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Baths +
Svoboda, Marek ; Foretník, Jan (referee) ; Kristek, Jan (advisor)
Spas are designed on the principle of stage and auditorium, where the visitor becomes either actor or observer; actor or spectator. Fragmenting each "act" active activities through a carefully programmed observation sites and vistas is needed to create tension between actor and observer. "Story" is is revealed gradually, and his understanding is necessary to move the proposed space and rotate each "Auditorium". Achieve a comprehensive sensation viewer is associated with the need to crawl space spa. Act is repeated. From the viewer becomes an actor and the actor spectator. The body is in motion and mental marches are a reflection of observation of physical events. (google translator)
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Identity Background
Kleinerová, Zuzana ; Kleinerová, Klára (referee) ; Klodová, Lenka (advisor)
Diploma thesis Background identity is a series of events through which I am trying to find a harmony between the magic of art and life. I decided to initiate the situation, "performance" mediating an authentic, strong feelings. I tend to performance associated with life in the self-reflective approach. Based in my own performative practice in which the strength and authenticity is reflected primarily in the exchange of energy between the audience and the performer. I started to define an ideal conditions for performance to achieve this exchange, authentic experience and mutual perception of the situation within the relationship between "performer" and "spectator". In November 2015 I planned "authentic performances " series . The mutual forming of "performing" act I have anchored in the concept of identity, which is infinitely formed in relationships and the never-ending negotiation process. In the name of authenticity I am exposing myself within the anonymity of public space and waiting for the moment of identification. Waiting for concrete spectator who is already a part of me within a certain social role. Unexpected intervention into the everyday life of concrete person make the opportunity of authentic experience. Experience which is a part of his everyday life completes the action, giving the context. During the realization I got the opportunity to exhibit in the Palais de Tokyo. Aware of the significance of this opportunity for the development of my own artistic career I have decided to accepted it as a challenge. Although the terms of institution are utter contradiction of those conditions I had defined previously for authentic experience. In the name of authenticity and my principles I decided to be present in the role of spectator. To be invisible to this prestigious gallery. Be invisible to the artistic group Delta Total through which I had the opportunity to exhibit. To be inside and outside in the same time. The starting point of the last part is a necessity with the goal to get a master's degree. The necessity of outcome for jury can also betray my ideals of living authentic event. I should mediate all the experience of past events (to date 20th of April- thirty-three events) which happened in so many different places in the space of "Malá Amerika" in Brno...
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Development of creativity during the formation of the belly dance performance with regard to the requirements of the current audience
VÁŇOVÁ, Dominika
Work deals with the application and development of dancer creativity of oriental dance in the creation of performance for today´s audience. This work is clearly theoretical and it is divided into four chapters. The first chapter deals with creativity, historical development of its concept, personality influencing individual creativity and creativity barriers. In the second chapter we talk about oriental dance, its history, current use and positive impact on women´s health and psyche. The next chapter covers contemporary audiences and its requirements for live dance performance. I mention external influences that shape these requirements. The last chapter describes basic building blocks forming a dance performance as a whole. There are also mentioned moments developing creativity of dancer during creation of the performance and the performance itself.
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Analysis of motivation among the spectators of Prague professional theaters
Hájková, Mariana ; Riedlbauch, Václav (advisor) ; Boukal, Petr (referee)
This Master Thesis maps the scene of the professional theaters in Prague from the spectators' perspective. Consequently it points out the most important motivation factors for each market segment that leads people to visit the shows. The theoretical part defines the terms theater and drama. It also analysis theater market in the Czech Republic and Prague's professional drama scene. Moreover, it specifies a marketing mix in the context of theaters, introduces the basic principles of marketing research and states the fundamental basis for a theory of motivation. Analytical part is based on a quantitative research realized through a questionnaire survey. Subjects were Prague residents, both men and women across all age groups and different levels of education. Minor improvements for theaters marketing strategy were proposed according to the research findings. Particular attention was paid to the special theatrical events held in Prague.
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Spectator care in czech and slovak football
Petráš, Miroslav ; Novotný, Jiří (advisor) ; Kotáb, Jiří (referee)
Main goal of this thesis is to analyze the environment of Czech and Slovak football in the area of spectators care. The theory part is focused on theories, which refer to this problem. These are: specifics of the football market, economics of football clubs, theory of marketing mix and fan definition. At the beginning of practice part, the thesis analyzes and compares attendance rate in top leagues of both countries. Next chapter deals with factors, which effect the attendance rate. Its goal is to demonstrate the dependence between attendance rate and achievements, rival attraction and weather. Marketing mix is being applied on football clubs in the next chapter. That means, how are individual football clubs in both countries using marketing mix components (price, place, product, promotion) in order to attract as many spectators as possible. In the last chapter, the thesis analyzes the results of survey, which took place among the representatives of individual clubs. In conclusion, situation in the area of spectators care in both countries is being compared and evaluated.
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