|
|
CITY AND (ITS) THEATRE
Gregar, Alexandr ; GAJDOŠ, Július (advisor) ; CÍSAŘ, Jan (referee)
PhD thesis project "City and (its) Theatre" is an attempt to map the relation between the development of Hradec Králové and the development of theatre activities on its territory. In the Czech Republic (in terms of the theatrical activities) Hradec Králové is widely known for the modern tradition of international theatre festivals. These festivals take the form of celebrations, a kind of City Dionysia drawing greater or lesser attention of artists, critics, but first of all huge attention of local society. Citizens of Hradec Králové constitute the main part of audiences (up to 70 000 in ten days) of the festival ? unlike other similar events in the Czech Republic ? which can be considered an extraordinary phenomenon. The project aims to identify town-development aspect of the theatre, especially in terms of its position in the public domain. Therefore also reminds conceptual search for the space for the new theatre building, covering a range of such sites in terms of representational, architectural, social and demographic aspects This thesis offers a mosaic of information about the development of this festival based on historical documents, especially printed news and press releases. It monitors fulfilment of the vision of the great theatre celebration deals with its qualitative and quantitative changes not only of the main program but also of the Open Air Programme. It also deals with doubted adjective "Czech Avignon", which is associated with the festival in Hradec Králové and attempts to classify and specify it in terms of content and character of the event Some management issues of the festival are dealt with in separate chapters, and the thesis is accompanied with complete list of productions of the main program and the Open Air Programme in the period 1995-2009.
|
|
|
Psychological context of scenic production
Šípek, Jiří ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Hančil, Jan (referee)
This dissertation thesis investigates selected (but substantial) topics of scenic art. It is based on theoretical work of prominent art and theater personalities (Frejka, Hilar, Zich, Vostry and others). Emotions, empathy, inner touch perception and distance are discussed in detail. In empirical research part there is studied a special way of art personality reaction in situation of meeting uncertainty. To process it Rorschach projective method was used.
|
|
|
Is it possible for a theatre to become a cultural centre?
Šesták, Jiří ; Gajdoš, Július (advisor) ; Srstka, Jiří (referee) ; Herman, Josef (referee) ; Gregorini, Jindřich (referee)
This thesis ? within the efforts to research implications and range of cultural management issues employed in theatre ? attempts to answer the question in the title: Is it possible for a theatre to become a cultural centre? Gradual clarifying this aim, the connections and both immediate and oblique assumptions of such a tendency interconnected with the issues of an open-air theatre space, specifically the possibilities of Revolving Theatre based in chateau gardens in Cesky Krumlov. In my opinion the invention of the scenographer Joam Brehms owing to its original contribution to European theatre includes the possibility of how to get closer to reaching the aim I have kept thinking about through development of those which have emerged from the history of South Bohemian Theatre. The role of an artistic director and also the position of a director in South Bohemian Theatre made me consider further the issues regarding the management of a complex theatrical organism, especially on the changed market conditions.The issues of management in an artistic or cultural institution and various solutions of which I learned myself first as an actor and later on I have had to make myself in various situations in my managerial positions formed the other part of my studies.
|
|
| |
|
| |
|
|
Creating Theatre
Hrbek, Daniel ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Císař, Jan (referee)
In the course of the 1990s, prague treatres saw a dynamic development linked to the change of the political regime, to the emergene of a new theatre generation (the treatre trend- and poetics settrs gradually replaced),tot he conceptual and spontaneous transformation of the Prague theatre networ, and also to the changes in financing of culture in prague. As a result of this development, in the 1990s new theatr companies and theatres were established or recreated. On the other hand, other traditional theatres ceased to exist.
|
|
|
Introduction do Acting
Janák, Aleš ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Císař, Jan (referee)
Leningrad., October 1993, Komsomol Community Centre at the Vasiliev Island. Rehearsals and training. Theatre Probiology. discoveries and search of the basic segments of theatre. Setting the precise border between theliving and unliving on the stage. While rehearsing and first of all while acting, we focused on finding the basic segment: when does one become an actor? We formulated certain aassociations and concluded oir own rules on the basis of the fiorst discoveries of relations between body and living immovable object and any space in which it was situated or just happend to be
|
|
|
The Expression as life experience
Dočolomanský, Viliam ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee)
Obsahom tejto práce je reflexia praktík tvorby dvoch inscenácií súboru Farma v jeskyni, ktoré jsme vytvárali počas mojho doktorandského štúdia na DAMU pod vedením prof. Jaroslava Vostrého. Obidve incenácie vznikali na podnet základného výzkumu v zvolenom kulturnom teritoriu. Sonetom temné lásky predcházala výprava do Andalúzie, inscenácia Sclai- Emigrantova Píseň sa rodila z výpravy na východné Slovensko.
|
guest ::
RSS feed.