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Milan Kundera and intertextuality
Grušová, Mariana ; Charvát, Martin (advisor) ; Češka, Jakub (referee)
The diploma thesis Milan Kundera and Intertextuality deals with aspects of relations between the texts in his novels. The first part outlines the intertextuality, theory of the novel and the approaches of some literary theorists towards this issue. The second half of the thesis analyzes the intertextuality in Kundera's works in various forms, mainly based on the themes of dreams and physicality. The greatest emphasis is placed on examining the legacy of Kafka in the context of Kundera's works, particularly in the novels The Joke and The Book of Laughter and Forgetting. Powered by TCPDF (www.tcpdf.org)
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Milan Kundera and intertextuality
Grušová, Mariana ; Charvát, Martin (advisor) ; Češka, Jakub (referee)
The diploma thesis Milan Kundera and Intertextuality deals with aspects of relations between the texts in his novels. The first part outlines the intertextuality, theory of the novel and the approaches of some literary theorists towards this issue. The second half of the thesis analyzes the intertextuality in Kundera's works in various forms, mainly based on the themes of dreams and physicality. The greatest emphasis is placed on examining the legacy of Kafka in the context of Kundera's works, particularly in the novels The Joke and The Book of Laughter and Forgetting. Powered by TCPDF (www.tcpdf.org)
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Milan Kundera and intertextuality
Grušová, Mariana ; Charvát, Martin (advisor) ; Češka, Jakub (referee)
Thesis Intertextuality in the work of Milan Kundera deals with intertextuality facets in his novels theoretically and practically. This work deals with the text and the relations between one and other - with intertextuality and with novel genre theories. I work with four important theorist, Michail Bachtin, Julia Kristeva, Gerard Genette and Roland Barthes. I examine their concepts of polyphony or Socratic dialogue and apply them on Kundera. Practical part explores Milan Kundera, intertextuality relation of his work his novelistic and theoretical approaches. Powered by TCPDF (www.tcpdf.org)
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The Topic's publishing company and art salons
Grušová, Mariana ; Halada, Jan (advisor) ; Čeňková, Jana (referee)
The aim of this work is to describe and analyze the history and production of Topič' s publishing company, book series, authors who he published and how he influenced the market until 1936, when he sold the company sold to another publisher František Borový. The publisher used his business skills and an interest in Czech literature, making him one of the founders of modern publishing tradition. Succeeded with low-cost editions of J. Neruda, S. Čech and other national authors, literature and thus made available to readers not so well off and worked with leading Czech artists and illustrators. By accessing promoted the book on the artwork. The Topič' s publishing company inherently includes an exhibition hall called Topičův salon. This has become one of Prague's cultural centers, major artists exhibited here and cultural figures met. I am describing the operation art shops, exhibition program and its artists, as well as how editorial and creative activities interacted. Another part of the publishing house is the small scene theatre called Divadélko Pro 99, which I also describe.
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