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Revitalization Program of Floral Garden in Kromeriz
Smékal, Jan ; Hrabec, Josef (referee) ; Šindlar, Jiljí (advisor)
Revitalization ot the forland of the Flower garden in Kroměříž The subject of this project was the design of new buildings and spaces in the areal of the Flower garden in Kroměříž to meet the visitor's and staff's needs but also to create suitable environment for horticultural purposes. The main subject of interest was the creation of the new visitor's infocenter. In this building, a visitor is given information not only about the garden, but also about the building itself. Offered features here are: caffé, restaurant, restroom, exhibition hall and audiovisual center. A decent organic form was chosen as the main expression tool not only fot the infocenter building but for all other features in the garden (interior design, glasshouses..) This fully coresponds with the natural essence of the garden itself. Two glasshouses and the rabbit hill also belong among the new designed buildings. The birdhouse and the entrance building experienced their reconstruction and conversion to new facilities - the birdhouse to the caffé and the entrace buildind into the multipurpouse object with the library, study room, director's office, VIP guest rooms and the custodian's apartment.
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Old - new urban spa
Jetelina, Martin ; Šindlar, Jiljí (referee) ; Hrabec, Josef (advisor)
Assignment of the study was to find the optimal utilization and possible way how to recover prestige functionalist monument on the territory of Brno - City Spa in Brno - Zábrdovice. The aim was also to find and define the relationship between the spa and the surrounding area to the dilapidated territory of the former Zbrojovka Brno company . This task was elaborated at the level of the urbanistic-architectural study and it also dealt with the new buildings in connection with the functionalist monument.
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Revitalization Program of Floral Garden in Kromeriz
Kynčlová, Ivana ; Vojtová, Lea (referee) ; Hrabec, Josef (advisor)
A basic idea of design is dividing to a long longitudinal area of „Orange and Dutch Garden“ with a Centre built for visitors. There will be a quadrangle that right a follow up to the second entrance into the garden. Main door is through the Centre built. The entrance which is on the quadrangle will be like seasonal (in the winter) or for VIP visitors. The Centre built for visitors is divided for two basic parts with a single entrance – the restaurant and the education centre. The entrance to the place for education and information is through the entrance hall. There is also the place for a library and for the reading room in the hall. Furthermore there is a bookshop, the room for a provisional exposition, a lecture theatre and a gallery for a permanent exposition. The hall and the restaurant is lit by south-west frontage from a glass and screened by window blind from cloth. The places of gallery are lit by shaft from glass and screened by screen form the cloth. The whole building is from a fair-face concrete with a irregular texture. A roof of the restaurant and the gallery is level, green and the entrance hall is with a level roof too and with a grit roof surface. The center built of visitors make aerial quadrangle. Its organization is originated from design of the indoor gallery. On the ground plan of quadrangle there are changing areas of green, grit, sand, pebbles and paved ways. A grassy surface are for populace – for a recreation, for a rest or for various social games. Along the origin wall there is the green strip with the concrete basements, which are used for exhibiting statues, works of art and so on. Its symmetrical to the inside gallery. The quadrangle of visiting center is connected with thematic garden – the garden of elements. The system of meandring ways meets to visitors individual elements. The elements are represented by attributes, the way of disposition or by the kind of plants. The elements are made up of the jutted out island. On the water element there is dominant a fountain with the statue of the god Neptune. The last part of the garden’s design is a lower garden with a greenhouse and a bird aviary. There is respected the origin historical axis. On the axis there is the symmetrical greenhouse. In the center of the greenhouse there are information about organization of the plants. From this place you can enter to five other greenhouses. In each of them will be grown different kinds of plants. In the first greenhouse there are a gardening, selling the plants and practical workshop for the visitors. Next to the each greenhouse there are a base and a base of the garden. Longitudinal axis of the garden is stressed by the linear water component which is coved by the meandering sandy ways. In this garden from the greenhouse till the aviary there are stripes of different colored flowers. The function of the aviary is previous, the new one is the water area and the footbridges to the aviary. Concrete replica of the rabbit’s hill is moved from the main longitudinal axis to the axis of the flower garden and to the enter of the aviary. In this small building there are projecting screens for watching documents and short movies about history of the garden, nature or about the elements.
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TOWNHOUSE ON THE WATERFRONT IN PŘEROV
Švanda, David ; Vojtová, Lea (referee) ; Hrabec, Josef (advisor)
The subject of the bachelor's thesis is an urban and architectural design of a cornerhouse on the waterfront of the river Becva in Prerov. The main goal of the design was to create a compact and decent building that would fit the place and surrounding buildings. The actual design is a four-storey flat-building with small shops and a cafe on the ground floor and three storeys of flats.
