus perhaps has the potential to become a 'new start' in domestic comicsological research, which on a world scale has been a dynamically developing humanities and social science field over the last few years. The attached poll then expands on papers and studies primarily from domestic researchers to include the reflections of comics studies from elsewhere. A set of archive materials then collects and for the first time entirely reprints several difficult-to-find picture series from the domestic tradition of this medium.
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Banal as a speech bubble - the adjective "comics" as genre specification
Kořínek, Pavel
The terminological confusion that is still present when considering the nature of comics (is it a genre, perhaps even literary a form or a medium?) is reflected in the usage of the adjective "komiksový" (comics, the adjectival form which in Czech refers specifically to comics) in texts of various media. This description is commonly used as a characterization that usually refers to specific formal, genre-based or subject-based similarities. However, in most cases this adjectival notation only revives genre stereotypes, or non-systematically marks the source medium of adapted material. Do "comics radio shows", "theatre comics" or "comics movies" exist? As the article argues, the most common reasons for labelling other-media texts as comics are: 1. formal proximity of the media involved, 2. the superhero genre, 3. animation or cartoon technique, 4. humour, dottiness, sometimes even the perceived qualitative inadequacy of the text under review.
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Czech literature from an intermedia perspective. Fourth Congress of World Czech Literary Studies: Other Czech Literature (?)
Fedrová, Stanislava ; Zajac, P. ; Winter, A. ; Štochl, J. ; Novák, R. ; Beličová, R. ; Foret, M. ; Kořínek, Pavel ; Jareš, Michal ; Bubeníček, P. ; Koblížek, T. ; Mareš, P. ; Málková, I. ; Čulík, J. ; Kyuchin, Kim ; Zelinský, M. ; Schultze, B. ; Gerčikova, I. ; Voisine-Jechová, H. ; Cloutier, C. ; Jirsa, T. ; Kapsová, E. ; Jedličková, Alice ; Mercks, K. ; Režná, M. ; Změlík, R. ; Šlaisová, E. ; Ambros, V. ; Janáčková, J. ; Pariláková, E. ; Váša, O. ; Lemańczyk, M. M. ; Schmid, H. ; Vaňková, I. ; Machová Ondřejová, K. ; Šolić, M. ; Müllerová, L. ; Kudlová, Klára ; Pořízka, P.
Arranged every 5 years at the initiative of the Academy of Sciences of the Czech Republic Institute of Czech Literature, the congress brought together some 150 researchers this year. World intermedia studies research has developed from case studies into initial syntheses, while in the Czech context it still has slight symptoms of "otherness". Studies contained in this collection deal with analyses into the crossing of media boundaries within the framework of authorial poetics, within individual works and between semiotic systems: the problematization of film and radio adaptations of literary works, comics, ekphrasis and other thematizations of the fine arts or musical motifs in literature, the relationship between drama and theatre stagings and the representation of reality and the procedures of other media in literary texts.
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