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Underground on the hill? Interfaces and differences between the underground and the Hanspaul movement
Melichar, Dominik
The underground, especially the music scene is a relatively closed community connected mainly with the names of Ivan Martin Jirous, Egon Bondy and the The Plastic People of the Universe band, to which a whole range of activities of other individuals and groups scattered all over the country are connected. The Hanspaulka movement, which dates its beginnings to 1966, peaked in the late 1970s and gradually declined in the mid-1980s, has not yet been thought of in connection with the underground. The aim of these reflections was to point out the connections, but also the differences, between the two communities and thus point out the problematic nature of isolating the underground movement from a much wider environment of other unofficial and non-state-controlled activities.
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Narrative spaces of lyrical poetry
Melichar, Dominik ; Bílek, Petr (advisor) ; Málek, Petr (referee)
The work is a summary reflection on reading lyrical text and reader's understanding. It consists of two major topics - narratology and poetics of lyric poem - which are dissolved in the body of the work because of their meeting and direct confrontation. The third major circuit also dissolved in the body of work so that it can be functional for each complete part is poetry of Jiří Orten. Narratology now appears as a universal approach to the analysis of art (besides the literary text also film work, theater performances, paintings, etc., etc.). Poetics of lyric poetry is still adrift in a similar methodology. Considerations of this work are based on the assumption that narrative is one of the fundamental noetic structures of the human mind, and that storytelling is organizing principle of the human psyche. Based on this assumption the phenomenon of lyrical poem approaches to man as a kind of narratives that makes up a fictional world. Thoughts on the fictionality of poems, largely based on Doležel concept of fictional worlds is herein supported by Miroslav Červenka studie Fictional worlds of lyrical poetry. One of the last works of Červenka is confronted with other theoretical considerations on this subject (especially M.-L. Ryan, W. Iser and also U. Eco). Likewise this work is becomes a place of...
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Gellner - poetry of today
Melichar, Dominik ; Wiendl, Jan (advisor) ; Merhaut, Luboš (referee)
The main aim of my thesis was to highlight some points of František Gellner's poetry, which could be used in eventual following works in the area of exceeding of his poetry to contemporary literature and general cultural life also. Especially my thesis aimed at comparing criticism of this poet's period. Not only criticisms of his poems, but also criticisms and reviews of the other writers. These were both predecessors from generation of first half of 20th century as well as his contemporaries. The biggest focus was given to Gellner's first printed poem The Fifteen Bottles of Cognac, which was little bit out of attention from literature criticism of those days up to now. In the analysis of this poem are pointed the most important means of Gellner's poetics are pointed out. These means are accented in following books of Gellner's poems too. The tesis is structured also chronologically to Gellner's life. The result of my thesis could serve as basis for following studies of Gellner's heritage.
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