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Management of an independent orchestra on example of Collegium 1704
Sopková, Tamara ; SRSTKA, Jiří (advisor) ; SVOBODOVÁ, Doubravka (referee)
This thesis is focused on the issue of management of an independent orchestra Collegium 1704. Its goal is to present organisational structure to its very detail and to demonstrate how this structure is applied and related to the management of the orchestra. The aim of this thesis is to find and describe pattern of orhcestra management and present it as a complex unit and also its individual parts – projects. This model then is presented on specific examples from practice. The thesis is completed with comparing Collegium 1704 with another independent orchestra based on criteria stated in the introduction.
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Transformation of opera ensemble of South Bohemian Theatre?
Krenčíková, Eva ; SRSTKA, Jiří (advisor) ; KOFROŇ, Petr (referee)
Following thesis on opera ensemble of South Bohemian Theatre should bring comparison between current repertory system, potential so-called semi-stagione (this mode is thought to be set after transformation of this opera ensemble) and stagione mode that is typical for running opera production abroad.
The main aim of the thesis is to analyse these models and evaluate them regarding economic, artistic and organizational point of view.
Although it is focused on South Bohemian Theatre in Ceske Budejovice, there are more opera ensembles in regions facing the same problem and asking the same question: which would be the most effective model of running our business?
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Jiráskův Hronov - background of festival
Cajtlerová, Zuzana ; PROKOP, Petr (advisor) ; TICHÝ, Zdeněk (referee)
My bachelor thesis will be focused on the festival of amateur theater Jiráskův Hronov, which is the longest lasting festival of amateur theater - in Czech republic but also in the world. Jiráskův Hronov is completely unique and an original phenomenon of Czech amateur theater for several generations.
I'd looked at this festival of organizational aspects in its current form and in the context of a wide spectrum of nationwide festivals that precede it. The work will cover production side of things - both during the festival and in its preparatory stages. Another significant aspect of the work will be mapping out its financial situation during the previous years, and particularly at a time when the financial issue very actual - this year, for example, led to a shortening of the festival itself. In addition to financial changes occurred due to the departure of the long-running festival director Milan Strotzer - and the arrival of the new director Simona Bezoušková - or even significant program changes and even changes in the actual course of the festival.
Apart from the main aim of my thesis - to provide a global picture of the organizational background of the famous Czech Festival - my work also raises the question of the specificity of amateur production shows in the context of a specific functioning of amateur theater in general. My hypothesis would be the question whether the ensuring of such a festival has some specifics - due to professional theater and its shows.
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Director of the National Theatre
Urbánková, Monika ; ČUŘÍKOVÁ, Tamara (advisor) ; SRSTKA, Jiří (referee)
Diploma thesis "Director of the National Theatre - statute development" was primarily created as a historically-explorational work, which helps to look into this inherent chapter of the Czech republic history from a different point of view that is usual.
The very core part comprises of the National Theatre statutes, which are described through similar pattern and thus bring natural comparison of this institution evolution. The Diploma thesis begins in the year 1929, when the nationalism of the National Theatre took place, and culminates with the first democratic statute in the year 1993, or more precisely with its novella in 1994.
The work is enriched by look into the history of our country, as every chapter starts with a short summary of given time period for easier reader's orientation.
Part not to be also missed is formed by legal aspects concerning the National Theatre in selected time period.
I believe, that the work "Director of the National Theatre - statute development" will be useful to all future readers, who would like to understand the basic functioning of this organisation and the role of its director over the period of more than sixty years.
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