Identita dystopickou optikou v inscenacích: 1984, Mechanický pomeranč a Solaris

Matejová, Regina

Title: Identity in the state of unconsciousness (reflections on the staging of dystopia) The three fictional worlds in the three productions, according to the canonical works of world literature, are a mirroring not only of repressive social intentions, but also of society as a whole and life of its individual articles. Through dystopia optics, we have the opportunity to look at a split picture of a reality - destabilized world without objective guarantees of facts, in which there is only presence. Without exaggerated optimism, the dystopia elements provide us with a wide field to reflect on various tendencies of oppression, but capable (in certain aspects) of going beyond fiction or a relatively shadowy confrontation with one's own human inhumanity. Deformation of individual and collective memory brings heroes into the world of counterfactual narratives or forced socially "acceptable" behavior. In a dystopian world, common sense, experience, knowledge or language fail. Ideological hegemony and various power tools discourage human identity through violence, psychological manipulation or dehumanization and unification in the form of forced collective rituals. All this encourages main characters to believe that the state is true and natural. In what ways is a deprived person portrayed in the...

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