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Attitude of generation Z to Czech documentary audiovisual production from years 2000-2020
Haiklová, Kristýna ; Halada, Jan (advisor) ; Štoll, Martin (referee)
This diploma thesis deals with the attitude of the Z generation to Czech documentary films and series. The aim of the work is to describe the common tendencies of the whole generation Z or its subgroups within their attitude to Czech documentary production. The research method for determining the attitude of this generational cohort is a questionnaire survey. In the beginning the Z generation is characterized, its formants and basic characteristics are analyzed. One of the subchapters also focuses especially on the Czech generation Z. In the theoretical part space is also devoted to documentary production, specifically its characteristics, typology and history of documents. The genre of the document is presented both in the global context and also in the Czech environment in the work. The practical part describes the research which has the form of a questionnaire survey. The results are presented for each evaluated question separately while at the end there is a collective summary with the most important and interesting findings from the research.
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Global Overlap of Czech documentary film presented within International Human Rights Documentary Film Festival One World Festival (2008-2018)
Fenclová, Anežka ; Štoll, Martin (advisor) ; Novotný, David Jan (referee)
The following thesis offers an insight into a collection of documentary movies, which were screened in the category Czech Competition (Česká sekce) presented by the film festival One World (Jeden svět), as well as the nomination process behind it. The first section of the Body of this Thesis (Practical Part) is focused on the nomination process. In particular its objective is to describe principal changes in the nomination process and at the same time outline its future developments. This is achieved by means of exclusive interviews with five Program Section members in charge of the nomination process (both former and contemporary). Heightened attention is being dedicated to the films nominated for the Czech Competition section with regards to its specifics. The other part of the thesis body is based on thorough analysis of the films selected for the Czech competition between the years 2010-2019. By means of original interviews and content analysis the thesis attempts to establish an idea of which features are significant for the films representing the Czech Republic at this documentary film festival and what conclusions can be drawn from this about the Czech documentary film scene in general. The theoretical part of the thesis offers sourcing this approach in expert literature.
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The lifestyle project "Zero waste" in Czech republic
Čuhelová, Andrea ; Štoll, Martin (advisor) ; Lokšík, Martin (referee)
The bachelor thesis has two parts, practical and theoretical. The practical part, titled Český BEZ ... is a documentary film about the new zero waste lifestyle, a life without waste. The film captures this trend in the Czech Republic in a broad context, confront it on the life of four main characters, it presents alternatives to the conventional way of life, shows advantages in particular, and tries to soberly point out a socially important topic. The theoretical part describes the concept of zero waste in a scholar context, it describes its meaning and values, circumstances of the origin, foreign and subsequently Czech projects and the Czech media image. The conclusion of the work briefly defines documentary work, clarifies the circumstances and the process of the practical output and authors own reflection. Keywords [zero waste, nowaste, no packiging, lifestyle, society, film documentary, audiovisual media, community, sustainable, ecology]
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Nature: The second home of Marián Polák
Lišková, Michaela ; Štoll, Martin (advisor) ; Novotný, David Jan (referee)
This bachelor thesis is divided in two parts - the theoretical one and the practical one. The practical part named Příroda: Druhý domov Mariána Poláka is a documentary TV portrait about czech documentarist Marián Polák, who as almost the only one in the Czech republic, is filming natural movies nowadays. He has filmed several documentary movies and shows about nature. He has finished his first feauture film about czech nature called Planeta Česko (2018) last year. The first part of my bachelor thesis is trying to describe Marián Polák mostly as a documentarist. At the same time it shows a difficult process of filming natural documentary. The theoretical part adds facts to the practical one. It analyses documentary and it also tries to define the documentary movie. Briefly it describes the history of the documentary and its origin. The typology of the documentary is shortly covered in the next part of the bachelor thesis. The bachelor thesis characterize the author's type, the moderate type, the performed type and the observe type of document. It mostly shows the natural documentary movie, destinctive the natural documentary movie about animals. The final part of the theoretical bachelor thesis examines documentary of Marián Polák's movies. Keywords Documentary, document movie, Marián Polák,...
