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Cliché in Contemporary Art Photography
Čejková, Michaela ; Buddeus, Hana (advisor) ; DVOŘÁK, Tomáš (referee)
The diploma thesis defines the therm "cliché" in art and specifically in
photography. This definition stems from examining concepts that are closely
related to cliché: paraphrase, kitch, copy, reproduction. The thesis also pinpoints
various examples of cliché in today's photography. It follows the development of
certain clichés and aims to answer the question that concerns the repetitive
search and imitation of certain images, even by authors who are undoubtedly
aware of their existence, as well as frequency.
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Financial analysis of Pleas a. s. company
Dvořák, Tomáš ; Štamfestová, Petra (advisor) ; Svoboda, Jan (referee)
The main aim of this bachelor's thesis is an elaboration of financial situation in Pleas a. s. company. The analysis is made for the period from 2009 to 2013. The bachelor thesis is divided into two parts. The theoretical section provides procedures for calculating individual indicators, explanation of the methods used and explanation of financial terms. The practical part is focused on presentation of Pleas a. s. company and after that the financial analysis of the company is carried out with the use of financial statements and annual reports of Pleas a.s. In the conclusion there is a summarization of the results of the financial analysis and a presentation of recommendations that can lead to an improvement of the company Pleas a. s.
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Rozbor parametrů mechanizačních prostředků pro údržbu trvalých travních porostů
Dvořák, Tomáš
This thesis deals with the means of mechanization for maintenance of permanent grassland by mowing without collection or mulching. The means of mechanization belongs to category of the one axle tool carrier and the zero turn mower. The aim of the study is practical comparison of the means of mechanization and their suitability for different grassland. The practical part of study deals of functional and operational aspects. Futher, the machines were compared in terms of operating cost. The machines are assigned to suitable operators, on the basis of this analysis.
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Presumption of development domestic tourism in selected area - district Třebíč
DVOŘÁK, Tomáš
The bachelor thesis deals with conditions for development of domestic tourism in the chosen area district Třebíč. The main object of this work is to identify the assumptions through analysis of domestic tourism in the district Třebíč, but on the basis of a shortlist was selected by the Třebíč. The secondary objective is based on a field investigation to determine how it affects the attendance area enrollment specified in the list of UNESCO. From the information obtained from the field investigation was prepared by a tourism product that is designed for children and their parents. As a product for this segment was designed educational, fun and adventure event, based on Trebic legends.
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Gillnet size selectivity for common European freshwater fish species.
DVOŘÁK, Tomáš
Gillnet size selectivity was reviewed in this study. Gillnetting is selective method of capturing fishes and the aim was to describe the size selectivity of gillnets. The catching process can be influenced by doze of factors. The selectivity of gillnets can be described by statistical models and in this study were compared the most common selectivity curves for common European species.
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Documentary Photography
Kumermann, David ; Dvořák, Tomáš (advisor) ; Silverio, Robert (referee) ; Kolář, Viktor (referee)
The text deals with documentary photography as an autonomous practice. The starting axiom for any further deliberations states, that photographic documentary is based on effort to eliminate any possible manipulation.
This manipulation is usually understood as some mechanical intervention in the otherwise automatic process. If, however, the role of a photographer is reflected, we understand the manipulation as an ethical rather than a mechanical problem.
The meaning of photography is always viewed within certain cultural context. A solitary photograph is always polysemic and opened to a manipulative ideological abuse. Photographic documentary works with a collection of photographs, thus providing more complicated but also more exact message.
This is how possible manipulation has to be considered. The authorship must be understood as responsibility for the photographic message. The authorship is not only the fact of taking the pictures but also their selection.
Brief historical excursion establishes an approach to the search for the genealogy of a documentary. It also concerns the ?language? of photography and its ability to carry certain meanings.
Journalistic and documentary photography emerged as a single practice. Photographic documentary as we know it got its autonomy by separating itself from journalism. The place of documentary photography vis-à-vis art and journalism is discussed. .
The last part concerns documentary photography as a stream of various tendencies and approaches. It suggests instruments to reflect this diversity. It also deals with the traditional document in relation to practices that attempt to liberalize the concept of documentary photography and allow in tendencies that are based upon manipulation of the photographic meaning.
Documentary photography is an authentic reflection of the world, based on the author´s responsibility for his message. That is the fundamental principle: Documentary photograph has to be judged not only in aesthetic terms but also by its truthfulness.
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The Occult Photography
Tesař, Jan ; Dvořák, Tomáš (advisor) ; Musilová, Helena (referee)
The title of this diploma work is "The occult photography". Main aim of this essay is to get closer to the phenomenon of spiritualism in photography. The work treats of concrete pictures and their authors. The introduction is followed by chapter "Conception of ?reality? in the occult photoraphy". It contains e.g. information about perception of this topic by various theoreticians. The second chapter "The world´s occult photography" consists to three parts. The first of them - "Materialization of human being´s spirits", considers origins of spiritualism (for example work of William Mumler). The second part - "Levitation of insentient subjects", discusses works of Frederick Hudson and Edouard Isidor Buguet. The third part - "The unidentifiable phenomenons", treats of concrete examples of such phenomenons and about Kirlian´s photography. The last chapter is called "The Czech occult photography". The conclusion is a kind of contemplation about perception of the occult photography in present and in past, about differences between this perception in our country and abroad, and also confrontation with other kinds of visuality.
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