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Music as a public space - New concept of České Budějovice Philharmonic
Havlín, Ondřej ; Mutina, Petr (referee) ; Wahla, Ivan (advisor)
The study of a new concert hall in Ceske Budejovice situated on the Marianske namesti square. New design of the square is also developed. The site is located nearby the city centre on the ring road. There is a crossing of important city roads on the site. Proposed building is a freestanding cubic volume surrounded by the urban blocks around. Simple black mass contains a small concert hall with a capacity of 810 seats behind the grid facade. Required spaces for performers and the staff are also included.
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"Music Scene" - a concert hall for the city of Brno
Jaroň, Ján ; Žalmanová,, Petra (referee) ; Šindlar, Jiljí (advisor)
Theme of diploma thesis is „Music scene“ - a concert hall for city of Brno. Thesis consists of architectural study of concert hall including foyer, functional and service spaces. Capacity of Hall is 724 spectators divided in three floors of auditorium and can host up to 85 of orchestral musicians and 50 members of choir. Concept makes architectural study, which respect surrounding buildings but creates interesting space.
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Prague philharmonic building
Vrtílek, Osvald ; Plášil, Jiří (referee) ; Boháč, Ivo (advisor)
The diploma thesis on the Prague Philharmonic is based on the design of new concert halls for classical music, as well as other genres with additional functions alocated in one building. The site is located in Prague's Holešovice on the left bank of the Vltava River, near the transport route - Captain Jaroš Avenue. The site is delimited by the original development from the west, the river from the south, the railway viaduct from the west and new development from the north - this development is part of the planned reclamation of the Holešovice brownfield Bubny-Zátory, which has been implemented since 2000. The appearance of the created square results from the current state of preserved transport communications, while it also has the function of leveling the level differences by means of stairs on the north and east sides. The green islands in the square then define the course of pedestrian roads through the open space in front of the building. The shape of the building is derived from the shape of the main hall, located in the middle of the building, as a solid, non-transparent mass that grows from a transparent, light envelope in the shape of a low block. The facade is made by curtain walling from the glass panels of which are rhythmized in a ratio of 1: 2: 3 with alternating transparency. The building itself contains three concert halls - the main hall has an auditorium adapted to the type of vineyard, so it is possible to watch musical performances from all directions and yet offers unique acoustic conditions in terms of shape. The single-storey small hall has about half the capacity and is shaped into a shoebox type with a lower headroom, and the multifunctional hall has a screened floor on a hydraulic system, which ensures maximum adaptability to the type of event. In addition to the halls, there is a cloakroom in the spacious foyer, copying the floor plans of the main staircases, a café with refreshments and sanitary facilities. On the first floor, there is also music school with rehearsal rooms, a recording studio and a co-working workplace with seperated entrances. There are also separate spaces for commercial use. Most of the space runs from the first floor to the second, except for the northwestern part, where the music library is located. On the third floor, the foyer also serves as an exhibition space, around which on one side there is the administrative workplace of the Philharmonic and on the other a smaller cafe, a conference room for smaller events, and behind it VIP lounges. On the first underground floor there are garages and facilities for artists and the building itself - locker rooms, warehouses, tuning rooms, workrooms, studios and a rehearsal room. Garages continue to the second underground floor in one part and there are spaces for the technical equipment of the building in the other.
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Prague philharmonic building
Vrtílek, Osvald ; Plášil, Jiří (referee) ; Boháč, Ivo (advisor)
The diploma thesis on the Prague Philharmonic is based on the design of new concert halls for classical music, as well as other genres with additional functions alocated in one building. The site is located in Prague's Holešovice on the left bank of the Vltava River, near the transport route - Captain Jaroš Avenue. The site is delimited by the original development from the west, the river from the south, the railway viaduct from the west and new development from the north - this development is part of the planned reclamation of the Holešovice brownfield Bubny-Zátory, which has been implemented since 2000. The appearance of the created square results from the current state of preserved transport communications, while it also has the function of leveling the level differences by means of stairs on the north and east sides. The green islands in the square then define the course of pedestrian roads through the open space in front of the building. The shape of the building is derived from the shape of the main hall, located in the middle of the building, as a solid, non-transparent mass that grows from a transparent, light envelope in the shape of a low block. The facade is made by curtain walling from the glass panels of which are rhythmized in a ratio of 1: 2: 3 with alternating transparency. The building itself contains three concert halls - the main hall has an auditorium adapted to the type of vineyard, so it is possible to watch musical performances from all directions and yet offers unique acoustic conditions in terms of shape. The single-storey small hall has about half the capacity and is shaped into a shoebox type with a lower headroom, and the multifunctional hall has a screened floor on a hydraulic system, which ensures maximum adaptability to the type of event. In addition to the halls, there is a cloakroom in the spacious foyer, copying the floor plans of the main staircases, a café with refreshments and sanitary facilities. On the first floor, there is also music school with rehearsal rooms, a recording studio and a co-working workplace with seperated entrances. There are also separate spaces for commercial use. Most of the space runs from the first floor to the second, except for the northwestern part, where the music library is located. On the third floor, the foyer also serves as an exhibition space, around which on one side there is the administrative workplace of the Philharmonic and on the other a smaller cafe, a conference room for smaller events, and behind it VIP lounges. On the first underground floor there are garages and facilities for artists and the building itself - locker rooms, warehouses, tuning rooms, workrooms, studios and a rehearsal room. Garages continue to the second underground floor in one part and there are spaces for the technical equipment of the building in the other.
