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Choreographical strategies of aerobic fitness
Kobelková, Tereza ; Novotná, Viléma (advisor) ; Černá, Jana (referee)
Topic: Choreographical strategies of aerobic fitness teams Objective: To find out according to given criteria, which types of transitions from formation to formation in the competition FISAF fitness aerobic, have the highest impression (effect) on the observer. The types of transitions evaluated are; short and simple transitions, combination of transitions and long and complex transitions. Methods: Sequential mixed method was used to obtain the results. Three criteria, specific for the solutions of space and floor pathways, have been designed for indirect observation and quantitative analysis of the selected choreographies. Second criterion was evaluated by twenty experts through participatory observation and the results were quantified. Qualitative analysis was used in the second part of the third criterion and for all results of the quantitative analysis. Method of comparison was used to compare all results. Conclusion: Most effective showed to be the short and simple transitions, followed by combination of transitions. Long and complex transitions were least impressive for the observer. KEY WORDS: Space and floor pathways solutions, effect, choreography, aerobic fitness, creation
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Analysis of the 1st Act of Ballet Giselle
Rafajová, Zuzana ; KAZÁROVÁ, Helena (advisor) ; POLLERTOVÁ, Adéla (referee)
This master thesis deals with analysis of the first act of ballet Giselle. It is focused on the dramaturgy, dramatic actions and psychology of the characters. It compares different images of the first act from these sources: original libretto by Théophile Gautier and Jules-Henri Vernoy de Saint-Georges, notes by russian ballet master Antoine Titus, manuscript of Henri Justamant, libretto by Rostislav Zakharov, simplified choreographic script written by Cyril Beaumont and Leonid Lavrovsky's choreography written down by Natalia Konius. Attention is particularly focused on Justamant's manuscript and Konius's written record.
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The role of authority and form of partnership during creation of new choreographic dance piece
Radačovský, Mário ; KAZÁROVÁ, Helena (advisor) ; WIESNER, Daniel (referee)
In our dance life its very important that we meet time to time people who are so incredibly influencetial to us ether positive or negative ways. Some of them are able to influence us so much that we keep this impact which they have made on us for ever.Role of autority and partnership between these two elements is crucial.Its has impact on everyday of our working life.I ca not imagine what can happen if there is not existing somekind of form of partnership in the dance studio.To be dancer is very no simply just job .Is more ,its something truly special what not everyone can understand.The task of my work is to go back in my profesional past ,through out my own memories and profesional experiences to offer some situations when I truly felt presents of authority and partnership .Sometimes only autorithy .I this work Im trying to offer my small stories which I lived thourgh from my prospective and Im tring to analysed them through my own expierience of today.It always about something.We are creating because we want to say things.Journey is very important sometimes more then final outcome.
Now important during this journey is able to see how things are done how we comunicate them and autorities will appear .
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A DANCER’S PERSONAL REFLECTION OF OHAD NAHARIN’S PERFORMANCE
Nálevková, Petra ; JANEČEK, Václav (advisor) ; INDRÁKOVÁ, Tereza (referee)
The aim of this thesis titled A Dancer‘s Personal Reflection of Ohad Naharin’s performance is to expose the choreography Decadance trough the eyes of an interpreut. Within the thesis the choreographer Ohad Naharin and his movement language – Gaga are introduced. Furthermore, I add my personal experience which I gained while preparing for the performance of „Ohad Naharin: Decadance“ with National Theater Prague. I view the the informations from the perspective of dancer and I draw conclusions from the perspective of future educator.
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Valentin Yelizariev, choreographer of the belarusian ballet
Ivanou, Uladzimir ; GREMLICOVÁ, Dorota (advisor) ; NĚMEČKOVÁ, Elvíra (referee)
This thesis discusses the work of major Belarusian choreographer, Valentin Yelizariev, during the second half of the 20th century. Through his work, we can follow the development of the Belarusian Ballet. The first part of this thesis will focus on the origins of The National theatre of Belarus and the advent of Valentin Yelizariev. The second part is about his artistic creation in Belarus, focusing on the years 1970 through to the 1980's. In conclusion, this thesis highlights the uniqueness of the personality Valentin Yelizariev and his importance to the Belarusian Ballet.
