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Interaction with artwork - the still-life
Kuklíková, Kristýna ; Šmíd, Jan (advisor) ; Hůla, Zdenek (referee)
Kuklíková, Kristýna: Still-life Graduation Thesis, Prague 2010- Charles University in Prague, Faculty of education, Department of Art Focus of work: theoretical study and the visual output Course work: changes in the theme still lives in the course of history with a focus on photography. An Overview of the topic still lives in history. Entry in the current flows. Focusing on contemporary photography and its links with the theme of Still Life. The object of teaching is the subject of mediation and still life photography for children and students in schools with the art project focused on the basics of photography. Keywords: art, still life painting, drawing, installation, photography, digital photography, advertising, composition, light, static, close-up objects, relationship objects, value objects, cut, space
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Chandeliers
SKAMENOVÁ, Tereza
This thesis deals with the still life, especially with one object. There is an outline of its development in the context of art from antiquity to the present in the beginning. This thesis is divided into two parts: theoretical and practical part. The theoretical part focuses on the history of still life. It also deals with development during the futurism and metaphysical painting. The examples of current international artists are added. In the end of the first theoretical part there is a topic how to apply still life in art classes. In the second practical part there is my own still-life created including the processing procedure.
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An Obscure Painter
Martiníková, Zuzana ; Sterec, Pavel (referee) ; Artamonov, Vasil (advisor)
Master's thesis called Not too well-known painter reacts on art of regional painter Jaromír Martiník. It is an exhibition of the work of this painter. Thanks to the intervention of author of this exhibition brings up his work into unusual context of artist from Beskydy, who is influenced by oriental philosophy.
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The Phenomenology of Touch and Desire
Vojtěšková, Jitka ; Hanzlová, Alžběta (referee) ; Mikyta, Svätopluk (advisor)
Still life arise from interactions related to a particular situation, location and experience. They are composed of objects that are located on a given place, of my own and borrowed or donated by my "partners". Reflect the time memory. They are a physical reminder of the experience. Still Life is manipulated, staged, composed of various artifacts that are symbolic bearer of facts that preceded them, Images may affect the perception of emotions associated with the concept of beauty, transience, decay, evoking a feeling of emptiness, to reflect the time - an irreversible momentum. Photos show a banal, everyday objects, often so obvious and neglected, What remains for us ... What remains ... What goes around ... What is gone ... Similar scenarios acquire different meanings, finding what is already absent,
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Fixation and Mutation
Maloušková, Drahomíra ; Nikitová, Alice (referee) ; Artamonov, Vasil (advisor)
My ending Bachelor work related with all my work in school across my stadies here in FFA of BUT in Brno. Obssesive collectibles of different things and materials are my starting point. My father have this behavioral disorder, and it is really inspirated for me. In fact, I will present cca 13 oil paintings about some objects from his collection and relationships between these in space and time.
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The Magic Adventures of Whimsical Incarnation
Zapletal, Aleš ; Stratil, Václav (referee) ; Artamonov, Vasil (advisor)
I am presenting a series of medium and large sized paintings. Theese figural compositions are based on still lifes composed of common objects and pieces of food, which are animated by their transformation into portraits and figures. Theese fantastic characters are situated into humorously worrying confrontations and situations in which animated objects imitate human acting. They are limited by partly human structure of their bodies.
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The Festival of Wiener Schnitzels
Helán, Martin ; Mainer, Martin (referee) ; Rathouský, Luděk (advisor)
In my thesis I dealt with still life paintings with food. The main keyword of this work is banality. It is the irrelevance of some situations that I used as a motive to create a visually impressive moments. I painted a meal as a celebration of the banal and seemingly unspiritual things, like a gift from God, which is a part of our ordinary everyday life.
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Reinterpretation of the Baroque still life
BARTŮŠKOVÁ, Sally
The bachelor's thesis deals with the Baroque still life. It begins with a theory and ends with a practical part. The theoretical part starts with a brief overview of the origins and development of this genre in the Netherlands, Spain, Italy, France and the Czech lands, with special attention devoted to the painting technique, composition and symbolism. It continues with an overview of the topical state of the art regarding the still life genre and concludes with a representative list of its world-famous and Czech painters. The practical part documents and illustrates the creation of the author's oil painting that reinterprets the Baroque still life in a modern way.
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Still life in space (practical-theoretical thesis)
KŘÍŽOVÁ, Lenka
This diploma thesis treats and follows the still life in the conceptual interpretation of some selected authors in the second half of the 20th and at the beginning of the 21st century. The work has been divided into the theoretical and the practical part. The theoretical part deals with the conceptual art, its evolution, theory and its representatives. It further follows the evolution of the still life concerning mainly 20-century´s still lives and three-dimensional still lives. The practical part is made by sketch cycles, photomontages and the final art conceptual project. The work documentation is a part fo this work.
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The Exceptionality of the Usual
BOHDALOVÁ, Martina
My thesis The Exceptionality of the Usual consists of two parts, theoretical and practical. Practical part involves a set of sixteen still-life paintings in which a technic of dry pastel is used. Theoretical part surveys the art genres in still-life paintings of artists who created their opuses in the first half of the 20th century. At the beginning of my thesis I deal with and clear up the points of view that I take into account when examining artistic expressions and outlining historical development of still-life painting. Then I analyse particular periods of artistic life of modern artists in which they dealt with these topics. I observe and trace the effects that affected their work, their artistic intentions and work processing on the whole. The authors are integrated chronologically into continuity periods according to particular artistic streams. The illustrated appendix A. completes the text. At the end of my thesis I describe the technic of dry pastel and my work on my own still-life paintings that are enclosed to my thesis in the illustrated apendix B.
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