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Online reviews of a documentary film Mečiar and user's comments in Česko-Slovenská filmová databáze
Müllerová, Eva ; Novotný, David Jan (advisor) ; Štoll, Martin (referee)
The bachelor thesis "Online reviews of a documentary film Mečiar and users' comments in Česko-Slovenská filmová databáze" focuses on the analysis and comparison of selected online film reviews and users' comments in Česko-Slovenská filmová databáze. The first part focuses on the political situation in Slovakia after the Velvet Revolution in 1989, specifically the political party Hnutie za demokratické Slovensko and its leader Vladimír Mečiar. This part of the thesis also gives a brief insight into the theory of the documentary film, and it provides information about the first documentary portrait of Vladimír Mečiar, Tereza Novotová's documentary work and also the analysis of a documentary film Mečiar. The main part of the thesis defines the publicist genre of review, and it deals with the phenomenon of Česko-Slovenská filmová databáze, as well as with two other different film databases. The final part of the thesis focuses on the analysis and comparison of online film reviews published in different media platforms and also on users' comments in Česko- Slovenská filmová databáze. Four different platforms of online media were chosen as the representatives of different target groups. Online film reviews and users' comments are compared based on of content, form and language differences. Using the...
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Audience expectations in relation with film authenticity
Jelínek, Jakub ; BAGDASAROV, Georgy (advisor) ; Kratochvíl, Jaroslav (referee)
This study aims to examine the cosmos of mock-documentary films, that are trying to fool its audience throughout the acceptance of the form of real documentary films. By using the same stylistic elements they try to deprive the audience of its critical approach and make it believe. Through the analysis of those fictional mock-documentaries, we are going to reveal procedures used by many directors all over the world to create something what we call the illusion of the real. On the specific examples of "mockumentary" films, propaganda films and some conspiracy theory films, we will explore whether all of those film forms use the same procedures to convince their audience since they are all trying to achieve the same result – to create an ultimate vision of the real throughout the acceptance of visual and formal appearance of documentary film.
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Image stylization and its perception by viewer in film and virtual reality.
Dvořáček, Šimon ; MACÁK, Jiří (advisor) ; JÍCHA, Marek (referee)
The purpose of this thesis is to describe the elements of stylization and the cameraman's procedures, especially for documentary film creation. A further aim is to explain the concept of virtual reality and to provide a description of what this term means today. Finally, this thesis considers VR as a possible upcoming medium and describes the individual points of production of a project, especially from the point of view of the cameraman.
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LIVE - music, image, emotions
Elšík, Adam ; ŠPELDA, Josef (advisor) ; MYSLÍK, Jiří (referee)
I personally love to watch LIVE concerts. The goal of LIVE watching is to be in place and at times outside space and time. To feel to be present.
As a spectator I try to experience the story of music. As a creator I look for possibilities I have and can use. The goal is to point out the possibility to change the view on the genre with which every one of us meets as a spectator or as creator.
I will always be influenced by my personal opinions, experience and preferences. The thesis points out the different possibilities how to understand term LIVE. Different rules and methods of processing formal as well as artistic. The audience will be recommended where and how LIVE should be meaningfully watched, thus determining the end viewer himself.
Specific ways and possibilities of production allow a wide variety of processing of the resulting work. However, the creators should follow the principles and rules of filming without compromise, otherwise the quality of the result can be negatively affected.
Thesis was written thank to consultations with specialists in the field, who very positively formed the result. From my musical taste and preferences in musical genres I've chosen the examples which could be pointed as average. Therefore this thesis should be understandable for the widest circle of readers.
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SOMEWHERE BETWEEN A DOCUMENTARY FILM AND A COMPUTER GAME
Turečková, Kateřina ; Kratochvíl, Jaroslav (advisor) ; BENDOVÁ, Helena (referee)
This bachelor thesis deals with the creative process of a documentary titled Ilusion authored by director Kateřina Turečková. The form of the documentary emulates the aesthetics of computer games. In the first part it clarifies the motivation of the author to make this sort of movie, then it goes through the documentary movie art form and analyzes also computer games.
Subsequently it describes the proces of creation of individual scenes of Ilusion and the whole finished version of the movie.
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