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"Death in Venise": a psychoanalytical approach
Sácký, Jan
The goal of this thesis is to offer a psychoanalytical understanding of Thomas Mann's short story Death in Venice. This understanding is achieved through analysis of motive of godhood and the explanation of two dominant themes of the story, love and death. This thesis also compares the story of novella with Plato's dialogue Phaedrus and draws paralels between message of the novela and Sigmund Freud's work Beyond the pleasure principle and two of the fragments from Heraclitus of Ephesus. Thesis also offers brief research of what was already written about Death in Venice. The findings of my interpretation are compared to Heinz Kohut's interpretation of Death in Venice from 1957. KEY WORDS god, godhood, antiquity, eros, love, death
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"Death in Venise": a psychoanalytical approach
Sácký, Jan ; Kučera, Miloš (advisor) ; Klusák, Miroslav (referee)
The goal of this thesis is to offer a psychoanalytical understanding of Thomas Mann's short story Death in Venice. This understanding is achieved through analysis of motive of godhood and the explanation of two dominant themes of the story, love and death. This thesis also compares the story of novella with Plato's dialogue Phaedrus and draws paralels between message of the novela and Sigmund Freud's work Beyond the pleasure principle and two of the fragments from Heraclitus of Ephesus. Thesis also offers brief research of what was already written about Death in Venice. The findings of my interpretation are compared to Heinz Kohut's interpretation of Death in Venice from 1957. KEY WORDS god, godhood, antiquity, eros, love, death
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Directorials methods of Yoshi Oida in productions Death in Venice and Ideomeneo
Vlčková, Kateřina ; Pšenička, Martin (advisor) ; Christov, Petr (referee)
Diploma thesis deals with the directorial methods of Japanese actor, director and professor of acting Yoshi Oida in two productions which were performed in Prague, Death in Venice in Státní opera Praha and Idomeneo in Stavovské divadlo. The first part try to cover Yoshi Oida's professional life in chronological order, namely his theatrical performances. The second part is devoted to the short historical contexts of traditional Japanese theatre and the influences in Yoshi Oida's professional life. The third part is devoted to the history and the inspirations sources of two operas, scenography of two productions in Prague and the comparison of the common and different directorial methods. The final section aim to reconstruct Yoshi Oida's directorial methods in Death in Venice and Idomeneo.
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