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The Transformation of Reality by Text
Hankiewicz, Jakub ; Pokorný, Martin (advisor) ; Hrdlička, Josef (referee)
This thesis presents transformation as the key principle of production, as well as reception of a literary text. As far as production is concerned, the thesis takes off from the passing nature of any moment, any element of reality, and it perceives a literary text as a way to save and conserve that element. It is obvious that should the given element of the physical reality - perishable in its true character - survive in a text, it needs to undergo a change, a transformation: what needs to change in order for it to survive? By analyzing authors who discuss this nature of the text in their works, the thesis comes to understanding the production of a text as a discovery of such an environment within the text, which would allow the element of reality to be conserved. As far as reception is concerned, the thesis studies the influence a literary text has on our experience of reality. The problem is not only tackled as a perception of the world via a certain literary work, which was for example the case with the literary characters of Don Quixote or Madame Bovary, but the thesis tries to describe the deep transformation of our perception of reality caused by a poetic outlook on elements of the real world.
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Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century)
Flanderka, Jakub ; Trávníček, Jiří (advisor) ; Hrdlička, Josef (referee) ; Málková, Iva (referee)
Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) Abstract The dissertation Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) offers interpretations of six Czech poetic works of the second half of the 20th century, with focus on the perspective of cultural memory. Chosen poetic works represent synecdoches of poetic description of (general) historical events and experience that are connected with the time during the World War II (the Nazi regime) and with communist regime after 1948 and to some extent are connected with spatial dimension - be it poetic reflection of space which is modelled on a phenomenon from real, "topical" world, be it (completely) imaginary description of space. Methodology of this dissertation is based on the concept of cultural memory by Aleida Assmann, particularly as presented in her book Cultural Memory and Western Civilization. Functions, Media, Archives. Individual chapters of the dissertation deal with interpretations of following poetic works: "Návrat" by Vladimír Holan is a poetic story that develops the topos of coming back - coming back home, to a space that the lyrical narrator enters after twenty years in order to look for his mother's grave in local graveyard; he fails. A verse book Dům Strach by Jan...
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Motives of fire and blood in Bohuslav Reynek's Thirsts and in Pierre Jean Jouve's Les Noces
Raušerová, Andrea ; Vojvodík, Josef (advisor) ; Hrdlička, Josef (referee)
AN ABSTRACT IN ENGLISH LANGUAGE This diploma thesis regards poems of Bohuslav Reynek and Pierre Jean Jouve with a prism of fire and blood motives. The analysis is focused on their early works, i.e. on Bohuslav Reynek's Thirsts and Pierre Jean Jouve's Les Noces. The diploma thesis is divided into two parts, the theoretical and the practical ones. The theoretical part gives the view into problematics of blood and fire motives. It is encouraged with several theories, such as literary (Bachelard), psychoanalytic (Jung) and theological (Spidlik). The second chapter of theoretical part sums up already existing perception of the analysed texts, with the main focal point on the motives. This aim fulfils either Med's and Putna's interpretations of Reynek or Pic's and Kelly's interpretations of Jouve. The main part of the diploma thesis is then seen in the analysis of motives itself. The author of the diploma thesis searches for different representations of these motives, e.g. flaming tongues of fire (the symbol of the Holy Spirit), a pierced heart of Jesus Christ and Virgin Mary equally as their mixing, such as flaming heart, bloody sun etc. In the results of this diploma thesis there is summarised the analysis of these topoi - fire and blood and their different realisations in each work of the poets. Their attitude...
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The eye of a poet: Antique figures in the work of Jean Cocteau
Wittlichová, Julie ; Jirsa, Tomáš (advisor) ; Hrdlička, Josef (referee)
The thesis is concerned with the instances of the figures of mythology of the antiquity in the works of Jean Cocteau and their application. It focuses on the character of Narcissus, which is examined in connection to Oedipus and Orpheus, while concentrating mainly on the topic of mirroring and the related motives of the eye and sight. This mirroring is then not examined only on the level of an aesthetic object, but also in relation to the recipient and in mutual interferences between various media. The thesis is methodologically based on selected philosophical theses by Maurice Merlau-Ponty and the theoretical concepts of Pierre Brunel, Mieke Bal and Mary Ann Caws. Within the works of Jean Cocteau the thesis is primarily concerned with the analysis of the novels The Holy Terrors (Les Enfants Terribles), Le Livre Blanc and their illustrations, the poem "Tombeau de Narcisse", the play La Machine infernale and the films Blood of a Poet, Orpheus and The Testament of Orpheus.
