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Women as a Contemporary Lyrics Authors
Čížková, Karla ; Hník, Ondřej (advisor) ; Hausenblas, Ondřej (referee)
The main aim of this thesis is to provide the reader with the overview of the work of female authors of lyrics and show the topics they are mainly interested in. The partial aim is to find out if some specific female topics and specific female expression and language exist. The core of the work is commented antology of texts. There are included texts of authors who are authors of music and interprets concurrently, who have been working in ten last years and released at least one CD. I come to the conclusion that women are writing mostly about partner relationships, love as a special kind of emotion, family and maternity and also their own position in world, faith and sexuality. Typical of female authors is that they view at the things as if men could not understand the same topics. Specific is also language of female authors and motives they use as the means of expression: they are particulary delicate and tender images and metaphores, intuitive and playful puns. In some texts women try to oppose the stereotype of women putting the text into typicaly mens ambience and using "mens" dictionary.
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Evolution of Jaromír Nohavica Poetics throughout His Literacy Production
Červenková, Martina ; Hník, Ondřej (advisor) ; Hausenblas, Ondřej (referee)
The main topic of this document is singer Jaromir Nohavica. I would like to describe the evolution of his poetics. The primary goal is to establish, that the year of revolution - 1989 is the critical impulse to his production. Reader is briefly introduced to Jaromir Nohavica's life, but also acquaint with concepts like popular culture and kitsch. Basically I focuse on Jaromir Nohavica's song poetics interpretation. The specific examples show that Nohavica shift towards the mainstream of popular literature, in thematic level, in level of production and presentation himself in the way of rendering Jaromir Nohavica, compared to songwriters of his time, does not lose the audience, he can beraised according to the new conditions and new age.
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Poet and song text writer Karel Kryl
Rejzková, Lenka ; Hník, Ondřej (advisor) ; Klumparová, Štěpánka (referee)
102 17 Abstract The presented work deals with the strong personality of Czech folk music - Karel Kryl. It investigates the differences in the poetry of his lyrics and poems, and its development in the years 1968 - 1989. The first chapters outlines the situation since the sixties of the 20th century around the sung poetry and songsters to the present. Karel Kryl is compared with the Czech singer, he differed from them not only his work, but also his live, beliefs and appearance. His poetics is developed over twenty years, both in songs and in poems. This period is divided into four stages at the songs, according to which they are assigned to each of poetry collections. By 1971, one can speak only about the songs, because Karel Kryl has not paid poems in this period. At this time, the young author wrote a texts, in which disagreed with the occupation troops of the Warsaw Pact, the texts are uncompromising. Due to emigration in 1969, he began the songs express longing for home. Kryl speaks for all and all. The second stage of Kryl's production is between 1972 - 1975 - "happy period", especially the theme of love appears, the song (more than in poetry) the Bible theme here together in poems and songs. Primal screams took turns telling silence. After 1975, the author resorted for humor to in all his work, but it...
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Czech folk scene and political persecution after 1977
Jeřábková, Kamila ; Čechura, Jaroslav (advisor) ; Šmíd, Marek (referee)
Thesis Czech folk scene and political persecution after 1977, deals with the events in Czechoslovakia folk music scene after the release of Charter 77. Thesis is focused on members of the folk group Šafrán (Saffron). Studied period of time is placed between 1977 and the first half of the 80s in Czechoslovakia. Thesis is divided into two parts. Introduction of the thesis and its first part is dedicated to the political and cultural situation of the 70s of the 20th century. The second part of the thesis describes the origin and development of folk music as an independent musical genre in Czechoslovakia. The main aim of the thesis is a partial depiction of life situation of folk singer-songwriters in the specified time period. Thesis is based on chosen musician's personal memories of political persecution, which was directed against their work as well. The final part of the thesis is dedicated to the development and course of the secret police Action Asanace (Redevelopment). The event had an impact not only on the personal lives of these artists, but also on the further development of folk music in the late 20th century in Czechoslovakia.
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Women as a Contemporary Lyrics Authors
Čížková, Karla ; Hník, Ondřej (advisor) ; Hausenblas, Ondřej (referee)
The main aim of this thesis is to provide the reader with the overview of the work of female authors of lyrics and show the topics they are mainly interested in. The partial aim is to find out if some specific female topics and specific female expression and language exist. The core of the work is commented antology of texts. There are included texts of authors who are authors of music and interprets concurrently, who have been working in ten last years and released at least one CD. I come to the conclusion that women are writing mostly about partner relationships, love as a special kind of emotion, family and maternity and also their own position in world, faith and sexuality. Typical of female authors is that they view at the things as if men could not understand the same topics. Specific is also language of female authors and motives they use as the means of expression: they are particulary delicate and tender images and metaphores, intuitive and playful puns. In some texts women try to oppose the stereotype of women putting the text into typicaly mens ambience and using "mens" dictionary.
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Jaromír Nohavica: Evolution of Author's Poetics
Hrubcová, Zuzana ; Hník, Ondřej (advisor) ; Peterka, Josef (referee)
9 Resumé This work consists of two parts - theoretical and practical. The theoretical part deals with popular culture. Then it deals with popular literature and its attributes in relation with artistic literature. The work includes a chapter of popular music, which is necessary part of lyric text. At the end of theoretical part there is a chapter of vocal poetry. It helps us to get into the secret of lyric texts. The practikal part starts with chapter of basic motives and themes from the texts of Jaromír Nohavica. The practical part sets up a target to confirm an assumption, that Nohavica's texts are popular. But not at all, because they are artistic texts too. The research was realised in an analysis of nine texts from free different terms. In the texts there are shown attributes of popular literature and artistic literature.
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Poet and song text writer Karel Kryl
Rejzková, Lenka ; Hník, Ondřej (advisor) ; Klumparová, Štěpánka (referee)
102 17 Abstract The presented work deals with the strong personality of Czech folk music - Karel Kryl. It investigates the differences in the poetry of his lyrics and poems, and its development in the years 1968 - 1989. The first chapters outlines the situation since the sixties of the 20th century around the sung poetry and songsters to the present. Karel Kryl is compared with the Czech singer, he differed from them not only his work, but also his live, beliefs and appearance. His poetics is developed over twenty years, both in songs and in poems. This period is divided into four stages at the songs, according to which they are assigned to each of poetry collections. By 1971, one can speak only about the songs, because Karel Kryl has not paid poems in this period. At this time, the young author wrote a texts, in which disagreed with the occupation troops of the Warsaw Pact, the texts are uncompromising. Due to emigration in 1969, he began the songs express longing for home. Kryl speaks for all and all. The second stage of Kryl's production is between 1972 - 1975 - "happy period", especially the theme of love appears, the song (more than in poetry) the Bible theme here together in poems and songs. Primal screams took turns telling silence. After 1975, the author resorted for humor to in all his work, but it...
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Evolution of Jaromír Nohavica Poetics throughout His Literacy Production
Červenková, Martina ; Hník, Ondřej (advisor) ; Hausenblas, Ondřej (referee)
The main topic of this document is singer Jaromir Nohavica. I would like to describe the evolution of his poetics. The primary goal is to establish, that the year of revolution - 1989 is the critical impulse to his production. Reader is briefly introduced to Jaromir Nohavica's life, but also acquaint with concepts like popular culture and kitsch. Basically I focuse on Jaromir Nohavica's song poetics interpretation. The specific examples show that Nohavica shift towards the mainstream of popular literature, in thematic level, in level of production and presentation himself in the way of rendering Jaromir Nohavica, compared to songwriters of his time, does not lose the audience, he can beraised according to the new conditions and new age.
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