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Negritude and a new poetic language, originated from colonial history
Šarše, Vojtěch ; Voldřichová - Beránková, Eva (advisor) ; Pohorský, Aleš (referee)
This work deals with Aimé Césaire's book Cahier d'un retour au pays natal, its function a value for author himself and for reader. At first, the paper explains, using linguistic and semantic analysis of chosen passages of this book, the liberation of author from the literary conventions and forms of his time, the quest of authentic style and his own poetic language. In the first part, the influence of french literature on Césaire's creation, precisely of Lautréamont, Rimbaud, Baudelaire, is explained. Afterwards, the work focuses on the emancipation tendencies which consist in the organic incorporation of the surrealistic practices and of creole influence into his poetry. In the second part, the paper attempts to give a description of author's determination to liberate the oppressed people, by the society, and his seeking of a new identity, based on omitted history of this people, on his ancestors and mainly on his forgotten roots. In the first place, indirect influence of the colonialism: his cruelty, enslavement, Triangular trade on Césaire's literary creation is described. The aim is to show the attitude of the author to the suffering of slaves and how he describes it to the reader and how he uses his heroes to accuse the colonialism of his cruel and usually atrocious practices to regain proud for his people.
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Negritude and a new poetic language, originated from colonial history
Šarše, Vojtěch ; Voldřichová - Beránková, Eva (advisor) ; Pohorský, Aleš (referee)
This work deals with Aimé Césaire's book Cahier d'un retour au pays natal, its function a value for author himself and for reader. At first, the paper explains, using linguistic and semantic analysis of chosen passages of this book, the liberation of author from the literary conventions and forms of his time, the quest of authentic style and his own poetic language. In the first part, the influence of french literature on Césaire's creation, precisely of Lautréamont, Rimbaud, Baudelaire, is explained. Afterwards, the work focuses on the emancipation tendencies which consist in the organic incorporation of the surrealistic practices and of creole influence into his poetry. In the second part, the paper attempts to give a description of author's determination to liberate the oppressed people, by the society, and his seeking of a new identity, based on omitted history of this people, on his ancestors and mainly on his forgotten roots. In the first place, indirect influence of the colonialism: his cruelty, enslavement, Triangular trade on Césaire's literary creation is described. The aim is to show the attitude of the author to the suffering of slaves and how he describes it to the reader and how he uses his heroes to accuse the colonialism of his cruel and usually atrocious practices to regain proud for his people.
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Slavery in Works of the 1st Half of the 19th Century Cuban Authors
Zelmat, Martina ; Opatrný, Josef (advisor) ; Křížová, Markéta (referee)
This thesis consists of an analysis of the works of two Cuban authors of the first half of the 19th Century, Francisco de Arango y Parreño and José Antonio Saco. This paper focuses on their works, mainly on those that discuss the topic of slavery. The first chapter introduces the evolution of slavery and its end throughout the Word and in Cuba, focusing on the development of the Cuban society in the 19th century, in which both of the authors lived and created. The second chapter analyses the works of Francisco de Arango y Parreño, his gradual development of ideas and views on the subject in connection with historical events that influenced his works. The third chapter is comprised of similar analysis of José Antonio Saco's works. The conclusion compares the works of both authors and highlights the points in which their views coincide or diverge. Key words: Francisco de Arango y Parreño, José Antonio Saco, slavery, slave trade, abolitionism, sugarcane, Cuba, 1st half of the 19th cent.
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