Original title: Orson Welles: Film noir a jeho estetický odkaz
Translated title: Orson Welles: Film Noir and its Aesthetic Legacy
Authors: Bazika, Tomáš ; Roraback, Erik Sherman (advisor) ; Veselá, Pavla (referee)
Document type: Bachelor's theses
Year: 2013
Language: eng
Keywords: Alex Proyas; Blade Runner; character types; cinematographic techniques; Dark City; Film noir; film techniques; James Naremore; Jonathan Rosenbaum; legacy; lighting; Martin Scorsese; musical score; Neo-noir; Orson Welles; Peter Bogdanovich; psychology of the characters; radicalization of style,director-auteur; Ridley Scott; Taxi Driver; The Lady from Shanghai; Touch of Evil; visual aesthetics; visual form; Alex Proyas; Blade Runner; Dark City; Dotek Zla; Dáma ze Šanghaje; Film noir; filmové techniky; James Naremore; Jonathan Rosenbaum; Martin Scorsese; nasvícení; Neo noir; odkaz; Orson Welles; osobitý režisér; Peter Bogdanovich; psychologie postav; původní hudba; radikalizace stylu; Ridley Scott; Taxi Driver; techniky kamery; typy postav; vizuální estetika; vizuální forma

Institution: Charles University Faculties (theses) (web)
Document availability information: Available in the Charles University Digital Repository.
Original record: http://hdl.handle.net/20.500.11956/51922

Permalink: http://www.nusl.cz/ntk/nusl-321240


The record appears in these collections:
Universities and colleges > Public universities > Charles University > Charles University Faculties (theses)
Academic theses (ETDs) > Bachelor's theses