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Diploma work
Němec, Jakub ; Magid, Václav (referee) ; Mikyta, Svätopluk (advisor)
The aim of my work is to reflect expression coincidence that reflects the theoretical basis of cellular automata and quantum mechanics. I think that art should point to examples of accurate knowledge and in this way spread among potential viewers. This is how I try to get closer to the subjective utopian society WERP-VEGA. I am not entirely convinced that fine arts can change the political situation or address fundamental civilization complications, but I believe that art is able to predict freely one of the possible scenarios of the future because one is only able to do what he can imagine.
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Electrical installation with intelligent lighting systém
Benčo, Tomáš ; Červinka, Dalibor (referee) ; Ondrejček, Vladimír (advisor)
The aim of this thesis is primarily to get acquainted with the possibilities of intelligent lighting solutions in buildings. The first part of this thesis consists of individual requirements and principles when creating project documentation wiring. Given that this issue is very voluminous content is not possible to describe all the principles, standards and requirements in the development of project documentation in detail. The next section focuses on the issue of intelligent building installations. Comparison between classical and intelligent installation wiring. Their advantages and disadvantages. Another part of this work focuses on the installation of intelligent, we chose the control system from Loxone. Its main parts, the way working and functionality that is able to perform. And the last part is the overall drafting of installation of the house, which is divided into classical and intelligent part.
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no noon on
Janechová, Lucia ; Houser, Milan (referee) ; Štindlová, Marie (advisor)
The thesis focuses on the theme of sun. We perceive the sun in many different ways according to its position on the sky, to where we are located or simply depending on our current mood. In paintings and objects I look for ways to capture it's visual form or the imprints of feelings it's capable of creating. For that I use spiky or round branch-like shapes as the variations of the sun rays, in the centre of paintings is usually a circle. I combine acrylics and oil with dry pastel, which enable more relaxed and free strokes. In effort to expand the scale of medium I included materials like copper or concrete in my work. The series is therefore finished with relief almost-objects and a copper “gate” the sun figuratively passes through at noon.
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Hall
Žilinský, Michal ; Cenek, Filip (referee) ; Mikyta, Svätopluk (advisor)
Using slow camera movement in 20 minutes in five video scenes of completely CGI-rendered environment called Area of Universal Latency, I am mapping space-time of the zone which is located in the north-western Slovakia. Minimalistic narration of the autonomous single-channel video projection is confronting subjectivism with universality of the Anthropocene, vanitas and spirituality with the belief of consumerism in infinite accumulation and simulacra of virtuality with the absolute truth. The story of this video-poem is communicated through virtual environment, composed sounds and natural noises. This thesis is presenting a fragment of my attempt to record the morphology of the specific place through which, as the title of the video states, I am indicating the state of reality and its consequences yet not describing it explicitly.
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I am here it is not
Daneková, Petra ; Hosnedlová, Klára (referee) ; Kohoutková, Karolína (advisor)
I have chosen the concept of mimicry, camouflage and disappearance because the subject of fusion and invisibility interests me. To vanish in the nature or in the city just with the help of body and clothes. For the purpose of this thesis I have created an outfit that will prove effectiveness of camouflage for the ordinary people watched by cameras everyday. By using this outfit I should find out whether digital devices are sophisticated enough to recognize a person even in the case that he has more legs or arms and his face is covered only with the eyes visible. In my thesis I am using several kinds of digital devices by which I am trying to figure out the effectiveness of created outfit. For comparation and better capture of person I have created two types of outfit. One of them is monochromatic while the second one, and more essential one, is printed with glitch. I am testing these two outfits both in exterior and interior. The outcome of the thesis are photographs and videos of person dressed in created outfits.