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Meanings of Literary Childhood Spaces: The Garden in Twentieth-Century Literature
Izdná, Petra ; Hrbata, Zdeněk (advisor) ; Heczková, Libuše (referee) ; Hrdlička, Josef (referee)
Meanings of Literary Childhood Spaces: The Garden in Twentieth-Century Literature focuses on the analysis of selected twentieth-century childhood novels for adults with regard to the relationship between child character and fictional space, and reflects generally accepted cultural concept of paradisal childhood and its images in literature. In theory, the dissertation is inspired by the treatises on spatiality of human existence by phenomenologists, such as Martin Heidegger, Jan Patočka, Maurice Merleau-Ponty and O. F. Bollnow. It also elaborates insights of the Garden archetype in literary history. The critical reading of selected works examines phenomenological issues, such as child specific perception of space, nature as an extension of the human consciousness, sacred space, home, intimacy of space and death of space. Furthermore, it describes features the literary garden acquires by the union with the child in twentieth-century literature (childhood paradisal gardens, character of divine chid, character of child hermaphrodite, dynamism between fictional house and garden, garden as a miniature of the universe and children games as the imitation of Creation).
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Dazzled by the Hellenic Sun: Reception of the Classical Antiquality in the Czech Literature Between 1880 and 1910
Čadková, Daniela ; Hrbata, Zdeněk (advisor) ; Stehlíková, Eva (referee) ; Hrdlička, Josef (referee)
The theme of the dissertation is the reception of the Classical Antiquity in the Czech Literature between 1880 and 1910. The aim was to analyse the ways in which Czech culture related to the Classical Antiquity in the period of increased concern with Classical topics, motifs and forms. The first, largest part, methodologically inspired by the demythicizing perspective of Vladimír Macura and Jiří Rak, concerns with stereotypical views of the Classical Antiquity particularly prominent in the contemporary discourse: the antithetical image of noble Greece and corrupted Rome, the topos of bright Hellenic Sun and clear Sky, the ideology behind the common opinion that Ancient sculptures were all white (and the reactions to the discovery that they were, in fact, polychrome), the topos of a Greek athletic body and its employment in the policy of the Czech sports movement 'Sokol' (Falcon), and last but not least the topos of a man unspoilt by civilization and living in accordance with the Nature. Separate chapters are also devoted to two then important intermediaries of reception, grammar schools and translation. In the second part, attention is drawn to the representation of the Classical Antiquity in dramatic plays by Jaroslav Vrchlický, especially the dramatic trilogy Hippodamie, and their reception in...
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Death as an artifact: aesthetisation of death in works of Georges Rodenbach and Jiří Karásek ze Lvovic
Zvoníčková, Michaela ; Vojvodík, Josef (advisor) ; Hrdlička, Josef (referee)
The aim of the submitted thesis is a comparison of symbolism of a double in Georges Rodenbach's Bruges-la-Morte and Romány tří mágů of Jiří Karásek ze Lvovic. We will focus maily on death as a key motif of literature at the fin de siècle and a motif that is, in works we are examining, closely linked with the existence of a double. We will inspect motif of a double in the context of psychological states of mind. The choice of compared texts was motivated by the process of self disintegration. The process of self disintegration is closely connected with the process of depersonalisation which appears when a subject makes contact with a soulful space or a object. Cities (Bruges, Venice, Prague) which are the scene of this self disintegration take a special place in the literature of symbolism as a urban space of art and death at once. Despite mutual relation of life and art, the strange tension, and the phenomenon of annihilation, is still present within this relation.
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Baroque motifs in modern Czech poetry (Jirous, Krchovský, Šiktanc)
Divíšková, Radka ; Činátlová, Blanka (advisor) ; Hrdlička, Josef (referee)
The theme of this bachelor thesis is the analysis of baroque motifs in modern Czech poetry, namely in works Magorovy labutí písně (I. M. Jirous), Noci, po nichž nepřichází ráno (J. H. Krchovský) and Tanec smrti aneb Ještě Pámbu neumřel (K. Šiktanc). The first part of this bachelor thesis deals with theoretical specification of baroque motifs and baroque form, the interpretative part deals with reflection of these baroque motifs and themes in given works, their importance for poetics of these works and comparison these motifs in particular works.
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The Superior Land Court 1541 - 1620 (Personnel Overview)
Mareš, Petr ; Hojda, Zdeněk (advisor) ; Hrdlička, Josef (referee) ; Janiš, Dalibor (referee)
The topic of the dissertation is a reconstruction of organisation structure and personnel overview of the Superior Land Court in Bohemia between 1541-1620. The thesis is divided into two parts of the research. In the first part, the court is examined from perspective of administration history and history of justice. The aim is to reconstruct the structure of courts as an independent institution within the organisation of the provincial administration in Bohemia prior to the Battle of White Mountain. Position of court within the structure of noble courts before 1620, as well as the subject of location, time frame and the process of judicial hearing, the topic of casting and seating arrangements or subject of the occupation and release of judicial posts is being dealt with in its sub-chapters. This part is based on normative sources of the central authorities and sources of assessor's personal nature. Judges - as a group of individual assessors within the court are examined in the other part. The aim is to find and identify all personnel appointed for the function within the Court associate justice (the Chief Clerk; Juror without the Superior Land Court). Each juror is presented in structured biography. The biographies are drawn according to a template. The core of biography is mainly to monitor assessor in...
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