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The psalter of Wenceslas IV. Connections of previous studies and an interpretation of its emblems
Kluková, Lenka ; Homolka, Jaromír (advisor) ; Kubík, Viktor (referee)
Resume V první cásti diplomové práce (II. kapitola) jsem se pokusila strucne uvést ctenáre do tématiky rukopisu Václava IV. Ža1tár Václava IV. tvorí soucást dochované sbírky osmi rukopisu Václava IV., které predstavuje jeden z duležitých prvku v dejinách ceských iluminovaných rukopisu. Tato skupina svými iluminacemi navazuje na umení Mistra Liber Viaticus v rukopisech, které patrily Janu ze Stredy. V této cásti textu je popsán obsah sbírky, koreny této skupiny v ceské knižní malbe a historie knihovny. Poznatky k této kapitole jsem cerpala z velké cásti z publikace Josefa Krásy. Po 'této kapitole (III. kapitola) uvádím ikono grafický popis emblému: lazebnice, muže v kláde, tocenice, lednácka, divého muže, monogramu a devíz, heraldických a dalších postav. Ty tvorí podstatnou soucást výzdoby všech rukopisu Václava IV. a jsou jejich spojujícím clánkem. Ctvrtá kapitola mé práce je predstavením základních i dílcích studií venujících se problematice emblému v rukopisech Václava IV. Vytkla jsem si za cíl predstavit jejich bohatou názorovou pluralitu a vzájemnou provázanost. Studie Julia von Schlossera: Die Bilderhandschriften Konigs Wenzel je príznacná velkým množstvím príkladu z dobové literatury, jimiž dokládá svá tvrzení a etymologický rozbor slov. Težište jeho práce leží v interpretaci emblému z hlediska...
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Curch of the Virgin Mary of Karlstejn castle
Lepíková, Dagmar ; Homolka, Jaromír (advisor) ; Royt, Jan (referee)
Church of the Virgin Mary The final thesis deals with the theme Church of the Virgin Mary of Karlštejn castle. This space is situated on the second floor of the Virgin Mary Tower. The thesis we notice on the gradual transformation of the originally inhabited room into the church. The individual architectural changes till 20th century are solved. The essentials part of the project deals with the iconographic analysis of the church. There is given a description of the individual illustrations of the Apocalypse, the so-called Relic Scenes and the drawings under the ceiling that were destroyed at that time. Keywords: Karlštejn Charles IV. Church of the Virgin Mary Apocalypse Relic scenes
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The Church of Our Lady in Nürnberg and her sculpture
Srovnal, Filip ; Homolka, Jaromír (advisor) ; Kuthan, Jiří (referee)
English summary: The Church of Our Lady in Nürnberg and her sculpture The church of Our Lady in Nürnberg was founded by Charles IV (1316-1389) in 1355 when he returned from his crown-journey to Rome. So it was his first "emperor-foundation". The church was built probably between 1352 and 1361 as well as the sculptural decoration. We can follow up an extensive iconographic programme especially on the west facade which was supposedly ordained by Charles IV himself. This type of state-representation-scheme anticipate the further famous iconology of St. Vitus Cathedral. Some scientsts suppose that the author of this monument is Peter Parler, master builder of St. Vitus Cathedral because of high parlerian character of the architecture and sculptures and by virtue of the chronology (Peter Parler came to Prague in 1356). However we can't agree this hypothesis, because the style reasons are too general for this proposition, they don't smite a personal style of Peter Parler. For all that we regard the best pieces of the sculpture group on the west front of the church as individual manifestation of early Parlerian style. We can see the nearest affinity in the prophets at south-chorus portal in Schwäbisch Gmünd. Nürnberg - Parler - Charles IV. - gothic sculpture - gothic architecture
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The Master of Žebrak Lamenting of Christ and his relation to the Master of Zvikov Lamenting of Christ
Zítková, Gabriela ; Ottová, Michaela (advisor) ; Homolka, Jaromír (referee)
ANGLICKÁ ANOTACE / ANNOTATION THE MASTER OF ŽEBRÁK LAMENTING OF CHRIST AND HIS RELATION TO MASTER OF ZVIKOV LAMENTING OF CHRIST The Master of Žebrák Lamenting of Christ together with Master of Zvíkov Lamenting of Christ are one of the most important artist of Podunaj school in Bohemia. Both of those anonymous master was called according to their the most important carvings Lamenting of Christ from Žebrák and Zvíkov. Extant works of both masters were found mainly in the area of south and south-west Bohemia, where probably both of them worked. Today accepted pieces of knowledge as to works of allude masters , we know from historic artists Opitz, Matějček, Denkstein,but above all Homolka, Kropáček, and Kutal. Their longtime studies of this theme are closely sum up in this diploma work and are submission analysis together with works of both artists. DUNAJSKÝ SLOH / DUNAJ MOVEMENT The art style represent mainly in Germany and Austrian countries in basin river Dunaj, that includes above all painting, statuary and graphic art. Origins this movement are put to time period around year 1500. Main characters of Dunaj school are choicely depiction countryside, fairy-tale pettishness, romantic usage of light at al. The most important center of this school are allowed to be Vienna, Passau, Lanshut (H. Leinberger)...