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Playground
Haviarová, Kristína ; Sterec, Pavel (referee) ; Ambrůz, Jan (advisor)
In my work there is a great deal of handcuffing, conceptual approach to sculpture, space perception, aesthetic and intuitive work with material. I try to express a state that she can not always describe by words. All the knowledge and experience I have gained during my studies, I would like to apply to my bachelor work. Almost throughout my studies, I have been intensively engaged in plaster work as one of the basic sculptures. In exaggeration, we can talk about some obsession with the material. I deal with colorful but also structural deviations in different species. I work with it not only as a dense material but also as a material with a crust, but with a rough surface. It is some sort of rewinding into this material and through subtle objects and spatial installations I express the inner state, reaction to change and attitude to the environment. My final thesis will be a set of objects with interrelations but without a hierarchical arrangement. It will be about creating a stateless situation, variations in the state of a dead end. As part of the simple objects, gypsum "figures" will be the main actors of the already mentioned situation, with which they have to deal with themselves. I put in expectations that are never filled (static installation), a certain kind of tension occurs. However, gypsum does not have to play only the role of the main hero, it can be purely a part of an object based on aesthetic or sensual choice. I'm not trying to interact. The viewer is just an observer, the voyager who enters the frozen already. It can take the atmosphere and make a deliberate change into the situation of the main heroes of the work.
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Here You Are, Watch it!
Škrovinová, Eva ; Záhoranský, Dušan (referee) ; Stratil, Václav (advisor)
I deal with the production process of the painting base. I created a custom folding system already stretched canvas, which can reduce its size. On the other hand, this folding formed procesual abstract paintings on the surface of the canvas. Finally I created installation (5 white canvases, of which only one can be folded, but this one is indistinguishable from the others), which I complete with the documented research in previous paintings.
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no noon on
Janechová, Lucia ; Houser, Milan (referee) ; Štindlová, Marie (advisor)
The thesis focuses on the theme of sun. We perceive the sun in many different ways according to its position on the sky, to where we are located or simply depending on our current mood. In paintings and objects I look for ways to capture it's visual form or the imprints of feelings it's capable of creating. For that I use spiky or round branch-like shapes as the variations of the sun rays, in the centre of paintings is usually a circle. I combine acrylics and oil with dry pastel, which enable more relaxed and free strokes. In effort to expand the scale of medium I included materials like copper or concrete in my work. The series is therefore finished with relief almost-objects and a copper “gate” the sun figuratively passes through at noon.
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Infidel?
Krnáčová, Andrea ; Fajnor, Richard (referee) ; Gabriel, Michal (advisor)
In my bachelor's thesis, I am based on my own memories of my childhood and adolescence, which I spent in the community of Jehovah's Witnesses. I liken individual memories to pieces of concrete furniture from the Kingdom Hall, which I regularly visited. I decided to process this topic using a hanging installation made entirely of polystyrene.
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Playground
Haviarová, Kristína ; Sterec, Pavel (referee) ; Ambrůz, Jan (advisor)
In my work there is a great deal of handcuffing, conceptual approach to sculpture, space perception, aesthetic and intuitive work with material. I try to express a state that she can not always describe by words. All the knowledge and experience I have gained during my studies, I would like to apply to my bachelor work. Almost throughout my studies, I have been intensively engaged in plaster work as one of the basic sculptures. In exaggeration, we can talk about some obsession with the material. I deal with colorful but also structural deviations in different species. I work with it not only as a dense material but also as a material with a crust, but with a rough surface. It is some sort of rewinding into this material and through subtle objects and spatial installations I express the inner state, reaction to change and attitude to the environment. My final thesis will be a set of objects with interrelations but without a hierarchical arrangement. It will be about creating a stateless situation, variations in the state of a dead end. As part of the simple objects, gypsum "figures" will be the main actors of the already mentioned situation, with which they have to deal with themselves. I put in expectations that are never filled (static installation), a certain kind of tension occurs. However, gypsum does not have to play only the role of the main hero, it can be purely a part of an object based on aesthetic or sensual choice. I'm not trying to interact. The viewer is just an observer, the voyager who enters the frozen already. It can take the atmosphere and make a deliberate change into the situation of the main heroes of the work.
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