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The Essence of Performance
Martinek, Filip ; Havlík, Vladimír (referee) ; Ruller, Tomáš (advisor)
Openness to a specific experience of being and the possibility of achieving relative perfection at the maximum horizon is essential, as is the subsequent move beyond this horizon, that is to say the fulfillment of its potential at its maximum level, culminating in the performative act. This leads us to a link that is the confirmation of authenticity, the reality of presence. Such presence is then autotelic. Potential, updated as such, is in its presentation deprived of hedonistic selfishness.
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The Essence of Performance
Martinek, Filip ; Havlík, Vladimír (referee) ; Ruller, Tomáš (advisor)
Openness to a specific experience of being and the possibility of achieving relative perfection at the maximum horizon is essential, as is the subsequent move beyond this horizon, that is to say the fulfillment of its potential at its maximum level, culminating in the performative act. This leads us to a link that is the confirmation of authenticity, the reality of presence. Such presence is then autotelic. Potential, updated as such, is in its presentation deprived of hedonistic selfishness.
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THE VIEWER INTERACTING WITH AN OBJECT
Stránská, Marianna ; ŽIŽKA, Tomáš (advisor) ; TÄUBELOVÁ, Kristýna (referee)
ANNOTATION
This diploma thesis is not a scientific work or a historical research, above all it is a reflection of my own practise, my own artistic creative work aiming at a viewer interacting with an object.
Key words - spectator, object, interaction, communication, experience, practice, dream, imagination, childhood, game, collaboration, happening, installation, performance, site specific, communication game, participance, active
This diploma thesis is basically divided into three main parts: context, practice and reflection.
The first part context deals with today´s theatre form as a distinctive and irreplaceable medium, which is able to succeed in the contemporary fast-motion world of the Internet and TV. It enquires about the shape of the theatre today. In that connection I research a connection between theatre and other types of art. At the same time I bring a new type of terminology and define art, which tries to involve a spectator in a selected subject an object in an interaction with a spectator. I try to put this subject in a scientific and historical context, look for similarities in work of other artists and researching all possible forms of interaction and describe a relationship between author, spectator and work on particular examples.
The second part of the thesis confronts the previous thoughts with my own experience. It describes ideas, pieces of knowledge and observations. It illustrates the development of The Lounge of Senses project and other following projects labelled with ORBIS PICTUS or...brand. It formulates an intention and meaning of these projects from this experience.
The third part of the thesis reflection deals with the possibilities of interaction within a stage work. It returns to a theatre form with an experience from interactive expositions. It deals with symbols with which a spectator can be motivated and provoked to participate in the work process. It looks for possibilities to attract spectator´s attention. And last but not least it shows the development of such opinions on practical examples.
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