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Educational support for postproduction of digital photography in metaformat RAW
Hájek, Petr ; Procházka, Josef (advisor) ; Rambousek, Vladimír (referee)
The aim of this bachelor thesis is to introduce metaformat RAW used in digital photography to readers. Possibilities in photo postproduction while sustaining the maximum quality of the finalised photo have been demonstrated here. As well as time effectiveness of the actual conversion. A part of this thesis is also comparison of several programs there are available for viewing and conversion of RAW metaformat. The chief output of the thesis is educational web page which is presenting RAW format conversion practises in easily accessible way. Users can download source files available on this web page and practically test the described methods of conversion.
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Methods of Revealing Digital Manipulation in the Context of CR
Janeček, Richard ; Láb, Filip (advisor) ; DVOŘÁK, Tomáš (referee)
This paper focuses on post-production techniques in journalistic photography and forensic methods, which enable to uncover them. Through interviews with experts, I seek to identify the meaning of the term “authentic” in the digital age and the way by which media, photographic competitions judges as well as forensic experts verify the authenticity of digital photos. As a precursor to editing of photos in the digital age, I present examples from the past. Next, moving to the digital age, I categorize the most common kinds of photography manipulations in news, photographic competitions and science and present examples.
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Software Multi-Effect for Post-Production of Pop Music
Trkal, Tomáš ; Glembek, Ondřej (referee) ; Černocký, Jan (advisor)
This diploma thesis deals with design and implementation of complex software system for post-production of popular music. The system was implemented as a plug-in module in C++ language using JUCE application framework. The emphasis was on creating a well arranged and intuitive graphic user interface. The plug-in provides a set of audio effects and processors that can be connected into the desired graph structure. For less experienced users, there is a database of preset configurations usable for a variety of input signals.
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Wide Sound and its uses.
Majstr, Jan ; Vondra, Zdeněk (advisor) ; Kozl, Martin (referee)
This bachelor thesis theoretically defines and practically examines wide sound. This term is thought of as the widening of the perceived stereo field of an audio recording. The thesis aims to compare the most common methods of obtaining a wide stereo field based on metrics defined in the introduction to the thesis and subsequently to provide a recommended approach to achieving a wide stereo field taking into consideration the attributes and restrictions of the reader. The theoretical definitions of basic acoustic principles and sound as a physical entity will be presented in the theoretical part of the thesis. Within the practical part of the thesis the reader will find typical methods of creating a wide stereo field executed and monitored. The conclusion of the thesis will compare the individual methods and will provide the recommended approach to achieving a wide stereo field.
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Revivals of Forms and Styles in Visual Art: Current Hyperrealism as Product of Postproduction or a Commentary on the Advent of New Media
Hrnčířová, Markéta ; Borecký, Felix (advisor) ; Šafaříková, Radana (referee)
The book Postproduction: Culture as Screenplay, written by French aesthetician Nicolas Bourriaud is going to be initial text for my diploma thesis. Bourriaud claims, that contemporary art is mostly made by the principle of assemblage; art works are made by reinterpretation, reproducing or by new exhibiting of artefacts or forms of past. The assumption of the original concept in artworks of contemporary artists - semionauts (travelers in the worlds of signs) has been allready completely ineffective. Through the example of hyperrealistic paintings, which has lately reappeared in portfolios of international and czech artists, I will try to show whether its revilal is based on the emergence of new medias, that even more than in the seventies simulate reality or whether they deal with the concept of postpostprodution - the artists lend only formal, in this case, hyperrealistic, signs. This diploma thesis will be completed by the case study of paintings of czech hyperrealist painter Jan Mikulka.
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Modification of Vocal Tracks in SW Post-Production of Music
Trkal, Tomáš ; Beran, Vítězslav (referee) ; Černocký, Jan (advisor)
This thesis describes a design and an implementation of a vocal tracks processing application. The application consists of several sub-modules representing audio processors and effects. It is implemented as a plugin created with the VST technology. The plugin provides a simple control system and an integrated database of presets which help mainly less experienced users to significantly speed up the process of processing the vocal tracks. The user evaluation shows that application is successful both in creating demos and professional mixing of music tracks.
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Photographic post-production special techniques
Červinka, Jaroslav ; Krsek, Libor (advisor) ; Horný, Stanislav (referee)
Goal of this thesis is to present evolution of photography post-production from the very beginning and demonstrate special techniques which are used during complex photo-montage creation. Theoretical part is dedicated to history, from early examples of analogue photography manipulation and it's techniques to present day application. The second, practical part, showcases special techniques which are used in digital domain. Each method explanation includes cases of its usage and reasons for it. Techniques are explained by real-life examples which in conclusion lead to complex photographic montage. This thesis assumes that the reader knows how to use basic functions of Adobe Photoshop.
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