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Threesome
Štefanigová, Denisa ; Novotný, Michal (referee) ; Malý, Břetislav (advisor)
Painting act as an act of making love The bachelor thesis is a serie of paintings on canvas, which strives to make the erotic images that each of us creates on the basis of his own imagination from day to day. They are unrealized, or dreamed and are not anchored in reality, thus creating a new reality, functioning in the space of our heads. This is how painting works for me. As a space in which something can happen that doesn't really exist.
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Memories
Conde, Tamara ; Schubert,, Theres (referee) ; Malý, Břetislav (advisor)
In this work I reflect on the obsessive compulsive tendency of materializing fleeting thoughts and moments. I use leaves and their placement and detachment from landscapes as a metaphor to memories, through an installation with video.
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Since the country over the hill into the sky ...
Šarochová, Kristýna ; Zemánek, Jiří (referee) ; Malý, Břetislav (advisor)
In my bachelor thesis I would like to explore a painting approach analogous to the processes in nature. How the landscape transforms through artists into artwork. I create a structural archetype, a matrix with which I continue to work. But the resulting image becomes a matrix under the matrix, which as the imprint of the physical approach represents the spiritual message, the existential essence. A similar fact to this approach is my relationship to the landscape.
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Collective items
Tománek, Adam ; Magid, Václav (referee) ; Malý, Břetislav (advisor)
The topic "Collective items" is from personal experiences from various specific places of society and environment, for example construction sites, marketplaces, prefabricated housing estates. The symbol of this theme has become things for daily using, through which I recognized the interconnectedness of people from different classes of society. It fascinates me to watch people and look for their connections or divisions in certain situations. For example, as they meet in supermarket near store shelves, or they are clustering next to water tank during a water breakdown in a panel housing estate. I decided to work with this fascination because I see some overlap. The overlap is that people can be in different situations where they can be joined by one thing. Ordinary aspects of daily life are close to me because I was in similar situations or I am in them very often. The topic I will make in series of painting and installations. I chose the painting deliberately because I can capture a certain emotion with an existential dimension. Due to paintings, I can present to viewers my searching a connectivity between different groups of people.
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Man in a Park
Belák, Maroš ; Malý, Břetislav (referee) ; Mikyta, Svätopluk (advisor)
The theme is the same view of restlessness , fear, silence and tension between the Gaza joy and sadness . Second position is the relationship of man and country . A third, critical thinking on the issue of being alone and the effect of being in a spectacular company.
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Temples
Pokorná, Pavlína ; Horálek, Vojtěch (referee) ; Malý, Břetislav (advisor)
The bachelor's thesis, entitled Temples, consists of a set of paintings that the author perceives metaphorically as personal inner temples. The inspiration for the author was nature, which she considers a temple of its kind. The title of the work comes from the symbolism and artistic typification that are used on Japanese traditional clothing - Kimono. The series of paintings is not only inspired by nature and its motifs, but also freely paraphrases elements from textile design - such as shapes or repetitions.
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Pergo/Pedro
Valchářová, Martina ; Malý, Břetislav (referee) ; Rathouský, Luděk (advisor)
The theme of my bachelor thesis is the issue of methamphetamine addiction and abuse in Czech Republic. The series is compiled of drawings that depict meth labs around my home town. Drawings should be mediated between the theme and gestural drawing.
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Interpretation of organ music
Bařák, Hynek ; Daněk, Josef (referee) ; Malý, Břetislav (advisor)
In my diploma thesis I want to deal with another topic which is very interesting and important for me and that is organ and organ music in general and everything that belongs to them. From history, production, maintenance to play itself. In most of my previous works, not only at college but also earlier, fragments of this instrument appear in my paintings (mainly whistles, which are actually the most visible and their size determines the size of whole organs and is their precept) even though I have devoted myself on another topic, these fragments I had some need to plant there. Organs are referred to as the royal instrument, they are the largest and mechanically the most complicated musical instrument. That is the complexity I would like to express in my pictures, I do not mean the complexity of the organ for the technical, construction, but especially the complexity of playing. The need for the right combinations of different registers with differently colored tones and tools. Swap pedal handbooks, etc. This is all about fascination for me. In this diploma thesis I want to use the themes that appeared on the surface often as secondary or I did not put such emphasis or were the main topic for example only one semester, but in fact I continued to work with them subconsciously in the same way, Layers, Recycling, Reaction to Substrates, etc. It could be said that such organ compositions are such layers as Bach's or any fugues that are gradually being added, layers of new and new tones often result in the the full extent that the organ is able to administer. The layer I used to work with before, and actually always appears in my works, has actually become an integral part of my paintings. I want to express the complexity of the organ compositions in my paintings, as I do. Not only by layering, but also by using different techniques, not just acrylic. I also used this in my previous work, and examined how they work with each other. I have responded to differently produced backgrounds. Organ music can be considered complicated because all we hear is produced by one person. Who must play and cater everything else that is associated with it, except perhaps the bells pedaling. This series of images will not, in the end, express myself visually, at first sight nothing concrete, over time I have come to a pretty abstract image. I do not mean to say that organ music is abstract, especially if I talk about Baroque or Classicism. Maybe in romanticism, for example, F. Liszt and his organ compositions are so complex and terribly crazy that I might consider them quite abstract. But just the organ music of Liszt, which I admire most, I think it is not possible to express it in abstract form. It's a mad, complicated tangle of different, tones, colors, games with registers, blinds, and so on, and I want to express it all on the canvas.
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Temples
Pokorná, Pavlína ; Horálek, Vojtěch (referee) ; Malý, Břetislav (advisor)
The bachelor's thesis, entitled Temples, consists of a set of paintings that the author perceives metaphorically as personal inner temples. The inspiration for the author was nature, which she considers a temple of its kind. The title of the work comes from the symbolism and artistic typification that are used on Japanese traditional clothing - Kimono. The series of paintings is not only inspired by nature and its motifs, but also freely paraphrases elements from textile design - such as shapes or repetitions.
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