National Repository of Grey Literature 136 records found  1 - 10nextend  jump to record: Search took 0.01 seconds. 
Illustration of the inferno in selected masterpieces by Dutch painters of 15. and 16. Century
Danihelková, Tereza ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
This diploma thesis is focused on presenting selected artwork with the theme of Hell, which were made in 15. and 16. century. The focus will be on placing this artworks into whole artworks of selected painters. Also to compare it between each other and try to prove how was the tradition of this theme affected by political situation, customer and how was it affected by literature.
Bartholomeus Sparanger in Italy
Telnarová, Veronika ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
The thesis is focused on the Italian period of Bartholomeus Spranger's life, on his artistic development during that time and on the artworks that he created there. Italy of the second half of the 16th century became Spranger's home for ten years. As well as many other artists Spranger set out for a journey to get to know the greatest Italian masterpieces and primarily to gain new and valuable experience. The first opportunity to work waited for him in Parma, but without any doubt, the most important sojourn for him was Rome. Not only did he have the possibility to be inspired by all the masterpieces and masters themselves, but he also had the opportunity to work for the patrons such as cardinal Alessandro Farnese and the pope Pius V. To the imperial court in Vienna, and then Prague, he came as an experienced artist and the Italian sojourn certainly played major role in it. This topic has not been comprehensively complied in the Czech language so far.
The Influence of the Ancient art on Renaissance Sculptors in the 2nd half of 15th - 1st half of 16th Century
Nováková, Tatiana ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
The Bachelor thesis called The influence of the ancient art on Renaissance sculptors in the 2nd half of 15th - 1st half of 16th century focuses on the comparison of ancient works with renaissance works in that period. It aims to compare possible themes and ideas of ancient figures that sculptors at that time could use as patterns for their work. Central attention will be given to these sculptors: Donatello, Tullio Lombardo, Michelangelo Buonarroti, Pierino da Vinci and Benvenuto Cellini. In my work, we also look at mythological scenes from a viewpoint of confrontation with the statue. The next aim is the introduction into historical and political context, that had a significant impact on the evolution of the art scene.
The naked figures in Hieronymus Bosch's artworks and their forms
Hotovcová, Tereza ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
This bachelor's thesis "The naked figures in Hieronymus Bosch's artwork and their forms" deals with the way, how Hieronymus Bosch displayed naked figures in his artwork and futhermore is focused on possible inspiration sources. The most famous research studies, which are mentioned by Dino Buzzati in his book from 1992, are taken into account as well. Bigger sized pieces of art were chosen for the description, for an example The Garden of Earthly Delights, The Haywain Triptych and Vision of the Hereafter. The thesis contains not only period records about the author, but also the description of the medieval society and its attitude towards naked figures. Last but not least, historical circumstances having affected the Artist's creation are also mentioned. In the end the most famous followers of Hieronymus Bosch are named, who were inspirated and affected by his artwork. Keywords Bosch, hell, paradise, garden, naked figures, sin,
Image of Venus in Renaissance Art under the Influence of Ancient Art
Hloušková, Markéta ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
The bachelor thesis focuses on the various representations of the mythological Goddess Venus in the Italian Renaissance art. In the introduction of the work, the ancient art and its influence on the Renaissance art will be analyzed. Further, the importance of Greek and Roman mythology and the origin of the myth of the Goddess Venus would be explained. The key point of the work is the masterpiece by Sandro Botticelli - "The Birth of Venus", which will be analyzed from historical and formal perspective. The aim of this thesis is to map out Renaissance artworks in which this subject is reflected. Keywords Ancient art, Italy, Mythology, Neoplatonism, Renaissance, Renaissance art, Sandro Botticelli, Venus, The Birth of Venus, The ideal of Woman
Designs and Realization of Scenery in Baroque Theatres in Bohemia in the 18th century
Benčová, Monika ; Zlatohlávek, Martin (advisor) ; Sládek, Miloš (referee) ; Kazlepka, Zdeněk (referee)
Resumé This Ph.D. thesis deals with scenic designs and decorations of Baroque theatre in 18th century in Czech Republic. The paper presents development of theatre based on preserved decorations and scenic designs.And try to find the answer about scenic painting in Bohemia. The thesis focused mainly on scenic designes with connection to the aristocratic families. Timeline is defined by the work of Galli Bibiena's family and the work of Josef Platzer. The scenic decorations are presented on the background of Austrian and Italian influences that directly affected Czech culture and mutual connection with the other baroque theatres in the European cities.In this context, the question arises, which has become one of the main lines of thesis, whether there was purely Czech stage design influenced by European theater art or the application of Viennese and Italian designs on the Czech territory.And whether it can be referred to as "Czech stage art" or more generally Central European stage design. From the beginning, the work was designed to highlight the best examples. In my thesis I do not try to conceive completely the work of all well-known artists (scenographers), whether Czech or foreign, who have been involved in scenic creation in the Czech Republic, but I focus only on some examples that have significantly...
Following old master drawings within the collections of selected Czech collectors
Babická, Lenka ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
Following old master drawings within the collections of selected Czech collectors Abstract This thesis is a contribution to the history of collecting in Bohemia. It deals with the collecting of drawings and tracks them within the selected collections and collectors. It focuses primarily on the old master drawings, defined as works from the 16th to the 18th century. Within the issue of collecting the attention is, even when studying specific personalities, often paid to the picture galleries rather than the print collections. Due to its fragile nature, drawing tends to fit into the background and, if it does not form the main part of the collection, is not reflected. Many of the collections and collectors have come to attention lately, but many still await their appreciation and introduction into new contexts. Keywords Collecting, collector, drawing, Old Master Drawings, Bohemia, provenance, Prokop Toman, Rudolf Kuchynka, Vincenc Kramář, Jan Krčmář, Frits Lugt
Karel Skreta and his place in the Czech baroque graphics
Faltysová, Vítězslava ; Pučalík, Marek (advisor) ; Zlatohlávek, Martin (referee)
The main subject of my thesis is a less known, however, quite comprehensive, field of Skreta's work - his engravings, produced according to his drawing concepts. In the first chapters I will introduce the baroque, Bohemian graphic art, its main personalities and the forms of creation. Furthermore, I will also specify the art forms in this specific field outside of the Lands of the Bohemian Crown with a particular emphasis on German geopolitical region. Based on this context, I will pay a detailed attention to a quite neglected, although highly inventive work of the famous painter Karel Skreta. Besides Karel Skreta, I will provide an analysis of the work of Martin Antonin Lublinsky, who was the most acknowledged inventor in the Moravian realm, and whose reputation in this area can not be marginalized by any means. Keywords Screta, baroque, graphics, Czech graphics

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1 Zlatohlávek, Michal
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