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The Art/The Crime The Crime/The Art
Blail, Michael ; Zálešák, Jan (referee) ; Koleček, Michal (referee) ; Rozbořil, Blahoslav (referee) ; Palla, Marian (advisor)
The main title of the doctoral thesis - ART/CRIME - CRIME/ART - point to a general investigation of these two phenomenons. This investigation makes up the background of the main theme of the thesis, which is an actual event of the mysterious death of the painter and shepherd K.. At work I spend time with alternative investigations of this death and the goal is an attempt to reconstruct the events and effort of discovering the answers what happened that night and whether or not a killer really existed or not.
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Deeds
Kopčil, Tomáš ; Palla, Marian (referee) ; Ruller, Tomáš (advisor)
For the deed I consider an event in the outside world which will depend on human behavior, which may have one or more signs of artistic acts or does not show signs of any artistic act. This event is then act as defined in the relevant Act. Artistic achievement in relation to the act represents a certain structure. The nature of the offense and an act of the artist and the result of this conduct caused, which is relevant to the history of visual culture. Negotiation is a manifestation of the will of the artist in the outside world, consisting of an act or omission, failure to act.
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Hyperspeed Reach - Audiovisual Performance
Kočišová, Lenka ; Vojtěchovský, Miloš (referee) ; Skočovský, Luděk (referee) ; Palla, Marian (referee) ; Ruller, Tomáš (advisor)
This dissertation thesis describes the phenomenon of audiovisual performance in different connotations. A substantial part is devoted to psychological survey into my own subconscious and subsequently to metaphorical processing of this introspection. An important part of the work is a resume of the general knowledge of the physical properties and its metaphorical application on mental and creative processes. This analysis and explanation of internal cognitive models are implemented in terms of the study of relationships, interactions based on cooperation or confrontation, but also the inability to grasp the objective reality from the subjective position due to the merged distinctions of real and fictional. The importance of audiovisual performance is also studied in linear perspective of history, in order to point out the general principle of repetition patterns, which reveals that audiovisual performances is an activity which is a necessary expression of life itself and not just the concept in the field of arts.
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Deeds
Kopčil, Tomáš ; Palla, Marian (referee) ; Ruller, Tomáš (advisor)
For the deed I consider an event in the outside world which will depend on human behavior, which may have one or more signs of artistic acts or does not show signs of any artistic act. This event is then act as defined in the relevant Act. Artistic achievement in relation to the act represents a certain structure. The nature of the offense and an act of the artist and the result of this conduct caused, which is relevant to the history of visual culture. Negotiation is a manifestation of the will of the artist in the outside world, consisting of an act or omission, failure to act.
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The Art/The Crime The Crime/The Art
Blail, Michael ; Zálešák, Jan (referee) ; Koleček, Michal (referee) ; Rozbořil, Blahoslav (referee) ; Palla, Marian (advisor)
The main title of the doctoral thesis - ART/CRIME - CRIME/ART - point to a general investigation of these two phenomenons. This investigation makes up the background of the main theme of the thesis, which is an actual event of the mysterious death of the painter and shepherd K.. At work I spend time with alternative investigations of this death and the goal is an attempt to reconstruct the events and effort of discovering the answers what happened that night and whether or not a killer really existed or not.
|
|
|
Hyperspeed Reach - Audiovisual Performance
Kočišová, Lenka ; Vojtěchovský, Miloš (referee) ; Skočovský, Luděk (referee) ; Palla, Marian (referee) ; Ruller, Tomáš (advisor)
This dissertation thesis describes the phenomenon of audiovisual performance in different connotations. A substantial part is devoted to psychological survey into my own subconscious and subsequently to metaphorical processing of this introspection. An important part of the work is a resume of the general knowledge of the physical properties and its metaphorical application on mental and creative processes. This analysis and explanation of internal cognitive models are implemented in terms of the study of relationships, interactions based on cooperation or confrontation, but also the inability to grasp the objective reality from the subjective position due to the merged distinctions of real and fictional. The importance of audiovisual performance is also studied in linear perspective of history, in order to point out the general principle of repetition patterns, which reveals that audiovisual performances is an activity which is a necessary expression of life itself and not just the concept in the field of arts.
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