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Krakovec Castle
Čepeláková, Hana ; Homolka, Jaromír (advisor) ; Kuthan, Jiří (referee)
Krakovec castle This bachelor work brings a complex view of Krakovec castle. It summarises availible literature, it is concerned with the history, description and analysis of the castle with accent to highly artistically made and authentic vaults from the end of 14. centrury, the time the castle was build. The craftsmen guild which was in the lead of the construction of the castle is one of the main questions of this work. Krakovec castle is also presented as a castle with an extraordinary value in the frame of the Czech castle architecture development. It is a castle which stands on the line of transition from a castle to a new residential type - chateau. architektura - architecture hrad - castle huť - craftsmen guild klenba - vault oblouk - arch
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Chapters on panel painting of the beautiful style
Klípa, Jan ; Homolka, Jaromír (advisor) ; Kuthan, Jiří (referee) ; Royt, Jan (referee)
The work has a character of two parts of an intended larger unit. The first part considers the development and the comprehension of the basic terms/conceptions inherent to the arts of the break of the 14th and 15th centuries. It aims to cover general tendencies which crystalized within the frame of the process of the formulation of the following terms: international style, court style, beautiful style and others. The most detailed focus is withal dedicated to the history of the term beautiful style and its meaning in which Czech research had a significant role during the last century. General issues of the style in the fine arts of the late Middle Ages play a substantial role within the frame of the study of art around the year 1400 and no other treatment of this theme can get along without a historiographic reflection which would entitle and accept the contemporary and ideal conditionality of the basic terms. In the conclusion of the first part there are formulated hypothetical views related to the direction of the future studies of the questions of art around the year 1400 on the European and the local levels. The second part of the work is dedicated to the concrete issues of the form of this art in the Viennese painting of the first third of the 15th century and its relations to the Czech art of the...
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Woodcarving in 13th century in Bohemia and Moravia. The chapters from the beginnings of woodcarving tradition in Central Europe
Mudra, Aleš ; Homolka, Jaromír (advisor) ; Hlobil, Ivo (referee) ; Royt, Jan (referee)
Řezbářství 13. století v Čechách a na Moravě dosud nebyla věnována velká pozornost a příliš toho o něm nevíme. Ještě před takovými třiceti lety by nedávalo příliš smyslu uvažovat o práci na podobné téma. Důvodů bylo hned několik. Některé řezbářské památky 13. století tehdy nebyly známy, jiné byly známy jen ze starých fotografií, další se nacházely v těžko dostupných zahraničních sbírkách a sakrálních stavbách a psalo se o nich v literatuře, kterou nebylo snadné získat. Ostatní sochy nebyly řazeny do adekvátních souvislostí nebo se předpokládalo datum jejich vzniku v pozdější době. O těch několika málo památkách, s nimiž mohli tehdy čeští historici umění pracovat, panovalo mezi odbornou veřejností jen velmi slabé povědomí.
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Typology of Parléř Workshop's Figural Reliefs on Saint Vitus Cathedral 1356-1399
Smaha, Miroslav ; Homolka, Jaromír (advisor) ; Kuthan, Jiří (referee)
Anotace: Master Thesis "Typology of the figural plastics by Parler workshop in the St.Vitus Cathedral from 1356 to 1399" deals with the typological list of decorative sculpture of Saint Vitus workshop in direct connection to the chapel of All Saints on Prague Castle. It also shows the connections to Old-Town Bridge Tower and supposed influence on decorative sculpture of Prague church of Holy Lady on Tyne. Main chapters deal with the list of figural consoles with heads (masks) on architecture and with the identification of their every type and variant in connection to building development. Photographic documentation of the author was made in cooperation with Prague Castle Archive and with National Heritage institution. Picture supplement includes a lot of author photos of decorative details in situ from interior and from exterior of the cathedral as well as from the depository of building history and also from the standing exposition of Prague castle. The important part of this documentation is also not yet published photographic material (analogy) of figural consoles of Parlers church choir from the church of All Saints on Prague Castle acquired during the building reconstruction in 2008. Title: Typology of the figural plastics by Parler workshop in the St.Vitus Cathedral from 1356 to 1399 Author: Bc....
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