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Actor and Consciousness
König, Miloslav ; Horanský, Miloš (advisor) ; Hlavica, Lukáš (referee)
In my thesis, Actor and Consciousness, I tried to capture consciousness of actor during performance. Additionally, I sought a subsequent reflection of the performance as such.
My thesis has three parts.
The first part is dedicated to describing the reasons behind my choice of the subject, the course of the thesis, as well as preparations for the performance that was the subject of my research. The second part presents my research ? text of Experiment, a play staged by Hana Burešová in the Divadlo v Dlouhé theatre. My role was the one of Azor. I tried to express the course of my feelings during the performance in one of the replicas.
The final part is a reflection and a commentary on the previous parts as well as reflection on the options of consciousness in theatre production.
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Director´s actor - actor´s director
Vagnerová, Hana ; Hlavica, Lukáš (advisor) ; Horanský, Miloš (referee)
I deal with the relationship of the actor and director in my diploma work. First I try to describe some types of directors according to their work with actors and rehearsing with them during staging. I endeavour after a short view of theory of this problem. Then I try to describe two different types of directors: director ? stage manager and actors´ director; as a special case of actors´ director I present director ? actor.
In the second part of my diploma work I present concrete examples types mentioned above; it is based on my personal experience taken from my praxis up to now. I deal with Thomas Zielinski and his staging of Streetcar named Desire as an example of director ? stage manager, Ján Šimko in rehearsing Bedbound as an example of actors´ director and Ondřej Pavelka as a director- actor in rehearsing Faust. I try to review my acknowledgments from theory and praxis in the end of my work.
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