National Repository of Grey Literature 37 records found  previous11 - 20nextend  jump to record: Search took 0.00 seconds. 
Implementation of the infrastructure for microphone audio streaming into the cloud
Dvořák, Petr ; Smékal, Zdeněk (referee) ; Zvončák, Vojtěch (advisor)
The task of this bachelor's thesis is creation of simple and functional infrastructure designated for recording and transmission of an audio recording captured by microphone and processed by Raspberry Pi. Final output file is then transfered to cloud storage. The goal of the thesis is making a prototype capable of processing a sound recording into required format and with suitable quality. The work should consider possibility of charging the system with battery, type of used network technology and setup of the cloud storage. Prototype should be simple and functional. Importance is comparing the infrastructure with similar devices on the market.
the essence of photography in the digital age
Doubek, Zdeněk ; Holeček, Tomáš (advisor) ; Váša, Ondřej (referee)
The diploma thesis solves the question of photography not only from the point of view of a work of art, but as a part of a cultural code. Photography in the digital era has the potential to become a new kind of visual language. From this perspective, the photographic universe reveals several essential questions, which we address here. These questions explore topics such as: historical development of images and text, the difference between traditional images and technical images, the cultural impact of mass production of digital devices and photographs, the essence of photography as a symbol from the point of view of semiotics and logic, the difficulties of deciphering photography, the linguistic aspects of digital photography or the meaning of photography in virtual (public) space. Due to the nature of the monitored topics, the work will address problems mainly related to language, logic, epistemology, human freedom in the context of man/device and marginally also semiotics.
Code Generation from UML Activity Diagrams
Gajarský, Pavol ; Richta, Karel (advisor) ; Strnad, Pavel (referee)
Code generation from UML is still very limited. Diagrams, which are usually used for code generation describes the static structure. These are mostly the class diagrams. One of the most useful and least used types of diagrams is behavioral diagrams. The reason for this is mainly a lack of support from the UML specification. The onset of version 2.0 has brought visible changes in this area. This thesis will focus only on activity diagrams and possibilities of code generation from them. One of them will be verified on a prototype tool that can generate skeleton of code in chosen language (e.g. Java, C + +, PHP ,...). Then it will be compared to alternative approaches and evaluated in terms of its advantages and disadvantages. As input is expected activity diagram created and exported by external CASE tool in XMI format. Architecture of tool will provide possibility of defining new modules. So the end user will be able to program another output language by the medium of given interface.
Information value and acceptability in weather forecast
Bělohlávková, Kateřina ; Janovec, Ladislav (advisor) ; Palkosková, Olga (referee)
7. SUMMARY This diploma thesis The information value and acceptability of forecasting is divided into a theoretical and a practical part. In the theoretical part the forecasting is described as a product of television newscast. I deal with the fact of forecasting entering the media communication. I deal with the information value that forecasts bring and show the way a piece of information is transferred from a producer to an addressee relating to the process of coding and decoding. I describe the acceptability of forecasts and its elements influencing comprehension. In relation to acceptability, textual linguistics is discussed in a separated subchapter. The last theoretical part deals with semiotics and semantics. These disciplines deal mainly with meaning and sings and that is the reason why they are not important only in the theoretical part but also in an analyzing part of this thesis. The analyzing part is based on semiotic survey analysis dealing with individual components of forecasts (visual, audio and audio-visual). The aim of this thesis is to find out which of components of forecasting brings the highest information value to respondents and which is best comprehensible for addressees. The survey results demonstrate that it is the audio forecasting that has a high information value and brings...
Comparative analysis of cover pages of magazines Respekt and Reflex in the period of 2009-2010 (textual and semiotic comparison)
Kovářová, Pavla ; Šoltys, Otakar (advisor) ; Kučera, Štěpán (referee)
Bachelor thesis "A comparative analysis of cover pages of magazines Respekt and Reflex in the period of 2009 - 2010 (textual and semiotic comparison)" deals with semiotic analysis of the cover pages of two similar weekly magazines in the same period. Research sample includes five covers of each magazine which shows Czech political figures. The first part of this thesis it describes the theoretical essence of semiotics. The second one is about magazines and theory of cover. In practical part analyses the covers of both magazines with the aim of overall comparison in terms of their communicating intentions, construction of reality and its work with myths and stereotypes. Visual and language codes are studied in terms of denotation, connotation and implied postmodern myths. In the recent media discursus has been interpreting signs and symbols, decoding the hidden meanings and perceptions of the dominant ideology in the construct of reality. Attention is focused on the design of Reflex' photomontage and Respekt's drawing, as well as on composition, colors and using stereotypes. Result of analysis shows a consistent approach of both magazines to the dominant ideology, but a different approach to construct reality and creating the communication plan, which comes just from the way of processing.
The rhetoric of goodness: Selected problems of symbolic communication
Abrahamyan, Marianna ; Švantner, Martin (advisor) ; Karľa, Michal (referee)
This diploma thesis deals with the rhetoric of Ku Klux Klan social movement. One of the goals of the work is to analyze through content analysis the codes that construct the categories of good and evil in the Ku Klux Klan movement. The second goal is to use the technique of critical discourse analysis to reveal the hidden power relations and ideologies that are found in the discourse of the movement. The theoretical part deals with the concept of social movement and the role of symbolic communication in it. It also deals with the concept of code and discourse. The chapter about discourse deals primarily with racism and the denial of racism in discourse. The thesis also concentrates on the theme of rhetoric, its development, rhetorical means and a view of rhetoric by Kenneth Burke. Further, the text deals with the context of Ku Klux Klan's birth and development. The last chapter of the theoretical part is describing the methodology that is afterwards applied to the examined documents.
Codes of dance improvisation: The case of Intuitive Dance
Orlova, Kseniia ; Zaccarello, Benedetta (advisor) ; Marcelli, Miroslav (referee)
The idea that dance can be understood as an act of communication and a form of language has been already taken into account by scholars. The hypothesis that will be discussed in this MA dissertation concerns a more specific matter: a semiotic approach to different forms of dance improvisation, and notably the method traditionally labeled "intuitive dance". To understand this phenomena two main concepts will be conveyed: that of "quotation" understood via W. Benjamin's essays on Brecht, and that of "notation", as defined by N. Goodman in his Languages of art. Can we understand dance as a language - id est a quotable and notable code - even in its more intuitive forms? How is it possible to "understand", "quote" and "address" gestures, even in front of a wide heterogeneous audience and without any prefixed choreography but only on the base of a free and in-time creating process? Can we understand improvisation as a complex code? what and how does this code mean? Keywords: improvisation, Intuitive Dance, semiotics, notation, gesture, Nelson Goodman, Walter Benjamin, dance, code

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