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A Journey into the Mind of Martin H.
Helán, Martin ; Houser, Milan (referee) ; Stratil, Václav (advisor)
The main aim of my thesis was to re-establish their former individual creation. When rendering images, I came from my heart that emotionally involved in deciding the final constellation of colors. The resulting series of images is processed oil painting technique using mainly medium formats. The composition of paintings based on geometric abstraction and draw on previous work by increasing the details of their own earlier paintings. The operational objective was to search for color variations that inherently express different emotional states. The work focuses primarily on finding harmonious interplay of color tones.
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The Magic Adventures of Whimsical Incarnation
Zapletal, Aleš ; Stratil, Václav (referee) ; Artamonov, Vasil (advisor)
I am presenting a series of medium and large sized paintings. Theese figural compositions are based on still lifes composed of common objects and pieces of food, which are animated by their transformation into portraits and figures. Theese fantastic characters are situated into humorously worrying confrontations and situations in which animated objects imitate human acting. They are limited by partly human structure of their bodies.
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Media Image of the Fu-Fu Cult
Růžičková, Martina ; Santos, Luis Artemio De Los (referee) ; Stratil, Václav (advisor)
In an interconnected world of alone standing individuals, artistic individuality is in many cases expressed through attempt to question culture of branded corporations and thus replace it with artist’s independent mind that is able to create works as commentaries and alone standing, “independent” products. To create post-ironic individuals, individuals as “highly diversified” brands. So long they’ve dreamed about wide spread and legitimization of their work, their art. This was partly done by overwhelming their followers’ social media feeds.
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Monument
Mrva, Jozef ; Vaněk, Vojtěch (referee) ; Stratil, Václav (advisor)
I base my spatial installations upon working with waste materials. I use characteristic and aesthetics of cardboard and wooden clippings to express dialogue with geometrical drawings, which I have been producing since the last year. Protracted and unexpectedly-carved shapes resemble timber beams or ruins and can lead to ecological or eschatological questions. The title "Monument" is an ironical disputation with human trace and materials we use without giving them any further attention.
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