National Repository of Grey Literature 126 records found  beginprevious68 - 77nextend  jump to record: Search took 0.01 seconds. 
Piano works of Polish composers after Chopin
Strzelecka, Milena ; Kozánková, Olga (advisor) ; Palkovská, Jana (referee)
The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions
Comparison of selected problems of music teacher education in the Czech Republ ic and Austria
Kopřivová, Jitka ; Váňová, Hana (advisor) ; Slavíková, Marie (referee) ; Palkovská, Jana (referee)
The objective of the dissertation thesis is to examine selected problems in the education of secondary level music teachers that influence their professional performance, in the context of current social and education policies of the Czech Republic and the Republic of Austria. The specific issues addressed are: career benefit system, professional standards of teachers, ageing of teachers' population, social and economic status of teachers and feminisation in schools. A comparative analysis of the university curricula for undergraduate music teacher training both in the Czech Republic and the Republic of Austria forms part of the dissertation thesis. The practical research part presents the results of the research questionnaire survey of opinions of the music education university students and graduate teachers on their university training, motivation to be a teacher and depicts their problems at the beginning of their teacher's career. In conclusion, the selected problems of music teacher education are viewed by university teachers and administration workers by means of semi- structured interviews.
Piano Composition by Polish Composers after Chopin
Strzelecka, Milena ; Kozánková, Olga (advisor) ; Palkovská, Jana (referee)
The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions
Rancho Folclórico - Musical Heritage of Portugal
Chumová, Markéta ; Saláková, Magdalena (advisor) ; Palkovská, Jana (referee)
Thesis is dedicated to traditional folklore music of Portugal and introduces different kinds of traditional music. Chosen are those kinds that are even nowadays very popular and that are to be found around the country. The main focus of thesis is on music and tradition of folklore groups called Rancho Folclórico. History of Portuguese traditional music in general as well as the origins of rancho are introduced. Those are connected to the context of general Portuguese history. Furthermore, traditional musical instruments typical for rancho groups are described as well as the musical repertoire and traditional dances. The character of rancho groups, their members, rehearsals, costumes and festivals the groups preform in are closely examined. Final chapter introduces concrete activities and ideas for utilization of Portuguese traditional music in pedagogical practice. Thesis is also based on information obtained from interviews with current members of variant rancho groups. Hereafter, appendix is attached to thesis consisting mainly of photographs and video recordings taken personally by the author in Lisbon.
Attraction and Problems of the Antonín Dvořáks Piano Works
Víšek, Tomáš ; Palkovská, Jana (advisor) ; Gregor, Vít (referee) ; Havlík, Jaromír (referee)
This thesis endeavours to fill a gap in the specialized literature concerning the interpretation of Dvořák's compositions. His works for piano are often overlooked and marginalized. As this thesis was written at a pedagogical fakulty, it should be suitable as an expert guide for active performers who are interested in Dvořák's piano compositions. However, it will also be useful to those still on their way to discovering these works. There are step by step analyses of all the piano works for two hands. Very detailed musical examples and comparisons aim to bring their compositional beauty closer to the performer and also offer advice on how to overcome or avoid problems that may arise while studying them. (Dvořák was a competent pianist, but he did not have any continuous training nor indeed any desire to be a concert pianist.) This detailed study of the individual pieces is completed by a well-drafted summary of Dvořák's pianistic education and execution and concise information being gained through the previous analyses. Finally there is a passage outlining the suitability and choice amongst Dvořák's piano music for young musicians and a basic list of pianists dedicated to the performance of Dvořák's music in the Czech Republic and abroad. KEYWORDS - Antonín Dvořák - piano playing - piano...
Interpretation of the piano works by Franz Liszt
Hutař, Daniel ; Gregor, Vít (advisor) ; Palkovská, Jana (referee)
The theoretical part of the thesis describes the live of Franz Liszt and his personality, focusing also on his personality, pedagogical work and innovative approaches in music. The practical part analyzes interpretation problems in his piano cycles Consolations, Harmonies poetiques et religieuses, Hungarian rhapsodies and Grandes Etudes de Paganini.
Interpretively technical issues of playing the recorder focused on Baroque music
Liptáková, Eva ; Hurníková, Kateřina (advisor) ; Palkovská, Jana (referee)
This work is focused on the issues related to baroque interpretation on recorder concerning classwork on primary art schools. Main recorder history, available classbooks about technique and interpretation of baroque music is presented as well as a list of conservatories and universities in the Czech republic and universities in the surrounding coutries, where the recorder can be studied as a main subject. Furthermore, breath, articulation and finger technique are discussed. Separate chapter is dedicated to the composition ornamentation. Practical classwork is demonstrated on concrete scores targeted on pupils of different primary art school grades. Breath technique, articulation and finger technique is discussed for each composition. Furthermore, ornamentation possibilities are presented for each piece.

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