|
|
Reader - response strategy of Lustig's texts
Zimová, Lucie ; Kubíček, Tomáš (advisor) ; Peterka, Josef (referee)
Rigorous work deals with reader-response strategies of some Lustig's texts. Our aim is to prove if Lustig relies on high subject and culture encyclopedia of his readers or if his works have esthetic value without these requirements. First part of this rigorous work is devoted to the theory of reader-response esthetic. We shortly present the main terms and representatives of this concept. In analysis of this works we concentrate us on the story as an interaction of the process, narration, figures and of the space because these levels are the most substantial part for the work response. Rigorous work is always divided into theoretic part which introduces us with the solution for the next analysis and into practical part where we within our scope try to interpret the used strategies. In the chapter "Narration" we mainly focus us on narrator and his possible unreliability further on the speech form and the telling order and speed. In the chapter "Figure as a text phenomenon" we are mainly interested in figure condition and the process of its imaging. Finally in the chapter "Space and its functionality" we are concerned with the problem how Lustig manages (does not) to display functional space without relying on culture encyclopedia of his readers. This show us that Lustig calculates with response horizon and...
|
|
|
Space of Zakarpattia in the Czech Literature
Krabsová, Veronika ; Peterka, Josef (advisor) ; Klumparová, Štěpánka (referee)
This thesis deals with the phenomenon of Carpathian Ruthenia, or Zakarpattia, which is one of the most discussed issues in Czech literature. It expands the traditional view of the issue with a chronological survey of works by Czech authors who were inspired by Carpathian Ruthenia, and maps their writings created from the end of the 19th century to the beginning of the 21st century. It focuses on their interpretation, with particular reference to the topology. The first chapter presents the terminological problems associated with the territory of the Transcarpathian region. The next chapter submits an account of the exceptional nature of this area (its contrasts, periphery, regionalism, myths, exoticism, idylls and adventures), and attempts to characterize its uniqueness (backwardness, belief in superstitions, Jews, alcoholism, poachers, enchanting countryside and outlaws). Carpathian Ruthenia appears to be a place of secrecy, where hypothetical characters grow. The topology of the mountain is also an important element. The following chapter, the longest, presents most of the works by the Czech authors who were inspired by this region. The first of these authors came to Carpathian Ruthenia during the 1920s as government workers or tourists. Their works are arranged within the chapter according to the...
|
|
|
Translation Variations of Apollinaire's Zone
Cihlářová, Eva ; Peterka, Josef (advisor) ; Hník, Ondřej (referee)
The main goal of this dissertation is comparison of different translations of the poem Zone in the czech languague. The key part of this work is an analysis of the translation of selected passage od Zone. The summary which describes each translation of the poem is elaborated on the basis of this part. We can divide the translations of Zone into three basic streams: Karel Čapek and Petr Kopta hold the reproducing style of translation. Petr Skarlant and Karel Sýs prefer a less precise translation enriched with their own invention. Gustav Francl tends rather to the reproducing concept, but we would describe his style more as modernizing. To create sufficiant information foundations for the analysis of translations, the whole first part of the dissertation is dedicated to the theory of artistic translation, the personage of Guillaume Apollinaire, the analysis of Zone and the personages of the Czech translators. Powered by TCPDF (www.tcpdf.org)
|
|
|
Günter Grass - Politic of iterature
Králová, Marie ; Kubíček, Tomáš (advisor) ; Peterka, Josef (referee)
The thesis deals with prose Peeling the onion written by a German author Günter Grass and with responses to this novel. Controversial moments of Grass's life which were never reported before are revealed in this commemorative literary work. It has evoked very contradictory reactions worldwide. The object of the thesis is to monitor the work in a broader social context and to reveal its controversy through the public reactions. Attention is also given to the literary analysis of the commemorative book. The aim of the thesis is to provide a very comprehensive view on this novel of Günther Grass, a political writer.
|
|
|
Poetics of Tomáš Klus Lyrics
Prchalová, Tereza ; Hník, Ondřej (advisor) ; Peterka, Josef (referee)
Resume There are two Klus's professions, acting and music, intertwined in the album Racek by the means of the songs inspired by Chekhov's play of the same name. By that connection, there aroused highly respected songs in the Czech music scene. Together with other pieces, they create a lexicon of Klus's peculiar and nowadays highly popular poetics, which is formed especially by frequent metaphors, set phrases, defamiliarization, intertextuality, author's words and expressive, derogatory, bookish, antiquated, diminutive, regional and borrowed expressions. Though his songs consist of various automatized expressions, his lyrics as a unit appear to be original and sincere, and, at the same time, they are understandable for common audience, because he transfers colloquial speech and generally known expressions into them.
