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The Opera Ensemble of Josef Kajetan Tyl Theatre Analysis
Kopřivová, Zuzana ; Riedlbauch, Václav (advisor) ; Šmíd, Ilja (referee)
The thesis is based on analyzing the opera department production that works within the multiensembled theater in Pilsen. The first part introduces the main factors that theater industry in the Czech Republic deals with, describes the different types of theaters, typology and their internal organization. The theoretical part ends with particular factors like efficiency and production concerning Josef Kajetan Tyl Theater. The theoretical part is followed by the practical one, that is fully dedicated to the particular opera ensemble in Pilsen. This section describes the economic and artistic differences and difficulties of this opera department as well as its strengths and weaknesses. Due to research and personal interviews with the most important people of this ensemble (the director of the theater, the head of the opera ensemble and the dramaturge) I could have observed and therefore analyze this ensemble from different views and perspectives. The conclusion of the thesis reveals whether the opera ensemble in Pilsen is successful or not.
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Live Cinema and its subgenre: Film-Theatrical Performance
Walterová, Zuzana ; DAŇHEL, Jan (advisor) ; Havlíček, Jiří (referee)
I explore the phenomenon of the genre Live Cinema in my bachelor thesis. But not only from the point of view of new media. I am trying to confront this genre with new possible usings of it – in the field of film-theatrical performance. I search for the right understanding throu the reasearch among its ancestors. First part of the thesis searches for the history of Live Cinema from the film point of view. Second part searches for the same, but from the theatre point of view. Last part is dedicated to my own personal experiences of creating Live Cinema in the film-theatrical way.
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Actor partnership on stage and in front of the camera
Koudela, Jakub ; SCHEJBAL, Milan (advisor) ; PAVELKA, Tomáš (referee)
The subject of the thesis is exploration of actors’ interplay both on the stage and in front of a camera, because only common acting of the main characters creates a dramatic situation. In connection with this topic, at first I determine elementary characteristics of the actors’ partnership with all its important objectives that the actor should notice. I am trying to see acting as a social activity and further write about the contact between the actor and auditorium and the actors themselves. Then I relate actors’ partnership to other acting practice and thus prove its presence in the whole art of acting. In the conclusion I deal with negative influence of actors’ interplay due to blocking the actor’s creativity and I look for means of removing those blocks. In terms of these topics I enclose my personal experience as a proof of my theoretical reasoning.
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Acting in theater and in front of camera
Jansová, Eliška ; PLEŠTILOVÁ, Miroslava (advisor) ; PAVELKA, Tomáš (referee)
This thesis is about acting in theater or in front of camera.
At the beginning it is focused to these directions individually and later summarizes their differences, which include: what function the audience has; what options of movement the performer has; what style direction the actor uses; what the difference of collaborations between actors on the stage or in front of the camera have.It talks about the different approach of directors and self-expressions of actors and analyzes the different effects that each actor during their performance. It doesn’t only talk about the differences, but also includes the inter-connections of both styles.
The next part is focused on creating a character and comparison of current and passed actors that were acting in theater as well as in movies.
The conclusion is about my personal acting experience in film and in theater. It evaluates my work at the school theater DISK and also asses the transition to my advanced work.
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Theatre as a free vision of the world (theatre and jazz)
Valerián, William ; PAVLATA, Michal (advisor) ; TÖPFER, Tomáš (referee)
My thesis is titled Theatre as a free vision of the world (theatre and jazz). I deal with my search for connections between music and acting artistic expression during the study, which began at the conservatory – saxophone department. From acting lessons and later works in the school theatre Disk I choose the moments that helped me to find my own „jazz“ acting approach and „liberation" on the stage and its subsequent use in later professional life.
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Common features of movies integrating the theater phenomenon into their narrative and stylistic structure
Merková, Hana ; JAŘAB, David (advisor) ; Havas, David (referee)
The subject of this bachelor thesis is the common features of foreign and czech movies integrating theater phenomenon into their narrative and stylistic structure. For better explanation, firstly, the forms, which are not included in the area of interest are described- the audiovisual record of theater performance, film adaptation of dramatic play, or insertion of theater performance into the movie content. In following chapters, three different movie examples working with theater in their structure are being described and analysed. Then, thesis is trying to find the reasoning for the usage of two different mediums and their mutual comunication as a principle of autorship. Finally, thesis is trying to summarize common thematic and formal characteristics of chosen movies.
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What makes realism real?
Skala, Adam ; NEBESKÝ, Jan (advisor) ; SCHEJBAL, Milan (referee)
The work consists of two parts. The first one focuses on the phenomenon of realism and realist tendencies during the process of creating a stage production. The work explores the evolution of the propensity for realist representation in the course of history. It focuses especially on the modern realism of the German director Thomas Ostermeier. It also tries to examine realism in its social context and define its role in society‘s development. The second part focuses on author‘s personal experience during creation of stage productions mainly, but not entirely, in work done for the university.
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Antic theather by eyes of Milan Sládek
Biel, Petr ; PETIŠKOVÁ, Ladislava (advisor) ; BENČIK, Juraj (referee)
This work focuses on life, theatre works, and specific point of wiev on antic theather by eyes of the world famous mime Milan Sládek. Discusses about progresion of this significant mime actor life, about his specific acting style, documenting proces of creation inscenation Antigone, reflect audience reaction on this inscenation and finally presenting mistr Milan Sladek in his humane position.
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Conversations with Jindřiška Křivánková
Fröhlichová, Marie ; SOPROVÁ, Jana (advisor) ; HALAŠ, Adam (referee)
The aim of the thesis is to describe the principles of creativity of Jindřiška Křivánková, senior professional and a highly experienced theatre performer; and confront her way of thinking and creativity with my own artistic view and my skills gained during my time of study at HAMU. Thereafter, the thesis will first elaborate on her theatre development, from the beginning of her carrier until now. Further it will addresses the major aspects and circumstances that led to her prospering in the field. It also examines the influence of particular personalities that helped her to develop her distinct views on theatre. A further discussion on the various aspects of artistic creation and creative process in a mutual confrontation of the two of us, in which we touch not only broad general issues concerning the culture and theatre, but also the special approaches towards it.
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FILLING A MOVEMENT SCORE
Debnárová, Barbora ; HORÁK, Roman (advisor) ; SOPROVÁ, Jana (referee)
This master thesis highlights one way of specifying a relationship of topic and content in the present mimical theatre. Most importantly it deals with finding, creating and functioning of body expression form. It comes from an analysis of graduation (master) performance Uroboros and on the basis of the analysis it names some of principles, with which the actual movement theatre works-
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