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Choreograhy between intermediality and interactivity
Šmídová, Monika ; GREMLICOVÁ, Dorota (advisor) ; NĚMEČKOVÁ, Elvíra (referee)
This work defines the term interactive media and explains how it differs from the till now known term “new media”. It leans on the history of technology progression and the theory of new media. For better understanding of how one views new perception, it touches the basics of esthetics. It maps the development of dance visual forms labeled as digital dance and it lists the main pioneers and their methods. In the final part of the thesis, three current artists who use interactive projections in their performances are listed and their work is analyzed.
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Jarmila Kröschlová and Eliška Bláhová
Rauschová, Anna ; GREMLICOVÁ, Dorota (advisor) ; OVSOVÁ, Libuše (referee)
In my bachelor thesis, I am writing about two personalities of the Czech dance scene, Jarmila Kröschlová, dancer, teacher and choreographer who was working mostly in Prague, and Eliška Bláhová, a teacher working mostly in Brno. I have focused on the leading principles of their respective methods of dance and movement, that they have based on the study of the method of rhythm and movement of Émile Jaques-Dalcroze and that they have been further developing throughout their pedagogical careers. I have tried to compare the methods of Jarmila Kröschlová and Eliška Bláhová with special attention as to how they use the Jaques-Dalcroze method, especially his work with rhythm. Eventually, this comparison shows that Bláhová put a bigger emphasis on the rhythmical aspects of movements and their specific execution, while Kröschlová worked also with dynamics and a general expression of movement, which led to her creating a dancing method that she used even in her choreographic activities. The context is further supplemented by a reflection of several other receptions of the Jaques-Dalcroze method within the Czech dance scene.
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4 + 4
Poznarová, Vendula ; NĚMEČKOVÁ, Elvíra (advisor) ; HAYASHI, Lucie (referee)
In my master thesis I compare four different personalities of the recent Czech contemporary dance and their dissimilar attitude to creation. The contents of my research are influences on forming and progress of their work and different creative backgrounds that lead to the uniqueness of their choreographical way and method.
Dissimilarity of this process I negotiate through the insight into the four conrete results of their work, so through the four current choreographical pieces of these artists.
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Life and work of Kurt Jooss
Čížek, Petr ; NĚMEČKOVÁ, Elvíra (advisor) ; GREMLICOVÁ, Dorota (referee)
The goal of the bachelor thesis is a description of life of a dancer and choreographer Kurt Jooss, whose pedagogical activity significantly impacted entire next generations of artists. Essential part of the thesis dedicated to the description of a political and cultural situation of the society at that time, which fundamentally influenced his life and artistic work. Through the gradual learning about Kurt Jooss´ life we are getting a complete picture not only about his pedagogical contribution, but also about his influence on another key personality of the dance theatre history, Pina Bausch.
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Hip hop as a dance style and its application in a stage choreography
Machovičová, Simona ; ELIÁŠOVÁ, Bohumíra (advisor) ; JANEČEK, Václav (referee)
My Diploma Thesis deals with a hip hop as a dance style called also hip hop dance. First, I briefly described hip hop as a culture in general and then paid closer attention to the one of the most important section the dance itself. I described formation and gradual advancement of the hip hop dance, I characterized the way of movements in this style and I dealt with its classification and categorization. I tried to find a way which hip hop dance has undergone from the street, where it was created, into the dance schools and studios and finally into the theatre stages. I was searching for the theatre hip-hop dance performances, which have been fortunate to be spread all over Europe and I have picked one of them for the detail analysis. Last but not least, the part of my Diploma Thesis is a survey in a form of questionnaire trying to find out opinion of the current dance community in a question of hip-hop dance style and its application in a stage choreography and all in all in a theatre environment.
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