National Repository of Grey Literature 101 records found  beginprevious31 - 40nextend  jump to record: Search took 0.01 seconds. 
FILL THE VOID
Pavlacký, Tomáš ; Kořínek, David (referee) ; Gabriel, Michal (advisor)
I CREATED A SCULPTURE, WHICH IS A MATERIALISATION OF A DIGITAL MISTAKE, THAT IS CALLED DATAMOSH. FOR THE CREATION I USED CURRENT 3D TECHNOLOGIES. THE RESULT IS A SCULPTURE MADE OF PLASTER, POLYSTYRENE AND WOOD.
Autonomy of an artwork outside of the institutions of art
Hauser, Filip ; Piaček,, Martin (referee) ; Dub,, Petr (referee) ; Klímová, Barbora (advisor)
This dissertation thesis aims to reflect on the current evolvement of public spaces and increasingly common discussions of the lay and professional public about its impact and importance for a democratic society. The main topic, "Autonomy of an artwork outside of the institutions of art", focuses on searching for the autonomy of artwork in public spaces in the context of how the artwork was placed there. The thesis describes specific artworks which were placed into the public space using different methods, such as art competition, no competition, as a gift, or in a way of temporary art. These methods are examined to find the degree of autonomy. The degree of autonomy of artworks in public spaces is determined based on the applied analysis which, among other things, focuses on how efficient the result is in comparison to the method of placement. The field research resulted in complex, subjective, sculptural and artistic opinion on the current practice of placement of artworks into public spaces. Such professional and relevant opinion was then presented to the responsible authorities which have a significant impact on the creation of public spaces. The author aims to apply the acquired knowledge in practice by offering his professional opinions for the new elaboration of the government strategic document called "Politika architektury a stavební kultury České republiky" (loosely translated as "Politics of Architecture and Building Culture of the Czech Republic"), which is created by Ministry of Regional Development of the Czech Republic. The main results of the thesis describe the efficient approaches which lead to cultivation of public spaces and the significant role of art in them. Such approaches were in the thesis demonstrated by civic influence on the government strategies or civic activism in a form of citizens' initiative called "Je to i tvoje město" (loosely translated as "The city is your too") which actively participates in the public debate in Jindřichův Hradec, town on the South of the Czech Republic.
The Amputee
Sedlák, Ondřej ; Sedlák, Jan (referee) ; Gabriel, Michal (advisor)
Cut out the insect body, which in turn draws attention to detail and a separate form object, it becomes a piece of the unknown, futuristic world, who is a snippet of an enlargement of our macrocosm. Statue focuses on the unusual and the idea of the individual and points to a less pronounced nature.
S335
Dostál, Jan ; Rais, Lukáš (referee) ; Gabriel, Michal (advisor)
The Bachelor thesis named S355 takes the form of a large-format metal object. The default material for the sculpture is the construction steel S355, and the sculpture consists of individual interconnected segments that form the resulting shape of a rising circle. The determining principle of the sculpture is the shape and the size of the circle, the motif of which occurs not only in the resulting form, but also in individual segments.
Residential Complex in Brno - Komín
Bělica, Ondřej ; Šmídek, Petr (referee) ; Mléčka, Jan (advisor)
New housing structure contains mezonet double houses and its compositions made of dividing double houses, it makes a space for all four flats. The accent of composition is on the top of hill, this building is made of 10 mezonet flats. Interior is variable and concrete structure is solid part of construction. Interiors are full of dayllight and air.
COAT
Svobodová, Hana ; Pangrácová, Lucie (referee) ; Gabriel, Michal (advisor)
Although the main topic of my diploma thesis is Kabát, I describe in the introductory chapters of my previous work, because their creation and gradual emergence have been directed towards the final project - Kabát. As part of my sculpture, I concentrate mainly on the possibilities of transforming the human figure, using various classical and non-traditional sculptural materials. The fabric of a selected piece of clothing (in the case of a coat) is reinforced at a certain point in time, which I transposed into the feathered cavity - the coat that you put before you. His work with the "outer envelope of man" in the final passage of the text corresponds to the work of Czech and foreign artists.
FORGIVENESS, FEAR AND EXPECTATIONS
Pavlíčková, Ivana ; Labuda, Radim (referee) ; Gabriel, Michal (advisor)
Theese objects from burned clay are representing the sublimation of traditional technologies and materials with contemporary visual technologies such as 3D.
The Students themselves - Student Center Poříčí
Mikulášek, Petr ; Pospíšil, Zdeněk (referee) ; Boháč, Ivo (advisor)
Open out and variable facade. Monumental cuboids with specific funkcion intersect all object, which has an easy form by the letter „L“. Cuboids are partly glassed-in and screen life in object to outside. Main materials are architecture concrete, glass and steel
Interaction of Space
Křivák, Petr ; Písaříková, Jana (referee) ; Gabriel, Michal (advisor)
The main objective of this thesis is the relationship of space and sculpture and pursuit of a single expression using 3D digital sculpting
Body and Time
Olšáková, Marie ; Kupčíková,, Alena (referee) ; Klodová, Lenka (advisor)
This work is about creating a conceptual sculptural work. The goal was to capture the following motives: individual ways of perceiving time and social pressure on women. My personal motivation for creating was the outrage of the societal pressure which is put on women in their reproductive age. The main part of the sculpture is a clock, which is inserted into a plaster cast in the woman's lap. At the same time, a blue IKB pipe is depicted in the woman's lap. The sculpture is a minimalistic depiction of a woman feeling of the societal pressure. Twice a day there is a moment when the hands of the clock cover the pipe, and the pressure that society exerts on us, women, disappears. These moments convey the message that there is no right time. At the same time, I created triptych relief plates in the background, which repeat the plaster material and the use of the bodies that were imprinted into it. Specifically, it captures three generations of women from my family, three different approaches and three different captures of time.

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