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Software Multi-Effect for Post-Production of Pop Music
Trkal, Tomáš ; Glembek, Ondřej (referee) ; Černocký, Jan (advisor)
This diploma thesis deals with design and implementation of complex software system for post-production of popular music. The system was implemented as a plug-in module in C++ language using JUCE application framework. The emphasis was on creating a well arranged and intuitive graphic user interface. The plug-in provides a set of audio effects and processors that can be connected into the desired graph structure. For less experienced users, there is a database of preset configurations usable for a variety of input signals.
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Modification of Vocal Tracks in SW Post-Production of Music
Trkal, Tomáš ; Beran, Vítězslav (referee) ; Černocký, Jan (advisor)
This thesis describes a design and an implementation of a vocal tracks processing application. The application consists of several sub-modules representing audio processors and effects. It is implemented as a plugin created with the VST technology. The plugin provides a simple control system and an integrated database of presets which help mainly less experienced users to significantly speed up the process of processing the vocal tracks. The user evaluation shows that application is successful both in creating demos and professional mixing of music tracks.
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"Instagrammable" Italy: Hyperreal Photography on Social Media
Uhrová, Michaela ; Marcelli, Miroslav (advisor) ; Řehořová, Irena (referee)
"Instagrammable" Italy: Hyperreal photography on social media This diploma thesis is dedicated to the phenomenon of authenticity and truthfulness of retouched digital travel photography on the social network Instagram. Social network users create a series of simulations and cause a shift of the meanings in the image by using predefined filters, masks, and other post-production techniques that transform the interpretation of reality to the point where they ultimately create hyperreality. According to Barthes, the literal meaning of the message is always accompanied by a connotation, while the two components of the message cannot be separated. In many cases, the connotations are inserted into the visual content by the creators themselves in order to achieve their purpose. In the analytical part of this work I focus on selected "instagrammable" travel photographs, which gradually lose contact with first-order reality due to interventions in the image and a shift of meanings and contexts. The aim of this work is to show how hyperreality is built in specific travel photographs that bloggers share on Instagram and what is actually required of travel photographs shared on a social network. Keywords: cyber-photography, post-production, Instagram, hyperreality, simulacrum
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A new Trend in Audio-visual Production? Comparison of Attractivity of 360° Video against a Classical Video.
Svoboda, Adam ; Géla, František (advisor) ; Štoll, Martin (referee)
The work deals with a field of audiovisual production, namely 360ř video format. The thesis is divided into two parts. The theoretical part describes the history and the development of the format. There is also a mapping of the existing use of this format in practice. The second, practical part of the thesis, is devoted to research based on differences in spectator perception. For the purpose of the research, the video material was produced that served as the main point of exploration. Respondents were subjected to qualitative research consisting of two parts. The first was a questionnaire related to the content that the respondents were playing in the video. The second part was the simultaneous observation of the respondents while watching the videos. The work brings interesting results in the comparison of classic video and 360 ř video as well as the findings that solve the question of the direction in which 360 ř video production can be made in the future.
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Software Multi-Effect for Post-Production of Pop Music
Trkal, Tomáš ; Glembek, Ondřej (referee) ; Černocký, Jan (advisor)
This diploma thesis deals with design and implementation of complex software system for post-production of popular music. The system was implemented as a plug-in module in C++ language using JUCE application framework. The emphasis was on creating a well arranged and intuitive graphic user interface. The plug-in provides a set of audio effects and processors that can be connected into the desired graph structure. For less experienced users, there is a database of preset configurations usable for a variety of input signals.
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Modification of Vocal Tracks in SW Post-Production of Music
Trkal, Tomáš ; Beran, Vítězslav (referee) ; Černocký, Jan (advisor)
This thesis describes a design and an implementation of a vocal tracks processing application. The application consists of several sub-modules representing audio processors and effects. It is implemented as a plugin created with the VST technology. The plugin provides a simple control system and an integrated database of presets which help mainly less experienced users to significantly speed up the process of processing the vocal tracks. The user evaluation shows that application is successful both in creating demos and professional mixing of music tracks.
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Photographic post-production special techniques
Červinka, Jaroslav ; Krsek, Libor (advisor) ; Horný, Stanislav (referee)
Goal of this thesis is to present evolution of photography post-production from the very beginning and demonstrate special techniques which are used during complex photo-montage creation. Theoretical part is dedicated to history, from early examples of analogue photography manipulation and it's techniques to present day application. The second, practical part, showcases special techniques which are used in digital domain. Each method explanation includes cases of its usage and reasons for it. Techniques are explained by real-life examples which in conclusion lead to complex photographic montage. This thesis assumes that the reader knows how to use basic functions of Adobe Photoshop.
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Audiovisual post-production of internet show in After Effects
Miadoková, Miroslava ; Krist, Antonín (advisor) ; Adamec, Jiří (referee)
The thesis deals with the process of post-production of audiovisual work. It describes Adobe After Effects and Premiere Pro as tools for creating cycle videos. The practical part compares the possibilities of accessing post-production of work from the point of view of automation. The thesis also analyzes the various procedures and provides guidance for the development of optimized output. It describes an automated template through which were generated parts of internet show. The outcome of the work is analysis interpreted on the basis of time spent creating project.
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