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Space of cyclic change
Pavlíčková, Tereza ; Jakšík, Petr (referee) ; Rozwalka, Szymon (advisor)
The search for the ideal function and form in response to the cyclical variability of the place offers several possibilities, but each approach to the issue is different. Throughout my work, I have drawn on-site analysis and the study of theatre and concert halls. Last but not least, I have been studying the literature of Rem Koolhaas- Junkspace and the texts of Maxim Gorka, thanks to which I have been able to create a semi-open raster structure and gain a new perspective on the matter and its mutability.
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The cultural centre in Brno
Ašenbrenner, Jan ; Ležatka,, Lukáš (referee) ; Pavlovský, Tomáš (advisor)
This bachelor thesis further elaborates the newly elaborated architectural and constructional study to the Documentation for building permit and Documentation for construction work. The assignment of the work was "The Cultural Centre in Brno" located on the plot no 723 at the Údolní street opposite the Obilný trh. It concerns a gap site at the 19th century historical housebuilding resulting from the bombing of Brno during the World War II. It regards a sloping land rising to Špilberk Castle. The proposed new building of the cultural center fills the whole gap site between one existing detached house and a row of houses going towards the historical centre while respecting the street line, which was one of the aims of my work. Another aim was to create a relatively quiet and pleasant area near a busy street connecting the adjacent Obilný trh with Špilberk Castle and recently opened Otevřená zahrada, which is a public outdoor area built by a neighboring ecological center. An outdoor open-air atrium, surrounded by the new building, was created and it is ended with a staircase following the rising slope. The building has three above-ground floors, the first floor spreads further into the plot and carves into the slope where the level of the roof ties to the adjacent slope. The entrance to the atrium is formed by an open passage that seems to be pressed into the mass of the object and narrowing vertically in the direction from the street to the atrium. The aim was also the maintenance of the green in the area, all roofs were designed as intensive vegetative with the intention to achieve the contrast between this green vegetation and "rough" corten facade, which by its random perforation suggests a free abstraction of art taking place inside.
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"Music Scene" - a concert hall for the city of Brno
Zatloukalová, Veronika ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The subject of this thesis is the design concept of the architectural study of a concert hall, namely the proposal for a "MUSIC SCENE" - the concert hall for the city of Brno. As part of this study is therefore designed a hall for 591 visitors. Hall enables performances to 90-member orchestra or choir. The solution is also operating and maintenance facilities necessary facilities like auditorium. The main emphasis was put on the acoustic solution, then the overall transparency in the operation of the building and the continuity of the building and the surrounding development mainly to the existing communication system that tries to respect.
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"Music Scene" - a concert hall for the city of Brno
Jaroň, Ján ; Žalmanová,, Petra (referee) ; Šindlar, Jiljí (advisor)
Theme of diploma thesis is „Music scene“ - a concert hall for city of Brno. Thesis consists of architectural study of concert hall including foyer, functional and service spaces. Capacity of Hall is 724 spectators divided in three floors of auditorium and can host up to 85 of orchestral musicians and 50 members of choir. Concept makes architectural study, which respect surrounding buildings but creates interesting space.
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"Music Scene" - a concert hall for the city of Brno
Láníková, Jaroslava ; Žalmanová,, Petra (referee) ; Šindlar, Jiljí (advisor)
Thesis focuses on designing concert hall in the city of Brno in a district called Brno-město. The main space is the concert hall with 540 seats. The aim was to design a representative building which fulfills all requirements for this typographic public building and where the linkage of beauty and functionality is undeniable a part of the proposal.The proposal is trying to connect architecture with music together. This was achieved by designing dynamic façade with segments which are rhythmically in a movement. The character of the concert hall is stressed by artwork by Alexander Caldera at the main entrance. The emphasis has been put on preserving conceptual idea in the final design since the beginning.
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Art school Zábřeh
Kolářová, Veronika ; Pobořil, Lukáš (referee) ; Petříček, Tomáš (advisor)
The subject of this thesis is the design documentation for three floor object with basement. Object art school includes a concert hall. The object is located in Zábřeh and will be built in existing buildings in the city center. The building will be used for teaching and training of 500 pupils, the concert hall is for 100 visitors and 30 performers. In the basement there is a technical background - boiler room and utility room, dancing hall with accessories and several classrooms. On the first floor there is room for ventilation, facilities for pupils and their parents, dressing room, classroom for orchestr, which includes a recording studio, classroom for drums and several classrooms for the solo instrument. The Concert Hall is also located on first floor and is divided into two parts. Part for visitors, where is located treasury, foyer, dressing room and concert hall. In the part for performers are separate changing rooms and kitchen. The second floor is partially defined by the school management - there are director's office, secretariat, staff room, day room for teachers and classrooms. The third floor will serve particularly dramatic and visual department, there will be six classrooms for solo instrument or singing. Art School has three main entrances - entry to school, entrance to the concert hall for visitors and a separate one for acting. Facilities for performers is connected to the testing orchestral playing. The land is gently sloping toward the southeast. In all parts of the school will be shed roof with slight slope.
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