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Hyper-digitalization of the football environment from the point of view of the fans of the football club AC Sparta Prague
Novák, Filip ; Pergl, David (advisor) ; Tremčinský, Martin (referee)
The bachelor thesis deals with the influence of hyperdigitalization on the relationship between fans and AC Sparta Prague, a club participating in the highest Czech football competition. In the theoretical part of the thesis I define the concept of hyperdigitalization and the processes that come with the rapid development of digital technologies and communication tools. These include, for example, the naturalization of digital communication or the deterritorialization of the fandom. Furthermore, I discuss the methodology of my work, in which I use semi-structured in-depth interviews with Sparta fans to collect data. Among other things, the social network Twitter and the Sparta fan community operating there were used to select respondents. In the practical part, I analyse the generated data in chapters dealing with establishing a relationship with the club, consumption of digital content, traditional 'offline' fandom, the complications of digital technologies and the financial functioning of the club. The themes of the analytical chapters were developed primarily based on the categories emerging from the open coding results. Answers to the research questions and opportunities for further research are emerged in the final chapter.
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Different Representations of Love in the Works of William Shakespeare
JANDAČOVÁ, Petra
This diploma thesis is concerned with different representations of the theme of love in William Shakespeare's works. The first part of the thesis deals with Shakespeare's biography and it points out the author's most prominent career and literary accomplishments in order to establish a context and time frame of his poetic and dramatic works. Consequently, there are explored different ways how the theme of love was approached throughout various historical and literary eras with particular attention to the development of English literature and the evolution of love poetry. In the main part of the theses, there are explored different ways how Shakespeare portrayed and understood the nature of love in his literary works. The concept of love in Shakespeare's repertoire is analysed with regard to the genres of his poetic works, namely narrative poems and sonnets, and his plays, specifically comedies, tragedies, and romances. For each of the genres there are chosen several individual plays or poems, which are then interpreted in connection to how they portray and relate to the theme of love.
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Jewish Condition as Image of Marginalization
Pavlíková, Kristina ; Jamek, Václav (advisor) ; Voldřichová - Beránková, Eva (referee)
The theme of this bachelor thesis is the life and literary work of Jacques de Lacretelle, a French literature figure of the 20th century. Its aim is to expound his extensive work which is nowadays almost forgotten. The thesis focuses mainly on Lacretelle's vision of the Jews as described in his two novels- Silbermann and The return of Silbermann. Based on the detailed analysis the thesis tries to understand the reasons of choosing the Jewish motif for Lacretelle's work and personal connotations in it. Lacretelle's life and work is studied in comparison with a Czech author called Ladislav Fuks. We shortly introduce this writer, main events of his life connected with his literary work and his unique style of writing based on the method of substitute literary themes. This approach is subsequently applied on Lacretelle's writings and gives us a new point of view of them. Also we try to compare the series about Silbermann with Fuks's short-story anthology called Mí černovlasí bratři. At the end we draw a comparison between Lacretelle and Fuks and try to discover resemblances in their lives and works. This enables to understand their motives to choose the Jews as the main characters of their writings, probably connected mainly to their feeling of non-acceptance caused by their homosexuality. Powered by...
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Protagonist in Gabriele D'Annunzio's Rose Trilogy
Richterová, Daniela ; Flemrová, Alice (advisor) ; Čaplyginová, Olga (referee)
In this thesis we will focus on D'Annunzio's Novels of the rose cycle, on the character analysis of its protagonists in the light of the specific social-historical interpretation of fin-de- siècle period. After a short introduction dedicated to life and work of the author, we will analyse the three novels with the aid of the works of literary criticism in a way that the major themes and specific characteristics of the novels emerge in their comparative interpretation based on the perspective of significance of the author's work in italian and european literature at that time. In conclusion we will consider the possibility of alternative solutions to decadence for D'Annunzio's protagonists which will bring our discussion into philosophical debate about crisis of misguided european rationalism, the crisis related to the problem of dissolution of subject of identity.
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Top of the french classical tragedy in Racine's work
Procházková, Laura ; Jamek, Václav (advisor) ; Voldřichová - Beránková, Eva (referee)
Work is introduced with a characterization of French Classical Tragedy of the 17th century and other contemporaneous dramatic production. Following brief description of historical development and connotations explains the formation of French classical dramatic norms and rules. Their appearance and assertion is consequently confirmed in an analysis of selected works of Jean Racine, major representative of French Classical Tragedy. Diversity of tragic conflicts and originality of Racine's dramatic and aesthetic forms is demonstrated in concluding confrontation with Pierre Corneille. Powered by TCPDF (www.tcpdf.org)
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Protagonist in Gabriele D'Annunzio's Rose Trilogy
Richterová, Daniela ; Flemrová, Alice (advisor) ; Čaplyginová, Olga (referee)
In this thesis we will focus on D'Annunzio's Novels of the rose cycle, on the character analysis of its protagonists in the light of the specific social-historical interpretation of fin-de- siècle period. After a short introduction dedicated to life and work of the author, we will analyse the three novels with the aid of the works of literary criticism in a way that the major themes and specific characteristics of the novels emerge in their comparative interpretation based on the perspective of significance of the author's work in italian and european literature at that time. In conclusion we will consider the possibility of alternative solutions to decadence for D'Annunzio's protagonists which will bring our discussion into philosophical debate about crisis of misguided european rationalism, the crisis related to the problem of dissolution of subject of identity.
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Top of the french classical tragedy in Racine's work
Procházková, Laura ; Jamek, Václav (advisor) ; Voldřichová - Beránková, Eva (referee)
Work is introduced with a characterization of French Classical Tragedy of the 17th century and other contemporaneous dramatic production. Following brief description of historical development and connotations explains the formation of French classical dramatic norms and rules. Their appearance and assertion is consequently confirmed in an analysis of selected works of Jean Racine, major representative of French Classical Tragedy. Diversity of tragic conflicts and originality of Racine's dramatic and aesthetic forms is demonstrated in concluding confrontation with Pierre Corneille. Powered by TCPDF (www.tcpdf.org)
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