Anton Jasusch. Umělec jako nástroj mocenských vztahů

Kvočáková, Lucia

Diploma thesis examines how the artist and his work can become a device of power relations illustrated by the example of one artist - Anton Jaszusch. The context of his work has changed several times over time, changing the interpretation of his work. Changes of the context were indirectly influenced by the political - social situation, which affected also the inclusion of his work in the canon of modern art in Slovakia. The thesis closely reviews the literature on the history of art from the period of the first Czechoslovak Republic until now. This review inquires the emergence and development of the phenomenon of Košice modernism and adoption of Anton Jaszusch as its leading artist. The work also analyzes available documents (periodicals, catalogs, articles and publications) in detail to refer to the aforementioned changes in the context of Jaszusch's work and its position as an device of power relations. The thesis examines the documents from three periods related to shifts in the context of Jaszusch's work. It begins in mid-twenties when an exhibition of Jaszusch's post- war series of paintings in Bratislava sparked controversy about "Slovakness" of his work. Then it continues in the Second World War period, when Košice belonged to the Kingdom of Hungary and Jaszusch was presented as...

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