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Superman: The Semantics, Evolution Poetics and Socio-cultural Specificities of the Superhero Comics.
Cibulčík, Jaroslav ; Bílek, Petr (advisor) ; Činátlová, Blanka (referee)
This bachelor thesis considers the genre of superhero comics since its appearance in 1938 to the present time. The thesis, according to chosen comic books, tries to generally describe and interpret superhero discourse, in particular the evolution and various specificities. The main focus is on the comics narrativity and primary aspects of narration (narrator, intertextuality, characters, time of story). There is no analysis touching visual comics aspects. The only exception - the last chapter - examines the impressive evolution poetics of the title-pages.
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The Problem of Freedom and Creativity in Nietzsche
Kobylka, Vít ; Novák, Aleš (advisor) ; Marek, Jakub (referee)
The Thesis aims to explore the problem of Freedom and Creativity in Nietzsche. It attempts to do so in respect to the two main concepts of his high and late writings. Concept of Superman and concept of the Eternal recurrence of the same. In this respect our text follows especially interpretations of Martin Heidegger. We begin our treatise with situating Nietzsche's concept of freedom among more traditional thought and we put emphasis on comparison of it to the philosophy of Baruch Spinoza. In the next phase we reject (with Martin Heidegger and Ivan Dubský) simplifying understanding of the Eternal reccurence which understands it as dull determinism. We also analyse the topic of Creativity in Nietzsche and introduce it as fundamental anthropological theme. In the following chapters we identify certain moods that allow us to experience perspective of the Eternal reccurence and the one of Superman, which gives us chance to understand both concepts in their connection. But this connection remains enigmatic and in the last chapter we try, with help of Kierkegaard's concept of the moment, to understand both thoughts in their complementarity not only united in the concept of creativity, but also through Nietzsche's concept of the moment, understood as the original understanding of one of the aspects of...
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Nietzsche and Dostojevsky. Idea of superman
Hrybkova, Katsiaryna ; Novák, Aleš (advisor) ; Marek, Jakub (referee)
Present thesis aims at revealing both touching points and different points of departure in Nietzsche's and Dostoevsky's concept of superman by using so called philosophical- anthropological approach to the questions matter. It takes into account not only complete context of oeuvre of both authors but also wider cultural and historical context of their time. Basic point of departure of this thesis is expectation of crucial position of man in the oeuvre of Nietzsche and Dostoevsky as well, both understanding man as essentially defined as free to choice. Analysis of characteristics defining essence of man leads after to elaboration of idea of superman - conclusion of final judgement of human beings' essential characteristics and visions of future principle of man. Having closely analysed particular landmarks on the way from man to superman in the form of particular types of relations to each person's being and freedom - last man, upper man and superman (or common and exceptional man) - we are arriving to systematic comparison of motif of superman in the thinking of both authors, to associated concepts (negative and positive freedom, suppression of nihilism and so on) and finally to its general meaning. KEY WORDS F. Nietzsche, F. M. Dostoevsky, superman, freedom, nihilism, upper man, last man, will to...
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