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Evaluation criteria of industrial heritage - practical application
Zelik, Radovan ; Hrabec, Josef (referee) ; Králová, Eva (referee) ; Staňková, Eva (referee) ; Zemánková, Helena (advisor)
The protection of monuments in Slovakia is mostly concentrated on „classical“ examples of cultural heritage (castles, historical city centers). It is not paying much attention to industrial buildings, which are important documents of national development in European context from the era of industrialization. These buildings are often also on the edge of public interest, due to their brownfield character, what places then into the great risk. Because many of these buildings are in private hands, it is often complicated to define the protection policy. It is in the interest of healthy development of society to protect cultural heritage as part of its own identity. The thesis is monitoring approaches to protection of monuments in Slovakia, as well as in global context and offers alternative approaches in terms of protection of industrial heritage.
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Revitalization Program of Floral Garden in Kromeriz
Musilová, Tereza ; Búřilová,, Eva (referee) ; Hrabec, Josef (advisor)
Main theme of bachelor´s work is adaptation east part of Floral Garden in Kromeriz called Dutch and Orange Garden. Building program includes centre for visitors providing information on the Floral Garden and European Gardens generally.Next part includes new usage of buildings around the „Honor yard“. South part of Garden is projected in volume ,especially building of new garden glasshouse and new form of rabbit hill.
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HOUSE ON THE EDGE – Valašské Meziříčí, Sokolská Street
Brázdová, Dana ; Vojtová, Lea (referee) ; Hrabec, Josef (advisor)
Multipurpose building The project was to create the missing link in the city and propose town-building. The building includes flats and rooms for rent and to commerce (office, shops, services and restaurant). Funnel shape of the building is missing additional street line. Plenty of public space, supplemented by greenery creates a meeting place for residents and visitors.
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Roots of Moravian Urban Structure
Mohelník, Ladislav ; Löw, Jiří (referee) ; Prokeš, Oldřich (referee) ; Hrabec, Josef (referee) ; Koutný, Jan (advisor)
The thesis has been written on the basis of main architectural concepts and their application in real life within a historical context investigation. Main architectural concepts are represented in a harmony of architectural composition that deals with relations among form, structure and space in the unique art work. Genius loci play very important role in the architectural creation - it represents a special and extra-ordinary urban locality and its architectural value in the historical, geographical and cultural context. The origin of Ostravice village within the historical frame concept of Moravia domain is the topic of this thesis. Other historical documents gave information about Bruneswerde as the Brno Castle. That means Brno Castle had to be founded not in Brno (as it has been consid-ered for many years) but it was located in Beskydy at Ostravice. The sacred city – Civitas Dei had been located in Bruneswerde region in early ages as the centre of European culture, education and spiritual life. Civitas Dei – divine Jerusalem in the transcription of St. Augustine's book De civitate Dei – is not only glorification of God and religious fantasy. It is also one of significant clues for recognition of historical architecture. The depiction of unknown settlement from the book of unde-fined origin is a superb testimony about extinct architectural works. They are legible from cadastral maps. Brno Castle - residence of nobility and power served shelter to St. Vojtěch, St. Prokop, St. Václav and St. Ludmila as it is obvious for the mentioned picture. Three major temples, three com-position axes symbolized by three towers on coins are in analogical relation to Brno triangle of four saints - the Saint family of Brno temples. Powerful ambitions of Brno City principals and clergy are inscribed into the urban structure in the way of composition relations which are legible to them who devoted themselves to the mystery of harmony. The absence of historical continuity affects personal attitudes and also identity of the whole community. The architecture truly reflects the past state of polis and it is eloquent even after its death. The architectural composition relations influence the natural environment for long time, longer than the architectural work existence. The geometric order of Renaissance Brno existence has not been in attention of architects so far. The features were discovered in characteristic paintings by Albrecht Durer. They are evidently secret works of the genius. A meaningful collaborator and follower in the extensive project was also his friend Jan Čert from Brno and lately from Vienna. His noble genealogy played a significant role in history of Silesia and Moravia for centuries. It is tendency to consider him as Austrian or even German architect. It is because of the fact that the genealogy tree of his noble family had roots in Moravia. It is supposed that Durer with Jan Čert´s support created the extraordinarily monumental architectural and urban works in Brno. A remarkable consensus in the urban composition of two squares and transition of traditional urban structure of Ostravice Civitas Dei into the modern Brno is also confirmed due to the identification of noble creators and owners, who were at the foundation, transformation and extinction of elements of the Moravian urban structure.
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