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Trendy vývoje nábytku ČR od roku 1960 do současnosti
Krenarová, Eliška
Bachelor's thesis deals with the furniture manufactured in the Czech Republic from the sixties of the 20th century up to the present. The furniture is closely connected with the feelings of society which are reflected in furniture's shapes and decoration. The time of Socialist Realism, Postmodernism, recent history and today are desribed in this thesis. In every chapter (decade) the situation of period, furniture making and summary are sketched. The result of the thesis is a diagram of the furniture development in the past and an estimation of the future. The results are analysed in a discussion.
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Ostalgie in Czech art
HULEOVÁ, Markéta
This thesis Ostalgie in Czech art summarizes recent history of art aimed to fifties and sixties of the twentieth century and also the fundamental notion of Czech cultural time - socialist realism. In opposition to the term 'socialist realism', there is a term 'ostalgie', which is focused on a nostalgic memories during normalization. In the theoretical part of this thesis author presents and explains the two main terms and focuses on the cultural aspects which were brought or denied to the nation by to the socialistic system in those times. In the practical part the author follows the theoretical part, especially in creating posters, which is influenced by nostalgic spirit.
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China´s trade relations post-WTO accession
Gažar, Marek ; Adámková, Vlasta (advisor) ; Zapletal, Petr (referee)
First chapter describes World Trade Organization. This chapter describes foundation, agreements establishing this organization and its structure. Second chapter focus on trade liberalization in China and on its transition from centrally planned economy to socialist market economy. Third chapter is analysis of China's trade relations post-WTO accession. It describes China's trade relations with its most important trading parners USA, EU, Japan, ASEAN and its specific trade relations with Special Administrative Region Hong Kong and with Russia.
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Art group Experiment and other art groups at the turn of the fifties and sixties
Smetanová, Marie ; Lahoda, Vojtěch (advisor) ; Klimešová, Marie (referee)
The subject of this work is an art group of four painters that was founded in 1959 and named Experiment. Artists of this group - František Dvořák, Radoslav Kutra, Jaroslav Uiberlay and Miloslav Jemelka - were born in the late twenties of the twentieth century. They belonged to the generation of painters, who had the opportunity to study after the second world war. They also played a crucial role in the forming of artistic expression in the sixties in Czechoslovakia. The main effort of these painters was to overcome the uniformity of socialist realism. They intended to return to and evaluate the visual art produced between wars in Czechoslovakia and in Europe. The feeling of vulgarity of descriptive realism prompted many artists to establish art groups in which their ideas and thoughts were formed due to the mutual confrontation. At the turn of the fifties and sixties was established a large number of "creative groups", whose development was possible due to the Union of Czechoslovak visual artists. Although the Union still served as a strict supervisor, it also allowed many young artists to exhibit their work for the first time in public. Creative groups, along with the Experiment, which was rather small, but compact formation, had merit in the overall release of the intricate situation in the Union. The...
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Foreign art exhibitions in Prague 1945 -1953
Hosťák, Jan ; Pech, Milan (advisor) ; Serranová, Mariana (referee)
The thesis will focus on the foreign exhibitions in Prague at prague associations and art galleries betwen yers 1945 - 1953. The heading of every one of chronologicaly sorted chapters will contain a brief insight into the political and cultural situation of Czechoslovakia, which should help the reader to grasp the whole context. The theoretical articles from relevant period will illustrate the shift from "formalism" to socialistic realism as well as types of exhibitions, their historical context and feedback they got from the czechoslovakian artistic community.
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Women of the group UB 12 in the context of contemporary Czech culture
Štroblová, Kateřina ; Hoftichová, Petra (referee) ; Czumalo, Vladimír (advisor)
The era of the years 1948 - 1968 in Czechoslovakia was full of historical reversions and events. Also sociocultural scene passed in this period through important changes. From the repressions of the fifties through "the golden sixties" to the "normalisation" of the seventies; all in the shadow of communistic totality. Beside the official art under the dictate of socialist realism the antinomie movements occured here; connecting at prewar modem and avantgarde at the beginning. After enforcing the abandoning of the interdict of art groups, the artists began to associate themselves to different groups, based on friendship or collective artistic opinions. One ofthese groups was UB 12, founded in 1959. The artists ofthe group were of different age; beside of friendship the admiration for French culture and art and also the "poetics of everyday life" was the link between some of them. The group broke after the year 1968. Although the group wasn't united in artistic manners and didn't have the collective manifesto (which often led to its evaluation as average or inexpressive ), it assumed important place in the Czech art. Many of its members (like Václav Boštík, Stanislav Kolíbal, Adriena Šimotová) are considered as ones of the most outstanding artistic personalities of the Czech art of the second half of201 h...
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