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Actor’s work in school theatre and in professional
Terberová, Tereza ; TÖPFER, Tomáš (advisor) ; PLEŠTILOVÁ, Miroslava (referee)
As a topic for my diploma thesis, I picked comparison of work in school theater and in professional conditions. In the individual chapters I describe my experience with these various environments. Information for my diploma thesis was obtained both from available specialised literature and especially from experience that I managed to gather during my short acting career on and around the stage.
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ACTING IN THE LIFE AND THE LIFE IN ACTING
Müller, Richard ; PLEŠTILOVÁ, Miroslava (advisor) ; ŠIKTANCOVÁ, Jaroslava (referee)
This thesis deals, in general, with the topic of theatrical experience of a young person, and examines everyday life influences on his artistic life and on the development of art within the person self. It poses questions and looks for answers to some of those questions in the specialist literature, or by deducing from personal experience.First, numerous influences that affect a person during his studies are presented, the importance of a person’s psychological profile, as well as his understanding of himself, and of the world around him. Later on, personal experience from professional carrier is described. I am disclosing character work in the DISK theatre and I am trying to find reasons for my feelings, both, good and bad, during the rehearsing processes, and the cause of my successes and failures. Acting, on stage as well as in front of the camera, is described from an unusual point of view, focusing greatly on details that are oftentimes overlooked.The new perspective from which I am trying to present acting and the life of an artist consists not only of the professional tools for mastering the craft - such as learning new parts, adopting the technical skills, etc. - but emphasizes humanity, underlines its importance, and searches for a threshold between professional and personal life of an actor.
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NOTIONS OF A CHARACTER IN CONNECTION WITH THE ACTOR'S SOMATOTYPE
Necpál, Michal ; SOMEŠ, Jaroslav (advisor) ; PLEŠTILOVÁ, Miroslava (referee)
The goal of this thesis is to point out the issue of casting based on actors' physiques and thus limiting their creativity. I discourse this matter on examples of both film and theatrical actors whom I know well. I deal with the pros and cons of different types of actors, delving deeper into comedic usage of body layouts and describing acting techniques of creating a character. I dedicate the core part of this thesis to self-reflection, trying to reveal my own development through assigned roles during my drama acting studies at DAMU.
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Psychosomatics and speech negotiations actor
Hacurová, Eva ; SZYMIKOVÁ, Regina (advisor) ; PLEŠTILOVÁ, Miroslava (referee)
In my master thesis I focus on psychosomatic, internal and external, actors assumptions, which are an essential part of acting talent. I deal with the question of to what extent is an anctor influenced by the nature of man, his qualities and character. The work is examining the relationship between the body and the psyche, especially its impact on creating a dramatic character during the rehearsing process and the overall speaking and physical stage of negotiations. I am naming not only my own acting assumptions, but also the problems that accompanied me during the study, whether cloistered and in graduate roles in the theater Disk .
I am referring to the actor's bad habits, risks of relations between acting partners and creative team as well as the necessity of pursuing the profession responsibly and artistically, realize of my strengths and weaknesses and targeted work to eliminate them.
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GENRE AND ACTING TOOLS
Nesvadbová, Annette ; PLEŠTILOVÁ, Miroslava (advisor) ; SALZMANNOVÁ, Eva (referee)
In my dissertation called "Genre and Acting Tools", I am focusing on the moments during my studies at the Theatre Faculty of the Academy of Performing Arts (DAMU) and at the Disk Theatre that were both significant and crucial to me. I am trying to outline the course of my work on different parts and the obstacles I had to deal with. In this context I am focusing on the differences in the acting tools for different dramatic genres and how they apply to the selection of graduate plays at the Disk Theatre.
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Acting in theater and in front of camera
Jansová, Eliška ; PLEŠTILOVÁ, Miroslava (advisor) ; PAVELKA, Tomáš (referee)
This thesis is about acting in theater or in front of camera.
At the beginning it is focused to these directions individually and later summarizes their differences, which include: what function the audience has; what options of movement the performer has; what style direction the actor uses; what the difference of collaborations between actors on the stage or in front of the camera have.It talks about the different approach of directors and self-expressions of actors and analyzes the different effects that each actor during their performance. It doesn’t only talk about the differences, but also includes the inter-connections of both styles.
The next part is focused on creating a character and comparison of current and passed actors that were acting in theater as well as in movies.
The conclusion is about my personal acting experience in film and in theater. It evaluates my work at the school theater DISK and also asses the transition to my advanced work.
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Personal Actor´s Psychology
Firlová, Izabela ; SAJFERTOVÁ, Zdeňka (advisor) ; PLEŠTILOVÁ, Miroslava (referee)
This diploma thesis deals with personal actor?s psychology. It is divided into two main parts, namely the theoretical and practical part. The theoretical part focuses on the overall analysis of the psychology of the actor - human. It depicts what is in the psychology of the actor's personality and what other factors are peculiar to it. The practical part describes stage fright, my experience with it, and how my personality deals with this issue.
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Interaction of the dramatic personage
Petřeková, Adéla ; KUDLÁČKOVÁ, Jana (advisor) ; PLEŠTILOVÁ, Miroslava (referee)
The thesis describes my personal experience which I gained during my studies at the Academy of Performing Arts (DAMU), rehearsals at the Theatre Studio Disk as well as experience gained out of school. This experience is illustrated with several examples of practical work which I participated in. Specially is described the interaction with the director, my theatrical partners, theatre-goers and with my own during the process of rehearsals.
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AUTHENTICITY AND STYLIZATION
Maroušková, Hana Marie ; Pleštilová, Miroslava (advisor) ; Kudláčková, Jana (referee)
In my Master's thesis, I focus on the processes of searching for the real nature of the theatrical character. I have tried to demostrate my argument on two distinct examples that I personally experienced as actress at Disk Theatre ? Marie in Moliere's Tartuffe and Karolina in Horvath's piece Kazimir and Karolina. I conclude that there are numerous approaches and means to achieve the final form of the actor's role and there is no pattern which we could use before we start thinking about the role itself.
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