|
| |
|
|
Era of Zdenek Hofbauer's activities at the Pilsen Municipal Theatre in 1948 - 1953
Zdeňková, Klára ; Just, Vladimír (advisor) ; Sarkissian, Alena (referee)
This bachelor thesis deals with period in between 1948 and 1953 when Zdeněk Hofbauer was artistic director of J. K. Tyl Theatre. I focused on the drama group, nevertheless I also mention another two theatre artistic groups. Text is devided into two main parts - the first is about Zdeněk Hofbauer (his personal and professional life) and the second is about each theatre season in Hofbauers era in Pilsen. The main resources for this work were studies of theatre critics in the newspapers, the Pilsen archive of J. K. Tyl Theatre and publications about period Czech theatre.
|
|
|
Václav Voska's theatre, film and television acting in Czech artistic and social context in the second half of twentieth century
Neureuterová, Jitka ; Just, Vladimír (advisor) ; Jiřík, Jan (referee)
SUMMARY: This thesis focuses on theatre, film and television acting of one of the important representatives of Czech dramatic art in Czech artistic and social context in the second half of the twentieth century. The aim of this work is to depict means of expression used by Vaclav Voska in his roles. It provides summary of actor's theatrical work and in the part dedicated to his TV acting tries to comprehensively describe compering television series "We invite you to the theatre". The following part is dedicated to film acting, especially to his cooperation with the Film Academy of Performing Arts in Prague. The work neither neglects his teaching at the Faculty of Performing Arts Theatre nor his political career. The essential part of this thesis is focuses on his role of Emile Magis in Félicien Marceau's game The Egg. The work purposely omits on Vaclav Voska's production of spoken word (radio, Poetic Cafe Viola, Lyra Pragensis) and it refers only to his major achievements only if they are relevant for analyzed topics. Complete list of theatre and film production is given at the end of his work. The TV list is only a selection with regard to the factual ambiguity at the beginning of the functioning of the medium. The work provides factual data - in some cases, they are presented to public for the first time...
|
|
|
Staging elements and procedures in a TV news in the Czech Television and TV Nova
Bejlovec, Jiří ; Jirák, Jan (advisor) ; Šmíd, Milan (referee)
Thesis "The Staging elements and procedures in a TV news in the Czech Television and TV Nova" reveals the elements that modify the perception of stories in TV news. Staging will be analyzed on commercial TV Nova and public Czech Television. Thesis is divided into two parts. The first part focuses on theoretical background elements of staging in the news. Work also shows the way, how the makers of news work with staging elements. TV News session is understood as distinctive kind of productions, like theater performance. At first the elements are discussed, then the presence of the elements in news of Czech Television and TV Nova is demonstrated. With that works the second part of rhe thesis, which shows individual examples of staging. The work is mainly about trying to identify, document and classify the elements of staging in examples of Czech television news.
|
|
|
Use of mask in the Jacques Lecoq method
Smolová, Zuzana ; Pšenička, Martin (advisor) ; Jiřík, Jan (referee)
The theme of my thesis is the use of mask in the Jacques Lecoq method. The first part focuses on general principles of Lecoq's method, it's structure and content. The second part deals with the method in the context of 20th century French theatre. This part also concerns with some important connections regarding J. Lecoq's proffesional expierences with French theatre and his own work. In the last part, the attention is paid to a detailed study of particular types of masks which are used in the method. Finally, as a description of the way of work with these masks follows with a special focus on their meaning in actors' training.
|
|
|
Representative of drama education in South Bohemia - Jirina Lhotská
NOVOTNÝ, Ivan
The thesis deals with the work of Mgr. Jiřina Lhotská and her contribution to the drama in education in the South Bohemia County. The process of drama in education teaching and its basic elements are described in the theoretical part of the thesis. In the second part focuses on the character of Jiřina Lhotská, her career and contribution to the drama in education teaching. Furthermore, the practical part also contains interviews with individuals who profoundly influenced Jiřina Lhotská the pedagogue. The interviews with her colleagues and students with whom she has cooperated during various stages of her career (up until now) is also included therein. The lists of Jiřina Lhotská's creative activities, selected scripts of certain acts, as well as some photographs form part of multiple appendices.
|
|
| |
|
|
The Representation of Men with Homosexual Orientation in Czech and Slovak Contemporary Drama
DEMETER, Peter
The present thesis focuses on the representations of gays in Czech and Slovak contemporary theater plays. Its aim is to analyze the queer and campy aspects of the representations of gays in the mainstream plays and uncover the principles of creation of the gay character in the structure of dramatic Arts. The results of analysis explain the integrative mode of representation of gays in Czech and Slovak contemporary plays.
|
|
| |
|
|
On the Role of Man in the World (Contemplations in the Late Works of Jan Patočka)
PIZINGER, David
Annotation This work is interested in the late philosophy of Jan Patočka. The leading idea is to find basic motives in Patočka{\crq}s concept of The care of soul, and tries to make a connection to his life and social context. One of the most important expressions of the social reality is art. Jan Patočka{\crq}s continuing theme was the problem of human exsitence. How to live an authentic life. The post modern art is also interested in being authentic. The man according to Patočka is a personality determined by going out of his self and by finding this self from a different point of view. That is the question for performing arts: How to express the inside to be visible, how to make it a partner of a dialogue? Which means that Jan Patočka{\crq}s philosophy can be realized by some special kind of praxis. A praxis which is not practical as such. In the works of Jan Patočka, Being and social role play a substantial role. The problem of narration {--} a myth as a part of the process of young man{\crq}s identification and his acceptance from the society. The question of how to be a part of a society implicates another one: what are the foundations of society? What is the idea of European society? Questions concerning the heritage of Europe are {--} in anticipation {--} questions about the sense of Europe (or the European Union) today. In general, is there a possibility to live together, in any kind of human comunity? Through society he gets back to individuality with its questions. Patočka tries to ask concrete questions, expecting answers from Being itself. What is important: he doesn{\crq}t want to make a comprehensive system (following the example of Platón), he only urgently seeks the questions which can open the Being's truth. The sources: This work uses Jan Patočka`s texts from the 1970s. It compares them with texts from the field of art and tries to find their historical context.
|
guest ::