|
|
|
Theme of sonhood
Raška, Adam ; Peterka, Josef (advisor) ; Mocná, Dagmar (referee)
This Diploma Thesis analyzes crucial works of the Czech and global literary art of the 20th and the 21st century. Jan Balabán's Zeptej se táty (Ask the Daddy), Emil Hakl's Pravidla směšného chování (Etiquette of Ridiculousness), Son of the Regiment by Valentin Katajev, Kerouac's On the Road, Stříbrný vítr (Silver Wind) by Fráňa Šrámek, Letter to His Father by Franz Kafka and The Road by Cormac McCarthy are all analyzed in terms of theme of sonhood. Similarities and differences are both covered. Relation of sonhood, authority and god is crucial, as well as the change of the whole concept of father - son relationship which occurred in the 20th century. The author of the thesis tries to postulate questions concerning sonhood, which in his opinion should the mankind be asking. Yet it is not his ambition to offer resolute and firm answers. The essay is entwined with an autobiographic prose which completes the analytical part in a refreshing way. Both genres contribute to the final outcome, which is a synthesis offering the possibility of grasping theme of sonhood from a brand new perspective, as sonhood is also the main motif of the prosaic part. Main character, the author of the diploma thesis, is dealing with his relationship to his father, and more importantly his father's relationship to his father, i. e....
|
|
|
Vladimír Páral's works from the Normalization period
Galvoňová, Kristýna ; Peterka, Josef (advisor) ; Mocná, Dagmar (referee)
V práci se snažíme podat ucelený výklad tvorby V. Párala z let 1969-1989 se z etelem k jejím širším kontext m literárn -historickým, genologickým i ideovým. V první ásti v nované specifik m autorova tv ího typu, logikou vývoje jeho díla a analytickému rozboru d l dospíváme k m o n o t e m a t i n o s t i jako konstitutivního rysu autorovy tvorby. Na základ toho se snažíme poukázat na ideovou kontinuitu a vnit ní koherenci celého Páralova díla a polemizovat tak se zjednodušujícími interpretacemi akcentujícími pouze politický rozm r autorova díla ze 70. let. V druhé ásti se díváme na Páralovo dílo na pozadí eské prózy poslední t etiny 20. stol.; autora pojímáme jako ideového protich dce M. Kundery (a kritika kunderovského racionáln -analytického postoje k životu) i B. Hrabalem reprezentovanou "postbeatnickou" vlnu literatury. Upozor ujeme na etickou dimenzi autorovy tvorby, všímajíce si i jejího zajímavého paradoxu stylov -ideové kontrárnosti (novátorský "technicistní" styl, postmoderní vlivy vs. obhajoba tradi ních hodnot a návratu ke ko en m lidské p irozenosti). Záv re ný oddíl je v nován úvaze nad tzv. normaliza ní (oficiální) prózou, jejím stylov -žánrovým i tematickým specifik m, z nichž vyvozujeme postuláty týkající se zákonitostí tvorby v ideologicky determinované spole nosti; rovn ž se snažíme...
|
|
|
Characters in Jáchym Topol's Works
Vytiska, Vojtěch ; Kubíček, Tomáš (advisor) ; Peterka, Josef (referee)
The bachelor's thesis deals with narratology analysis of fictional world of early Jáchym Topol's works: Výlet k nádražní hale and Sestra. The thesis focuses on system of characters. The method of analysis of narrative modalities exposes complex fictional world. The work deals with the narrator and his reliability in the fictional world. The last chapter describes the system of characters and proposes the typology of characters for Topol's fictional world.
|
|
|
CV of Jára Cimrman
Zetková, Klára ; Mocná, Dagmar (advisor) ; Peterka, Josef (referee)
This writing deales with the genesis of characters of Jára Cimrman. From his plays arranged chronoligically are extracted the most important points of his life, which should be used to assess, if it creates consistent, finished komplex of literary figure in the literary fiction. At the same time, the data are used to assess how the character was developping, if Mr. Zdeněk Svěrák and Mr. Ladislav Smoljak had predeterminated direction, which they sould také or if they had not and Jára Cimrman was developed play by play. Before the practical part there is mentioned in the writing theoretical part, dealing with literary fiction, literary mystification and literary figure.
|
|
|
Jaromír Nohavica: Evolution of Author's Poetics
Hrubcová, Zuzana ; Hník, Ondřej (advisor) ; Peterka, Josef (referee)
9 Resumé This work consists of two parts - theoretical and practical. The theoretical part deals with popular culture. Then it deals with popular literature and its attributes in relation with artistic literature. The work includes a chapter of popular music, which is necessary part of lyric text. At the end of theoretical part there is a chapter of vocal poetry. It helps us to get into the secret of lyric texts. The practikal part starts with chapter of basic motives and themes from the texts of Jaromír Nohavica. The practical part sets up a target to confirm an assumption, that Nohavica's texts are popular. But not at all, because they are artistic texts too. The research was realised in an analysis of nine texts from free different terms. In the texts there are shown attributes of popular literature and artistic literature.
|
guest ::
RSS feed.