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The Art/The Crime The Crime/The Art
Blail, Michael ; Zálešák, Jan (referee) ; Koleček, Michal (referee) ; Rozbořil, Blahoslav (referee) ; Palla, Marian (advisor)
The main title of the doctoral thesis - ART/CRIME - CRIME/ART - point to a general investigation of these two phenomenons. This investigation makes up the background of the main theme of the thesis, which is an actual event of the mysterious death of the painter and shepherd K.. At work I spend time with alternative investigations of this death and the goal is an attempt to reconstruct the events and effort of discovering the answers what happened that night and whether or not a killer really existed or not.
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3 T/40/2021-389 – „Everyone agreed to rob the first house “
Kulhavá, Karolína ; Šrek Bromová, Veronika (referee) ; Rathouský, Luděk (advisor)
The content of the bachelor thesis focuses on the processing of crime number 3 T / 40 / 2021–389. Namely, it is an offense of theft, violation of domestic freedom, damage to another's property, and illegal arming, which I figure in the position of a victim. The painting elaboration of this topic, or personal experience, naturally arose for me based on my previous work, areas of interest in creation, and efforts to develop them. The series of paintings I have created depicts the subject from the position of a surroundings observer after committing a crime. These paintings capture nothing more than the artefacts themselves. In various ways, these artefacts have become crucial shreds of evidence. The used painting technique is oil paint on a canvas of different sizes.
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Visualisation of crime in the Normalization cinema
Škopková, Andrea ; Urban, Michal (advisor) ; Agha, Petr (referee)
67 Visualisation of crime in the Normalization cinema Abstract The thesis deals with the question to what extent and in what way the Czechoslovak Normalisation through state-controlled cinema influenced the portrayal of crime/criminality in crime and detective films. The present work attempts to capture the schemes and boundaries within which the dramaturgy of Czech film genre production moved during the so-called Normalisation. The work is based on comparing available data and studies on real crime with its filmic portrayal. The thesis includes a chapter devoted to interdisciplinary, especially sociological, contexts of researching crime and its reflection in society. Another part of the text includes the historical and legal-historical context of the topic under study and the transformations of criminal law. Together with a description of some selected motifs of the film narratives and with an assessment of the extent to which and in what ways selected criminological topics (e.g. recidivism, the problem of social pathologies) are reflected in contemporary professional literature (or statistics) and film, the thesis illustrates with specific examples the ways in which the ideology of Normalization may manifested itself in film productions primarily for the entertainment of the audience (the public). The...
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Crime culture of the 1990s and its actor reflection
Zajíčková, Tereza ; Wohlmuth, Petr (advisor) ; Houda, Přemysl (referee)
The thesis aims to interpret the actor's reflection on crime in the 1990s. It will focus on the perception and subjective interpretation of crime, which predictably increased in intensity after the collapse of the socialist regime. This socio-pathological phenomenon, typical of post-communist states, necessarily had an impact on the cultural and social development of the time, which is also reflected in contemporary popular art. The diploma text generally subscribes to the new cultural history and uses oral history as its primary method. The research will use newly acquired oral history narratives from several categories that represent actors in the context of the phenomenon in question - justice, prison, police, etc. In the context of pre-defined contemporary cultural categories, the thesis will attempt to interpret their subjective experience of the phenomenon. Key words: Crime, Criminality, Cultural History, Oral History, ActorReflection
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The Picture of the Divided Self in the Work of R.L. Stevenson and Bram Stoker
KACEROVSKÁ, Lucie
The thesis focuses on the theme of split personality in the works of Bram Stoker and Robert Louis Stevenson. The aim of this thesis is a comparative analysis of the novels Dr. Jekyll and Mr. Hyde by R. L. Stevenson and Dracula by Bram Stoker, with regard to the key theme of split personality. The introductory theoretical part discusses the significance of this theme in Anglo-American gothic prose, drawing mainly on Botting's study Gothic. The following chapters are devoted to a comparative interpretation of selected motifs, such as mystery, love, pursuit, desire for power, fear, violence, science and education, friendship, and love. The thesis also focuses on the function of space and the depiction of crime, guilt, and conscience in both novels. Last but not least, it addresses the significance of contrasts and symbolic images in creating psychological tension in the works of both authors. This thesis offers a psychological perspective on two famous gothic novels and their shared theme.
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Representations of Criminals in Film Production of 20th and 21st Centuries Based on Bonnie & Clyde and Ted Bundy.
ŠOTOLOVÁ, Lucie
This Bachelor's thesis looks into movie representation of two notorious criminal cases: a duo, Bonnie and Clyde and a serial killer by the name of Ted Bundy. Firstly, the work describes factual life stories that the film adaptations are based upon. Then it compares distinct interpretations with real events, which are understood as fact by many. In doing so, it also outlines the basic plot and possible readings of these instances. The paper compares the media depiction of the single offender and the couple, examining them with a focus on changes in the portrayal and rendering of a criminal's life at different points in time. The main object of this study will be six films shot in the 20th and 21st centuries.
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The title of the thesis: Crime of murder and manslaughter under section 140, 141 of the criminal code
Masná, Kateřina ; Hořák, Jaromír (advisor) ; Pelc, Vladimír (referee)
7 Abstract The title of the thesis: Crime of murder and manslaughter under section 140, 141 of the criminal code Abstract: This thesis focuses on the most serious crimes against human life, namely the crimes of murder and manslaughter under sections 140 and 141 of Act No. 40/2009 Coll., The Criminal Code. The aim of this work is to describe both of these crimes in detail, to explain the importance of punishing these crimes, to explain the reason for introducing the crime of manslaughter in our legal system, its significance, and how it differs from murder and makes it a privileged crime to the crime of murder. The purpose of this work is also, among other things, to describe the procedure of criminal investigators in the investigation of these crimes and the methodology of the investigation of intentional crimes against life. In the first part of this thesis I deal with the historical development of the legal regulation of intentional killings in our territory, starting from ancient Rome and ending in 2009, when the current Criminal Code was issued. I focus on the most important legislation that has been issued throughout history and how it regulated intentional killings. The second part copes with the crime of murder, which first outlines a general introduction to this crime, then I describe the nature of...
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3 T/40/2021-389 – „Everyone agreed to rob the first house “
Kulhavá, Karolína ; Šrek Bromová, Veronika (referee) ; Rathouský, Luděk (advisor)
The content of the bachelor thesis focuses on the processing of crime number 3 T / 40 / 2021–389. Namely, it is an offense of theft, violation of domestic freedom, damage to another's property, and illegal arming, which I figure in the position of a victim. The painting elaboration of this topic, or personal experience, naturally arose for me based on my previous work, areas of interest in creation, and efforts to develop them. The series of paintings I have created depicts the subject from the position of a surroundings observer after committing a crime. These paintings capture nothing more than the artefacts themselves. In various ways, these artefacts have become crucial shreds of evidence. The used painting technique is oil paint on a canvas of different sizes.
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