Náměty a technologie galských a severoafrických mozaik

Ozaňáková, Patrícia

In my work I want to raise the question of difference between Gallic and North African mosaics. I want to point out that although they born in Italy, developed, each in a different direction. I intend to find out what mosaicists brought into the repertoire and which, in turn, copied. For some religious motifs want to prove not only their stylistic evolution but a shift in thinking and understanding the deity, who is closely linked with its depiction. This work is dealing with the most common motives of Gallic and North African mosaics and its interpretation. The work is divided into three chapters. The first is handling with technologies connected with mosaics. Second chapter is largest. It offers repertoary of North African mosaics. It divides the most common motives into: religion and mytological motives, huntig scenes and the amphitheatre. The end of the second chapter offers conclusions in this topic. Third chapter is dealing with motives of Gallic mosaics. It is dealed with particular examples of mosaics from context of villa suburbana and liking for luxury and mytological scenes. It is delaing with workshops and craftsmen in Gallia. Fourth chapter is dealing with the situation in Hispania and Sicilia. Conclusion offers the comparison of the Gallic and North African mosaics based on motives.

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