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The evolution of computer games animation
Kolegar, Jan ; Vojtěchovský, Miloš (advisor) ; Klimt, Aurel (referee)
In this thesis, there is a chronologic description of a basic kinds of a computer games animation and graphic, as they emerged since the birth of first computers till today. Each chapter is devoted to certain technique, and in a simple way outlines its basic principles, that are used to handle graphic and animation data on the screen of computer.
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Projection in the Scenic Space
Durdil, Zdeněk ; Vojtěchovský, Miloš (advisor) ; Dolanová, Lenka (referee)
This dissertation is researching the relation between projected moving picture and performance forms in scenic space.It is describing the differences of perceptive models of theatre and film and it deals with their mutual penetration and their transformation.Further it is trying to count out the basic types of relations between the media, to take in the different principles of putting through and forming media and to apply the common regularity in order to comprehend the relation of theatre and projection.It is describing in main points the history of science and technology permeating the theatre from the beginning of 20th century to nowadays.Several characteristic examples of contemporary use of projection and technologies on the stage are picked up and analysed in terms of technology and dramaturgy.Through these particular examples and subjective authorś experience the work is trying to reveal some regularities of the relation between projection and performance.
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Interactive projects using photography
Držková, Kateřina ; Vojtěchovský, Miloš (advisor) ; Musilová, Helena (referee)
This thesis investigates several interactive art projects dealing with photography, presented on Internet or CD-ROM. My objective was to review some questions relating to the interactivity and photographic archives. In the first part I explore the structure and functioning of projects and describe two degrees of interactivity - selective and productive, based on well known models proposed by Margaret Morse, Söke Dinkla or Marie-Laure Ryan. Second part explores photographic databases in relation to the photographic archives. Special attention is dedicated to question of digital databases especially in comparison to analog archives. I also discuss some aspects of open archives and internet image databases, related to photographic databases of several interactive projects
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Dance video film - language in the films of dance theatres
Godovič, Marek ; Šerý, Ladislav (advisor) ; Vojtěchovský, Miloš (referee)
The bachelor thesis tries to research of specific film language in dance video films. We try to focus on the spaces before dance-the literary work with the texts, to take esception on existence or non-existence of scripts- synopsis at the preparing of dance film. The bachelor thesis tries to confrontate three different ways of expressing of dance representated in three significant theatres: DV 8, Rosas and Ultima Vez and their pieces: The Cost of Living, Fase, Four movements to the Music of Steve Reich and The Blush. All of them realized the theatre versions of their performances, all of them are not only film adaptions, all of them are film pieces in genre of dance film, but they differed on form of their admission and intensity of their work.
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Electroacoustic Music and Selected Concepts of Radioart
Rataj, Michal ; Slavický, Milan (advisor) ; Bartoň, Hanuš (referee) ; Parsch, Arnošt (referee) ; Vojtěchovský, Miloš (referee)
The main purpose of the present thesis is to search for ways of methodological orientation within reflection of electroacoustic music, seen through the prism of what has been recently called acoustic arts. The way we try to formulate such positioning deals with particular methodological tasks: we try to generate space in which it is possible to think of ?artistic discourses? within acoustic arts; subsequently, the thesis describes the specific discourse of electroacoustic music/ radioart, explaining it from the viewpoint of the Czech radio-art producer. The first part of the thesis gives an account of the general atmosphere of electroacoustic music reflection (mainly referring to the German theoretical context); while doing so, certain points has been found problematic, namely the tendencies to use the term electroacoustic music in order to signify the multitude of contemporary technology- and media-based art practice. What we try to propose is a sort of progression within such musicological and artistic reflections: let us think of electroacoustic music in terms of its ? mainly ? historical category of the 1950s?1960s period, which can be described in relatively consistent terms of music avant-garde, as well as of new means of technology- and media-based music arising, more or less, from the Euro-American tradition of musical thinking. Thus, the very free, ?interactive? and discursive space of acoustic arts might be revealed (in terms of artistic statements trying to emphasize the ?auditive? in contrast to the visual), which electroacoustic music ? in its historical sense ? is a part of. Having formulated such methodological and reflective points of view, we can proceed to the topic of radio art itself. From the very beginning, the main inspiration for such topic orientation has been our production activities within Czech Radio that have dealt with the experimental Czech radioart scene. First, we present selected concepts of radioart and contemporary production practices, focused on European public service radios, drawing on our personal work experience in such an international institutional frame.
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Femino-activismus in video art of Marina Gržnić and Aina Šmid
Arsenjuk, Urban ; Vojtěchovský, Miloš (advisor) ; Míčová, Pavlína (referee)
In this thesis, I am trying to put down a brief developement of a slovene videoart. What the circumstances were and what it was dealing with. That is the case having its roots beginning with formalism and up to a criticism of a former socialist regime and a civil war, which divided former Yugoslavia. I limited the presented examples to video work of two slovenian women, a video tandem Marina Gržinić and Aina Šmid. The reason of doing so, is simple and limited to my personal experience while preparing a documentary film and also by paying a visit of a curatorial exhibition on Media In Media in 1997. According to video work of Marina Gržinić and Aina Šmid, I want to show, how important video as medium is at critical reflections of a certain era. The core of this thesis consists of the analyse of a video work The Moments of Decision (Trenutki odločitve, 1985).
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