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The Element of Randomness and Its Effect
Vášová, Viktorie ; NOVÁK, Vladimír (advisor) ; KROBOT, Miroslav (referee)
This thesis deals with the element of randomness during the rehearsal
stage, and with integrating unpredictable impulses which arise from the process
into the prepared scope of the performance. This study is a reflection on the
author’s own experience during her Bachelor’s degree. It is based on an analysis
of specific projects, most importantly, the author’s final performance ADA. We
will focus, above all, on the question of how the rehearsal phase is influenced by
the type of material that serves as the basis for the process, and whether and to
what extent it is possible for unpredictable impulses to influence the result.
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Aspects of Actors Work with Emphasis on Authenticity
Kubištová Máčiková, Adriana ; KROBOT, Miroslav (advisor) ; TOMÁNEK, Karel František (referee)
This dissertation - Aspects of actors work with emphasis on authenticity, Road show as a way to authentic acting, charts behaviour of our Divadlo koňa a motora (Theatre of a horse and a engine). I add here our diaries from wandering with the horse and a caravan in surroundings of Nitra, in the Šluknov region and also in eastern Slovakia. Due to the experience made by wandering itself and acting in front of audience, that is not used to visit theater, I try to find a way to grow up in acting. I also try to name particular problems in actors work, that I was facing up during my studies and praxis. Their possible solutions I try to find in my personal experiences from wandering.
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DRAMA ACTING ON ALTERNATIVE DEPARTMENT
Majerčíková, Petra ; MAZÚCH, Branislav (advisor) ; KROBOT, Miroslav (referee)
In this diploma thesis named Drama Acting on Alternative Department is author trying
to find connection of classical drama acting and Department of alternative and puppet
theatre. In first part she mentioned how does the department work. As a contrast to
the open and experimental creative work she elected system of Stanislavskij. In every
single chapter she reflected pedagogical methods of directors and their acting
approaches. At the end she foccused on reflection of her own acting and creating
procces in theatre Disk. Last part is based on short questonnaire for students of acting
department.
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Crossover
Tejnorová, Petra ; KLÍMA, Miloslav (advisor) ; KROBOT, Miroslav (referee)
This dissertation entitled CROSSOVER, between the layers of my own staging experience, on the boundaries of forms, genres and not only those, is divided into three parts. All sections are primarily based on my own theatre experience and are interlaced with numerous examples from performances and theatrically performative thinking of selected foreign ensembles. Given the subject matter, the first part primarily deals with Gob Squad and Shunt ensembles and the director Mike Leigh. In the second part, Rimini Protokoll and again Gob Squad are mentioned. The third part is dedicated mainly to the director Tim Etchells and his Forced Entertainment ensemble. My theatre experience is presented in the introductory part of this dissertation; starting with complex shows which represent a symbiosis of all components and are linked by their staging style and formerly discovered drama methods to authorial/devised projects to theatre which implements documentary and technological elements. In the first part of this dissertation, differences and subtle nuances between authorial and devised theatres are examined with focus on the specific devising creative method. The second part of the dissertation is focused on documentary and technologies. The third part consists of subtopics introduced in the previous chapters with respect to crossing boundaries between forms, genres and methodologies, which are more closely related to the phenomena of boundaries between theatre performances/events, fiction/reality, spectator/witness, actor/performer. The methods or the optics with which I work are based on the phenomenon of the mentioned areas and topics. The manner of addressing the issue can be likened to a phenomenological insight.
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Aspects of Authenticity in Acting
Neškudla, Pavel ; KROBOT, Miroslav (advisor) ; TOMÁNEK, Karel František (referee)
My diploma thesis Aspects of authenticity in acting examines the authenticity, nature, plausibility and truth in acting and performances or in other various forms of performing arts. All this is based both on my own experience and on theoretical, but not purely scholarly approach. However, this theoretical approach represents my own understanding without any ambition of theory redefinition. Diploma thesis examines, think and also submit claims.
All these concepts are demonstrated on my acquired artistic activities and on creation which I was or still I am part of.
The diploma thesis is also conceived as a look back, self-reflection, anchor and clarification of matters which of course involve my future and my artistic activities that are not mentioned in this thesis.
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ACTOR AND IMPROVISATION
Adamová, Sofia ; KROBOT, Miroslav (advisor) ; HAVELKA, Jiří (referee)
The subject of this thesis is to assess a theatrical improvisation and to
present it from many different points of view. It contains a
cmprehensive description of improvisation and it is also presented as a
specific way of thinking and acting. An The act of dramatical
improvisation is also shown as one of the posibilities how to invent a
concrete dramatic character.
It also analyze some of its components which includes fear,
happyness, the present moment etc.
Eventually the author elaborates the issue subjectively. Therefore,
there are mainly reflected and submitted author's experiences and
thoughts.
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Winter Journey
Čonková, Anna ; KROBOT, Miroslav (advisor) ; KOČVAROVÁ, Markéta (referee)
The thesis is focused on reflection of the rehearsal process of the play Winter journey from Elfriede Jelinek performed in Theatre of Žilina. The introduction describes the starting points - the life of the author and the play itself. Furthermore it deals with the process - reading rehearsals, blocking rehearsals, setting of stage scenes, verifying the functionality of individual elements and scenes, polishing and the final version. The work also explores concept of performer and different meanings of it.
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ACTOR AND TIME
Ballayová, Andrea ; MIKEŠ, Vladimír (advisor) ; KROBOT, Miroslav (referee)
The subject of this thesis is the phenomenon of time within the context of acting. The main aim is to identifiy different dimensions of the categories of time in a diversity of theater plays. The essence of this thesis is to demonstrate the importance of actor's perception of this phenomenon and it's practical use in the course of rehearsal.
Finally, the principal is the interception of time from many different points of view and it also emphasis its function in particular performances
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Pretence
Hába, Michal ; KROBOT, Miroslav (advisor) ; MIKEŠ, Vladimír (referee)
The thesis treats the phenomenon of pretence in the theatre. It deals with the meaning of contemporary theatre and its truthfulness, and the issue of acting/performing and the related themes of authenticity, (self)disclosure, detachment and communication. It also focuses, from the same viewpoint, on the "actors education" and the definition of the "alternative theatre". The principles of the theatre of no-pretence and esthetics of "theatrical dementia" are defined by examples of specific stage productions.
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Play
Konvalinka, Jiří ; KROBOT, Miroslav (advisor) ; BEČKA, Marek (referee)
The PLAY is not a game. The PLAY overreaches and connects all aspects of
all games if possible. The PLAY as phenomenon is existential issue that accompany
mankind from its beginnings. Similar to work, fight, love and death (mortality), the
PLAY shows men the condition or the frame of their existence. The PLAY is a
principle.
In this work, i will try to explore the PLAY and its relationship with acting and
my acting studies. Also I will explore my acting studies and possibilities of use of
experience I gained in the relationship with the PLAY and altogether the relationship
between the PLAY and the world itself.
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